Fire And Rain Answering The Runes Call

This series rises out of my personal journey with the Runes that began during a Mask Dance workshop in Northern Germany, the birthplace of the runes. During the week I spent in a lovely seminar house secluded in among the trees bordering the heather of the Lunebergerheide, I found myself tasked with telling the story of the Runes as one of creation, not destruction. We used shamanic drumming and rattling to drive the visionary state and a specific body posture to guide our experience. My time was spent deep in a philosophical discussion with the energetic field of the Runes. It was impressed on me that the two fundamental distortions in the historical practice of Runes were the suppression of sexual energy in Christianity and the Germanic tribe's practice of ritual killing to gain personal power. I was shown how this combination inherently leads to atrocities. My first step was to seek out any creation stories I could find that were related to the runes. Somewhat to my surprise, I did not find any direct or obvious correlations between the runes names and the stories. In fact, the use of the runes as an alphabet turned out to be driven by the Christian Church. Then I looked into the current practice of Rune Stances and found their origins were both recent and suspect. Along the way, I had to admit that if the creation story of the runes was readily accessible, they would not have had to grab hold of an ignorant mixed-blood New Mexican to tell their tale. What I had to offer was my own idiosyncratic view of the situation. Since I had experience with ecstatic trance postures, I wondered if rune shapes corresponded with ancient ecstatic body postures. Once I turned towards the much older and more mysterious visionary roots of the Runes, my path to a runic story of creation began to open. I ended up with a mosaic of a sacred World Tree made of ancient bits and pieces. I hope they can open creative experiential doors for those drawn to work in the runic realms. Keywords: Ancestry, Creation Myths, Ecstatic Trance Postures, Epigenetics, Rune Stances, Runes, Sacred Speech, World Tree, Shamanism, Sustainable

The world we live in today, was once a world ruled and cultivated by different people. This story is part two of three which focusses on the witches trying to get back into their British past, using ley lines, rods and runes. However all is not for the good as you will find out!

A strange rift in ordinary reality draws saloon owner Travis Wilder and ER doctor Grace Beckett into the otherworld of Eldh--a land of gods, monsters, and magic that is sorely in need of heroes.

Collects King Thor (2019) #1-4. One last ride with the almighty lord of Asgard! Jason Aaron reunites with Esad Ribi? to conclude the epic saga they began in THOR: GOD OF THUNDER! Seven years ago, Aaron and Ribi? introduced the Thor of the far future — All-Father of a broken realm and a dying universe — as he stood in battle against Gorr, the Butcher of Gods, wielder of All-Black the Necrosword. But now that nefarious blade has returned, in the hands of Thor’s all-time-greatest enemy: his adopted brother, Loki! It’s time for one final, cataclysmic showdown — but even worse is still to come as the ultimate end of all things grows near! A who’s who of Aaron’s past THOR collaborators, along with a few surprise guests, stop by to bring down the curtain on a glorious era in thunderous style!

Asking where the runes come from is a bit like asking in what year did Adam and Eve leave the Garden of Eden? Yet, they are connected questions. Linguistically, runes come from Phoenician roots that split into Greek and Italic to eventually form the runes with Hebrew and Arabic on the other side of the family tree. This is the Indo-European Family of Languages. The languages and the stories they tell are connected at the core and this book attempts to weave them back together. Mythology that is equally as ancient is essential to understanding the runes. You will find the stories of Norse mythology, Eastern philosophy, and even Native American traditions fleshed out in the Glossary of this book. Because it is all connected.

"Well, sure enough, the end was coming fast when my father got down to the point. Six men had been cast up alive, or just breathingÑa seaman and five troopers. The seaman was the only one that had breath to speak; and while they were carrying him into the town, the word went round that the ship's name was the 'Despatch,' transport, homeward-bound from Corunna, with a detachment of the Seventh Hussars, that had been fighting out there with Sir John Moore. The seas had rolled her further over by this time, and given her decks a pretty sharp slope; but a dozen men still held on, seven by the ropes near the ship's waist, a couple near the break of the poop, and three on the quarterdeck. Of these three my father made out one to be the skipper; close by him clung an officer in full regimentalsÑhis name, they heard after, was Captain Dun-canfield; and last came the tall trumpeter; and if you'll believe me, the fellow was making shift there, at the very last, to blow 'God Save the King.' What's more, he got to 'Send us victorious,' before an extra big sea came bursting across and washed them off the deckÑevery man but one of the pair beneath the poopÑand he dropped his hold before the next wave; being stunned, I reckon. The others went out of sight at once, but the trumpeterÑbeing, as I said, a powerful man as well as a tough swimmerÑrose like a duck, rode out a couple of breakers, and came in on the crest of the third. The folks looked to see him broke like an egg at their very feet; but when the smother cleared, there he was, lying face downward on a ledge below them; and one of the men that happened to have a rope round himÑI forgot the fellow's name, if I ever heard itÑjumped down and grabbed him by the ankle as he began to slip back. Before the next big sea, the pair were hauled high enough to be out of harm, and another heave brought them up to grass. Quick work, but master trumpeter wasn't quite dead; nothing worse than a cracked head and three staved ribs. In twenty minutes or so they had him in bed, with the doctor to tend him.

The epic finale to The Bone Witch series! As Tea's dark magic eats away at her, she must save the one she loves most, even while her life—and the kingdoms—are on the brink of destruction. Perfect for readers of Leigh Bardugo's Ninth House and Holly Black's The Cruel Prince! In the Eight Kingdoms, none have greater strength or influence than the asha, who hold elemental magic. But only a bone witch has the power to raise the dead. Tea has used this dark magic to breathe life into those she has loved and lost...and those who would join her army against the deceitful royals. But Tea's quest to conjure a shadowglass, to achieve immortality for the one person she loves most in the world, threatens to consume her. Tea's heartsglass only grows darker with each new betrayal. Her work with the monstrous azi, her thirst for retribution, her desire to unmask the Faceless—they all feed the darkrot that is gradually consuming her heartsglass. She is haunted by blackouts and strange visions, and when she wakes with blood on her hands, Tea must answer to a power greater than the elder asha or even her conscience. Tea's life—and the fate of the kingdoms—hangs in the balance. Thrilling and atmospheric, this bestselling series is perfect for readers looking for Memoirs of a Geisha meets dark fantasy stories with diverse representation and multicultural influences original worldbuilding and captivating writing witch and wizard series for teens and adults The Bone Witch Series: The Bone Witch (Book 1) The Heart Forger (Book 2) The Shadowglass (Book 3) Praise for The Shadowglass: "Satisfying." —Foreword "A must-purchase." —School Library Journal "A worthy conclusion to a story that is, at its core, about love and letting go." —Kirkus Reviews

In this time of ecological crisis, all that is holy calls us into a more intimate partnership with the diverse and beautiful beings of this earth. In Finding Our Way Home, Myke Johnson reflects on her personal journey into such a partnership and offers a guide for others to begin this path. Lyrically expressed, it weaves together lessons from a chamomile flower, a small bird, a copper beech tree, a garden slug, and a forest fern, along with insights from Indigenous philosophy, environmental science, fractal geometry, childhood Catholic mysticism, the prophet Elijah, fairy tales, and permaculture design. This eco-spiritual journey also wrestles with the history of our society's destruction of the natural world, and its roots in the original theft of the land from Indigenous peoples. Exploring the spiritual dimensions of our brokenness, it offers tools to create healing. Finding Our Way Home is a ceremony to remember our essential unity with all of life.

“Remarkable.… Gaiman has provided an enchanting contemporary interpretation of the Viking ethos.”—Lisa L. Hannett, Atlantic Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok. In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.