Flauberts Parrot

BOOKER PRIZE NOMINEE • From the internationally bestselling author of The Sense of an Ending comes a literary detective story of a retired doctor obsessed with the 19th century French author Flaubert—and with tracking down the stuffed parrot that once inspired him. • “A high literary entertainment carried off with great brio.” —The New York Times Book Review Julian Barnes playfully combines a detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality.

Anyone who loves France (or just feels strongly about it), or has succumbed to the spell of Julian Barnes's previous books, will be enraptured by this collection of essays on the country and its culture. Barnes's appreciation extends from France's vanishing peasantry to its hyper-literate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy of drugs and suffering that is the Tour de France. Above all, Barnes is an unparalleled connoisseur of French writing and writers. Here are the prolific and priapic Simenon, Baudelaire, Sand and Sartre, and several dazzling excursions on the prickly genius of Flaubert. Lively yet discriminating in its enthusiasm, seemingly infinite in its range of reference, and written in prose as stylish as haute couture, Something to Declare is an unadulterated joy.

The bestselling, Booker Prize-winning author of The Sense of an Ending delivers “a remarkably original and subtle book” (The New York Review of Books) about the nature of love and jealousy. At the start of this fiendishly comic and suspenseful novel, a mild-mannered English academic chuckles as he watches his wife commit adultery. The action takes place before she met him. But lines between film and reality, past and present become terrifyingly blurred in this sad and funny tour de force from the author of Flaubert's Parrot.

In this widely acclaimed collection of short stories, the bestselling, Booker Prize-winning author of The Sense of an Ending addresses the most poignant aspect of the human condition: growing old. "A master at work…. Sweet, sour, bitter, wistful, ruminative, comic, elegiac … A joy to read." —San Francisco Chronicle The characters in The Lemon Table are facing the ends of their lives—some with bitter regret, others with resignation, and others still with defiant rage. Their circumstances are just as varied as their responses. In 19th-century Sweden, three brief conversations provide the basis for a lifetime of longing. In today’s England, a retired army major heads into the city for his regimental dinner—and his annual appointment with a professional lady named Babs. Somewhere nearby, a devoted wife calms (or perhaps torments) her ailing husband by reading him recipes. In stories brimming with life and our desire to hang on to it one way or another, Barnes proves himself by turns wise, funny, clever, and profound—a writer of astonishing powers of empathy and invention.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

In this compact volume readers just beginning Proust's master work and those who are already enriched by it will become aware of a significance not unkown but only forgotten"--the basic structure of Proust's enormous novel. The overall meaning of Proust's book lies in his three ways of looking at the world--cinematographic, montage, and stereoscopic--and their varying effects on the emotions and the intellect. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Jacques Barzun's masterful translation proves that Flaubert's Dictionary of Accepted Ideas--an acid catalogue of the clichés of 19th-century France--is as relevant today as ever.

Acclaimed by Italo Calvino as "one of the most extraordinary spirtual journeys ever accomplished outside any religion," Three Tales (1877) was the last of Flaubert's works published during his lifetime. The ambitious range of the stories -- "A Simple Heart," "The Legend of Saint Julian the Hospitaller," and "Herodias" -- reaches from the author's own century back to the Middle Ages and to ancient Israel. "A Simple Heart," in Flaubert's own words, "is just the account of an obscure life, that of Felicite a poor country girl, pious but mystical, quietly devoted, and as tender as fresh bread... I want to arouse people's pity, to make sensitive souls weep, since I am one myself." The middle story, "The Legend of Saint Julian the Hospitaller," tells of a bloodthirsty hunter and warrior whose attempts to escape a dire prophecy ultimately lead to a state of grace. "Herodias," the final tale, is based on the legends surrounding King Herod, Salome, and John the Baptist. It served as the inspiration for later interpretations, including Oscar Wilde's Salome and Jules Massenet's opera Herodiade. "To any modern writer, in whatever language," remarked Anthony Burgess of Three Tales, "these are recommended as a fundamental textbook of style." Book jacket.

BOOKER PRIZE FINALIST • From the internationally acclaimed bestselling author The Sense of an Ending comes a "wickedly funny” novel (The New York Times) about an idyllic land of make-believe in England that gets horribly and hilariously out of hand. Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London). Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assists him in realizing his dream. But when things go awry, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.

When Rembrandt the bear loses his special lucky hat, he finds that neither a bird nor a clown hat can replace it.