Forked Tongues

Using the menu of a seven-course feast (featuring genuine recipes from chef Cath Kerry) the writers in the Creative Writing courses at the University of Adelaide have prepared for the reader something to savour and to remember.

..". creates a new definition of American Indian literary texts as aself-representational genre. This is an intelligent and insightful application ofpost-modern critical methods to American Indian texts. The scope of the study isbroad and ambitious, and the attempt to define Indian self-representations fromcolonial times to the present is innovative and instructive." -- Raymond J.DeMallie ..". very suggestive, provocative, engaging... --Studies in American Indian Literatures ..". Murray's bookestablishes itself as the single best introduction to Native American text-making inparticular and the betrayals of the translation in general. An essential acquisitionfor all college and university libraries, and highly recommended for larger publiclibraries." -- Choice "It is a pleasure to recommendwith wholehearted enthusiasm David Murray's Forked Tongues." -- WesternAmerican Literature

This collection of essays from scholars, critics and poets from both sides of the Atlantic sets out to discover the distinctiveness of modern British and American literature by comparing and contrasting the two traditions. It considers both the way the two literatures have influenced each other and what distinguishing characteristics they each possess.

As a dedicated Native American advocate since the age of 20, author Major Israel McCreight saw the sad plight of the Indians in the period following the Custer Fight and the Battle of Wounded Kane. This book, first published in 1947, is the account of the versions of U.S. history according to the old Sioux Chief, FLYING HAWK. Flying Hawk, who was a nephew of Sitting Bull and fought with Crazy Horse at Little Big Horn, dictated his narrative to McCreight, thus making this an account not from the perspective of “the white man”—but as it really happened... A fascinating read!

This book is not comforting; it does not reassure. It does not teach anything a decent person needs to know. It is a book about BDSM, but it will teach you nothing about tying knots, swinging floggers or spanking. It does not attempt to reach the vanilla public. This book addresses control, it addresses change. The recreational uses of humiliation, conditioning, psychological torture, hypnotism and interrogation techniques are explored and laid bare, broken into usable steps and understandable, applicable concepts. It is a workshop of ruin, the tools necessary to cement lasting alteration and unforgettable experiences for those few who truly crave them. Note: The is the "revisited" addition that includes additional transcriptions from classes and lectures as well as memorial content that sheds additional light on the author and his work.

How should Latino writers in the United States retain specific cultural identities that may be different from - even contrary to - the hegemonic culture? The answer to this question varies. This book discusses how Caribbean writers Roberto G. Fernández and Tato Laviera both attempt to answer it in wildly creative ways, involving linguistic strategies and tactics, derived from some of the oldest Spanish literary traditions. These authors' «games» show how Janus speaks with his forked tongue - in a monolingual space, toward a rhetoric of bilingualism.