Fishing With Tardelli

A literary meditation on memory, time, love, and loss Fishing With Tardelli contemplates the relations among four parents — mother, father, stepfather, and a Brazilian fishing companion — and the author. Over marriages and remarriages, fathers and mothers become stepfathers and stepmothers, and brothers gain and lose stepbrothers and half-brothers, sisters and half-sisters across two continents. The various homes become part of Besner’s internal geography; memory, dream, story, fable become permeable layers folded over bald facts baldly stated. Beginning with an older man’s recollections of himself as a young teenager fishing with Tardelli in the bay in Rio de Janeiro, the memoir reflects on time lost and time regained. The narration ranges across the mid-’40s in Montreal, where two couples marry, divorce, and remarry in a new configuration; proceeds to Rio de Janeiro in the mid-’50s, when one of these newly formed families emigrates; and returns to Montreal in the late ’60s and early ’70s. After a 50-year interlude, Besner returns from Western Canada to the pandemic moment in Toronto.

"A literary meditation on memory, time, love, and loss Fishing With Tardelli contemplates the relations among four parents -- mother, father, stepfather, and a Brazilian fishing companion -- and the author. Over marriages and remarriages, fathers and mothers become stepfathers and stepmothers, and brothers gain and lose stepbrothers and half-brothers, sisters and half-sisters across two continents. The various homes become part of Besner's internal geography; memory, dream, story, fable become permeable layers folded over bald facts baldly stated. Beginning with an older man's recollections of himself as a young teenager fishing with Tardelli in the bay in Rio de Janeiro, the memoir reflects on time lost and time regained. The narration ranges across the mid-'40s in Montreal, where two couples marry, divorce, and remarry in a new configuration; proceeds to Rio de Janeiro in the mid-'50s, when one of these newly formed families emigrates; and returns to Montreal in the late '60s and early '70s. After a 50-year interlude, Besner returns from Western Canada to the pandemic moment in Toronto."--

A Winnipeg Free Press Top Read of 2021 The thirteenth installment of Canada's annual volume of essays showcases diverse nonfiction writing from across the country. “The exceptional essay,” writes editor Bruce Whiteman, “derives from a passionate feeling, love and anger being perhaps its upper and lower limits, coexisting with a desire for truth, and it aims for the radiance of what is.” In the 2021 edition of Best Canadian Essays, Whiteman’s selections seek truth in all the places it may be found, from walks in brambled woods and ancient cities to memories of childhoods that shape a life; to analyses of artifacts both legislative and cultural that advance equality long overdue; to reports from the field that articulate the poetry of the present, the invisibility of the poor, the social contours and consuming mental contagions of the ongoing pandemic. Drawn from leading magazines and journals published in 2020, the fifteen essays gathered here brilliantly illuminate what is. Featuring work by: Neil Besner Catherine Bush Yvonne Blomer Jenna Butler Elizabeth Dauphinee Eva-Lynn Jagoe Mark Kingwell Frances Koziar Hilary Morgan V. Leathem Stephanie Nolen Kevin Patterson Soraya Roberts Ian Waddell Sheila Watt-Cloutier Joyce Wayne Rob Winger

This collection of essays explores celebrated Canadian author Carol Shields’s experimentation with the essay genre in relation to her fiction. Shields’s essays clarify her iconoclastic approach to rules of narrative and illuminate her revisionist policies, elucidating the development of her fiction, both novels and stories, as her writing gradually becomes more explicitly feminist, as well as more daringly postmodernist. The dozen essays by the eminent Canadianists included in this edition throw fresh light on Shields’s writing, inviting us to read it with new eyes by revealing how her essays reflect and refract the brilliance of her fiction. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction.

One sultry Mumbai night, business tycoon Mihir Kothari takes a bite of a soufflé and drops dead. According to the CCTV footage, celebrity chef Rajiv Mehra is the killer. It seems like an open-and-shut case. Or is it? A catastrophic accident on the day the chef is to be hanged allows him to escape and, driven by an inner calling, pursue a new life. Chased by shadows he thought he had left behind, torn by spurned love, the chef returns in search of the real killer so that he can prove his innocence. But there is a problem. Unknown to him, the killer has chosen his next target: the chef himself! Soufflé is a rich, layered thriller that explores life, love and the passions that motivate people to do unexpected and impossible things. 'If this psychological, compelling and unpredictable novel doesn't keep you hooked, give up reading' ASHWIN SANGHI

Kicks, Spits, and Headers documents two years of football by a self-proclaimed accidental footballer. Coming of age during the student and worker revolt of the 1960s-1970s, the Italian 'hot autumn, ' Paolo Sollier brought these countercultural energies and Marxist politics on to the football pitch, inadvertently becoming an icon along the way. Here he describes, in lucid and humorous prose, the challenges of trying make sense of and balance the tensions and contradictions between being a professional footballer and a political militant