Forms Of Temporality And Historical Time In The Work Of Johann Gottfried Herder

This edited collection is the first volume solely dedicated to research on Johann Gottfried Herder's understanding of history, time, and temporalities. Although his ideas on time mark an important transition period that advanced the emergence of the modern world, scholars have rarely addressed Herder's temporalities. In eight chapters, the volume examines and illuminates Herder's conception of human freedom in connection with time; the importance of the concept of forces (Kräfte) for a dynamic ontology; human beings' sensuous experience of inner and external temporality; Herder's conception of Bildung, speculations on extra-terrestrial beings and on different perceptions of time; the mythological figure Nemesis and Herder's view of the past and the future; the temporal dimension in Herder's aesthetics; and Herder's biblical studies in relationship to divine infinitude and human temporality. The volume concludes by outlining the influence of Herder's understanding of time on following generations of thinkers. Forms of Temporality and Historical Time in the Work of Johann Gottfried Herder is ideal for scholars, graduates, and postgraduates interested in Herder's metaphysics, epistemology, and philosophy of history, as well as any scholar concerned with 18th-century concepts of time and the emergence of the modern world at the beginning of the 19th century.

This edited collection is the first volume solely dedicated to research on Johann Gottfried Herder’s understanding of history, time, and temporalities. Although his ideas on time mark an important transition period that advanced the emergence of the modern world, scholars have rarely addressed Herder’s temporalities. In eight chapters, the volume examines and illuminates Herder’s conception of human freedom in connection with time; the importance of the concept of forces (Kräfte) for a dynamic ontology; human beings’ sensuous experience of inner and external temporality; Herder’s conception of Bildung, speculations on extra-terrestrial beings and on different perceptions of time; the mythological figure Nemesis and Herder’s view of the past and the future; the temporal dimension in Herder’s aesthetics; and Herder’s biblical studies in relationship to divine infinitude and human temporality. The volume concludes by outlining the influence of Herder’s understanding of time on following generations of thinkers. Forms of Temporality and Historical Time in the Work of Johann Gottfried Herder is ideal for scholars, graduates, and postgraduates interested in Herder’s metaphysics, epistemology, and philosophy of history, as well as any scholar concerned with eighteenth-century concepts of time and the emergence of the modern world at the beginning of the nineteenth century.

The funeral of Paddy Dignam in James Joyce’s Ulysses serves as the pivotal event of the ‘Hades’ episode. This volume explores how Dignam’s interment in Glasnevin Cemetery allowed Joyce the freedom to consider the conventions, rituals and superstitions associated with death and burial in Dublin. Integrating the words and characters of Ulysses with its figurative locale, the book looks at the presence of Dublin in Ulysses, and Ulysses in Dublin. It emphasises the highly visible public role assigned to death in Joyce’s world, while also appreciating how it is woven into the universe of Ulysses. The study examines the role of Glasnevin Cemetery – where the Joyce family plot was opened in 1880 and remained in use for eight decades – as well as the social and medical problems associated with life in Dublin, a city divided by class, status, wealth and health. Nineteen burials took place in Glasnevin on 16 June 1904, and the analysis of this group illuminates the role of undertakers and insurers, along with the importance of memorialisation. This book is an important contribution to Joyce and Irish studies, as well as to international studies related to the treatment of the dead body and the development of garden cemeteries.

As utopias question social ills and express human wants and unfulfilled dreams, they offer insights into the problems, desires and ideals of a certain time. This book uses this lens to examine cultural representations of ageing and old age in utopian writings from the Renaissance till today. The individual chapters offer detailed analyses and interpretations of numerous utopias from Thomas More’s Utopia (1516) to contemporary science fiction. Through close readings, the book explores age-related fears and ideals and investigates how perceptions of ageing and the life course as well as attitudes towards older people have developed over the centuries. Covering a large time span and a broad range of different utopias, the book identifies long-term developments and also puts certain dreams such as that of ever-lasting youth into a wider perspective. It thus enriches both our understanding of the cultural history of ageing and the history of utopian thought. The book will appeal to scholars and students from the fields of cultural gerontology and utopian studies, as well as literary studies and cultural history more generally.

An instant is the shortest span in which time can be divided and experienced. In an instant, there is no duration: it is an interruption that happens in the blink of an eye. For the ancient Greeks, kairos, the time in which exceptional, unrepeatable events occurred, was opposed to chronos, measurable, quantitative, and uniform time. In The Moment of Rupture, Humberto Beck argues that during the years of the First World War, the Russian Revolution, and the rise of fascism in Germany, the notion of the instant migrated from philosophy and aesthetics into politics and became a conceptual framework for the interpretation of collective historical experience that, in turn, transformed the subjective perception of time. According to Beck, a significant juncture occurred in Germany between 1914 and 1940, when a modern tradition of reflection on the instant—spanning the poetry of Goethe, the historical self-understanding of the French Revolution, the aesthetics of early Romanticism, the philosophies of Søren Kierkegaard and Friedrich Nietzsche, and the artistic and literary practices of Charles Baudelaire and the avant gardes—interacted with a new experience of historical time based on rupture and abrupt discontinuity. Beck locates in this juncture three German thinkers—Ernst Jünger, Ernst Bloch, and Walter Benjamin—who fused the consciousness of war, crisis, catastrophe, and revolution with the literary and philosophical formulations of the instantaneous and the sudden in order to intellectually represent an era marked by the dissolution between the extraordinary and the everyday. The Moment of Rupture demonstrates how Jünger, Bloch, and Benjamin produced a constellation of figures of sudden temporality that contributed to the formation of what Beck calls a distinct "regime of historicity," a mode of experiencing time based on the notion of a discontinuous present.

This interdisciplinary volume connects the philosophy of history to moral philosophy with a unique focus on time. Taking in a range of intellectual traditions, cultural, and geographical contexts, the volume provides a rich tapestry of approaches to time, morality, culture, and history. By extending the philosophical discussion on the ethical importance of temporality, the editors disentangle some of the disciplinary tensions between analytical and hermeneutic philosophy of history, cultural theory, meta-ethical theory, and normative ethics. The ethical and existential character of temporality reveals itself within a collection that resists the methodological underpinnings of any one philosophical school. The book's distinctive cross-cultural approach ensures a wide range of perspectives with contributions on life and death in Japanese philosophy, ethics and time in Maori philosophy, non-traditional temporalities and philosophical anthropology, as well as global approaches to ethics. These new directions of study highlight the importance of the ethical in the temporal, inviting further points of departure in this burgeoning field.

Experimental poetry and prose by black writers rejects traditional interpretations of social protest and identity formation to reveal radical new ways of perceiving the world. Winner, 2016 William Sanders Scarborough Prize, Modern Language Association Standard literary criticism tends to either ignore or downplay the unorthodox tradition of black experimental writing that emerged in the wake of protests against colonization and Jim Crow–era segregation. Histories of African American literature likewise have a hard time accounting for the distinctiveness of experimental writing, which is part of a general shift in emphasis among black writers away from appeals for social recognition or raising consciousness. In Freedom Time, Anthony Reed offers a theoretical reading of "black experimental writing" that presents the term both as a profound literary development and as a concept for analyzing how writing challenges us to rethink the relationships between race and literary techniques. Through extended analyses of works by African American and Afro-Caribbean writers—including N. H. Pritchard, Suzan-Lori Parks, NourbeSe Philip, Kamau Brathwaite, Claudia Rankine, Douglas Kearney, Harryette Mullen, and Nathaniel Mackey—Reed develops a new sense of the literary politics of formally innovative writing and the connections between literature and politics since the 1960s. Freedom Time reclaims the power of experimental black voices by arguing that readers and critics must see them as more than a mere reflection of the politics of social protest and identity formation. With an approach informed by literary, cultural, African American, and feminist studies, Reed shows how reworking literary materials and conventions liberates writers to push the limits of representation and expression.

This book comes as part of a broader project the first editor is developing in collaboration with the other two, aiming critically to articulate the central philosophical issue of time and temporality with Cultural Psychology and related areas in its frontier. Similarly to the previous milestone in this effort—Otherness in Question: Labyrinths of the Self, published in this same series, the present one we also invited international cast of authors to bring their perspectives about a possible dialogue between a central philosophical issue and the core subject of their respective research domains. The book interests to researchers, scholars, professionals and students in Psychology and its areas of frontier.

Philosophy originates in man's amazement over the richness and complexity of reality. It attempts to articulate in words and con cepts what reality is. Starting from the recognition that this reality is experienced by all humans but experienced in many different ways, the philosopher tries to find reality's heart, its center, its hidden treasure - the tree in the middle connecting heaven and earth, the central point from which the stupendous intricacy of experience begins to make sense and from which order can become visible. To ask "what is reality?" is, indeed, to recognize that we have entered a maze. The hermeneutic philosophy of Wilhelm DiIthey (1833-1911) is the fruit of his own wanderings in this maze. Like many intellectuals of his age, he had lost faith in the Christian religion in which he was raised. In his college years, he turned from theology to philosophy, in particular, the history of philosophy and of human thought in general - wondering about the origin and value of the astounding variety of past belief systems. At the center of reality's maze he found the insight that reality as faced by man is comparable to a literary text: it "means" something to us. Reality is not a mute object, but an autonomous source of meaning, an act of self-disclosure; knowledge of reality is therefore not the product of actions per formed by an active subject upon a passive object, but a com municative interaction between two SUbjects.

The development of the American nation has typically been interpreted in terms of its expansion through space, specifically its growth westward. In this innovative study, Thomas Allen posits time, not space, as the most significant territory of the young