Formular Language And Poetic Design In The Aeneid

Preliminary Material /Walter Moskalew -- Introduction /Walter Moskalew -- Repetition, Genre, and Style /Walter Moskalew -- Design and Texture /Walter Moskalew -- Patterns of Association /Walter Moskalew -- List of Repetitions /Walter Moskalew -- Bibliography /Walter Moskalew -- Index Locorum /Walter Moskalew.

Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil's works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers sophisticated insights which point to the shape of Virgilian scholarship and criticism to come.

When Paul pens his letter to the Roman believers, he writes as a missionary to strengthen a church at the center of imperial power, choosing language that is familiar to his recipients. Paul responds not only to the influence of Judaism but also to the wider culture by contrasting prominent Roman values. David Wallace argues that Paul's gospel in Romans rejects and countervails the significant themes of Virgil's Aeneid, the most well-known prophetic source that both proclaimed Roman ideology and assured Roman salvation. After demonstrating that a close but nonauthoritarian relationship existed between Augustus and Virgil, Wallace examines relevant literary aspects, symbolism, and key imagery of Virgil's epic. A discussion of Paul's contraliterary approach follows, drawing out possible parallels and echoes in Romans against the universal message of the Aeneid.

Goldschmidt looks at the relationship between Rome's two great epic poems, Ennius' Annales and Virgil's Aeneid. Focusing on the intersections between intertextuality and the appropriations of cultural memory, Goldschmidt considers how Virgil's poem appropriates and re-writes the myths and memories which Ennius had enshrined in Roman epic.

This volume presents essays by leading scholars on the nature of orality as represented by the Homeric poems, and the effect of the oral way of thinking on the subsequent literate and literary development of ancient Greek and Roman culture.

An anthology of 43 classic essays and poems on the Roman poet. Quinn's position is that his work continues to be compelling and flexible enough to support a wide range of interpretations and perspectives. In addition to a bibliography, she provides a lengthy introduction and conclusion that tackle the question of the book's title, Why Vergil? Further, she juxtaposes the first few lines of the Aeneid in its original Latin with five translations, and includes a synopsis of it and a list of dates for quick reference. She has not indexed the volume.

"This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction.For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an overview and orientation."--

Explores the presentation of liminal figures in two major Latin poets

The poetry of Alexandria under the first three Ptolemies represents a second golden age of Greek literature. The eminence grise of poetic circles was Callimachus, whose poetic manifesto in favour of small scale, meticulously detailed and mannered works was to be of great influence on Augustan poetry in Rome. The stylistic aims of the Alexandrian poets have been much discussed, as has their reliance on literary tradition. First published in 1987, Realism in Alexandrian Poetry covers less familiar ground. Taking the whole canon of Alexandrian poetry as his starting point, Dr Zanker surveys the use of the realistic mode in works like The Idylls of Theocritus (were these real shepherds?), including such matters as the humorous elements of Callimachus Hymns, the love-story in Apollonius’ ‘Argonautica’, and the low-life sketches of epyllia like Hecale as well as the Mimes of Herodas. The striving for realism and minute detail is set in the context of the admiration of pictorialism in the plastic arts, the new valuation of science as a measure of human experience, and the deliberate mingling of high and low genres. All this is in turn placed in the cultural context of early Alexandria. Few books take the whole of Alexandrian poetry as their canvas. This one which does will be as valuable a study of the Alexandrian poets as it will be a forceful contribution to literary criticism.

Born in 39 C.E., the Roman poet Lucan lived during the turbulent reign of the emperor Nero. Prior to his death in 65 C.E., Lucan wrote prolifically, yet beyond some fragments, only his epic poem, the Civil War, has survived. Acclaimed by critics as one of the greatest literary achievements of the Roman Empire, the Civil War is a stirring account of the war between Julius Caesar and the forces of the republican senate led by Pompey the Great. Reading Lucan’s Civil War is the first comprehensive guide to this important poem. Accessible to all readers, it is especially well suited for students encountering the work for the first time. As the editor, Paul Roche, explains in his introduction, the Civil War (alternatively known in Latin as Bellum Civile, De Bello Civili, or Pharsalia) is most likely an unfinished work. Roche places the poem in historical and literary contexts that will be helpful to first-time readers. The volume presents, chapter-by-chapter, essays that cover each of the Civil War’s ten extant books. Five further chapters address topics and issues pertaining to the entire work, including religion and ritual, philosophy, gender dynamics, and Lucan’s relationships to Vergil and Julius Caesar. The contributors to this volume are all expert scholars who have published widely on Lucan’s work and Roman imperial literature. Their essays provide readers with a detailed understanding of and appreciation for the poem’s unique features. The contributors take special care to include translations of all original Latin passages and explain unfamiliar Latin and Greek terms. The volume is enhanced by a map of Lucan’s Roman world and a glossary of key terms.