Folk Songs Of Chhattisgarh Transl And Ed By Verrier Elwin

Originally published in 1963, The Love Songs of Vidyāpati explores one hundred poems by the poet Vidyāpati. The book opens with an extensive introduction providing an overview into the life of Vidyāpati and offering a wealth of information relating to the themes, development, and significance of his poetry. The poems are accompanied by detailed notes and enhanced further by a selection of illustrations. The Love Songs of Vidyāpati will appeal to anyone with an interest in poetry, literary history, and Indian cultural history.

In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.

Few topics in South Asian history are as contentious as that of the Turkic conquest of the Indian subcontinent that began in the twelfth century and led to a long period of Muslim rule. How is a historian supposed to write honestly about the bloody history of the conquest without falling into communitarian traps? Conquest and Community is Shahid Amin's answer. Covering more than eight hundred years of history, the book centers on the enduringly popular saint Ghazi Miyan, a youthful soldier of Islam whose shrines are found all over India. Amin details the warrior saint’s legendary exploits, then tracks the many ways he has been commemorated in the centuries since. The intriguing stories, ballads, and proverbs that grew up around Ghazi Miyan were, Amin shows, a way of domesticating the conquest—recognizing past conflicts and differences but nevertheless bringing diverse groups together into a community of devotees. What seems at first glance to be the story of one mythical figure becomes an allegory for the history of Hindu-Muslim relations over an astonishingly long period of time, and a timely contribution to current political and historical debates.

This book firmly roots the history of the British Indian sepoy in India'a medieval past.

Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of nature, culture and society among the indigenous. This final volume in the five-volume series deals with the two key concepts of performance and knowledge of the indigenous people from all continents of the world. With contributions from renowned scholars, activists and experts across the globe, it looks at issues and ideas of the indigenous peoples in the context of imagination, creativity, performance, audience, arts, music, dance, oral traditions, aesthetics and beauty in North America, South America, Australia, East Asia and India from cultural, historical and aesthetic points of view. Bringing together academic insights and experiences from the ground, this unique book, with its wide coverage, will serve as a comprehensive guide for students, teachers and scholars of indigenous studies. It will be essential reading for those in social and cultural anthropology, tribal studies, sociology and social exclusion studies, cultural studies, media studies and performing arts, literary and postcolonial studies, religion and theology, politics, Third World and Global South studies, as well as activists working with indigenous communities.