Film News Index

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all he loves talking to people about film: whether a comely student with low confidence and a father complex, a Studio 'development' exec who doesn't trust his own judgement, or the countless people Gordy LaSure's encountered in his capacity as the web moderator on an Excessive Sweating Discussion Forum. Gordy LaSure's alwaystalking about films and how they'd be a shit ton better if only people would pull their asses out of their ears and listen to Gordy LaSure.The voyage of this book can be categorised as an attempt to understand How In Hell Film Works. Why are some films bad, and some films terrible?How come just a handful of films (Titanic, Porky's, Dirty Harry) areany good at all? Gordy'll tell you How and Why, and he'll give you a slug of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

In this book Richard Ayoade - actor, writer, director, and amateur dentist - reflects on his cinematic legacy as only he can: in conversation with himself. Over ten brilliantly insightful and often erotic interviews, Ayoade examines himself fully and without mercy, leading a breathless investigation into this once-in-a-generation visionary. Only Ayoade can appreciate Ayoade's unique methodology. Only Ayoade can recognise Ayoade's talent. Only Ayoade can withstand Ayoade's peculiar scent. Only Ayoade can truly get inside Ayoade. They have called their book Ayoade on Ayoade: A Cinematic Odyssey. Take the journey, and your life will never be the same again. Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.

The Moving Picture World magazine was the industry standard during the silent cinema era. This is the first index compiled for all the films reviewed in the early volumes of this journal. In 1916, the magazine itself began providing an index to film reviews. Until now, researchers and scholars had to scour page-by-page through each weekly issue from 1907-1915 to find a desired review. This new index, focusing on this period, lists films alphabetically by title, identifies manufacturers/distributors with their films, and provides full dates and page locations for reviews. The index provides easy access to reviews of theatrical films, news pictorials, series and serials, and early travelogues. Many of the films included in this index are no longer extant; thus, contemporary reviews may be the only means for analysis of these pioneering cinematic efforts. The reviews contain valuable information about the standards and tastes of film in its infancy, and shed light on story content in those early days. Some of the titles in this index will shock the user; many will cause laughter; all are worthy of remembrance for their historical value. Over 27,000 films are listed; the preface chronicles the history of the journal and explains clearly how to use the book. No reviews are included—the index is designed to encourage and guide the user towards an increased familiarity with the Moving Picture World, which is currently available on microfilm through the Library of Congress

At the nexus of high finance and sophisticated computer programming, a terrifying future may be unfolding even now. Dr. Alex Hoffmann’s name is carefully guarded from the general public, but within the secretive inner circles of the ultrarich he is a legend. He has developed a revolutionary form of artificial intelligence that predicts movements in the financial markets with uncanny accuracy. His hedge fund, based in Geneva, makes billions. But one morning before dawn, a sinister intruder breaches the elaborate security of his lakeside mansion, and so begins a waking nightmare of paranoia and violence as Hoffmann attempts, with increasing desperation, to discover who is trying to destroy him. Fiendishly smart and suspenseful, The Fear Index gives us a searing glimpse into an all-too-recognizable world of greed and panic. It is a novel that forces us to confront the question of what it means to be human—and it is Robert Harris’s most spellbinding and audacious novel to date.