Figures Of Play

"The book should be of particular interest to those working in Greek tragedy and comedy and classical literary theory."--Jacket.

Develop children's brains and bonds with this collection of no-tech, physical games, strategies and activities. Ideal for children who have experienced neglect, abuse and trauma, these "real-world" experiences draw on therapeutic, trauma-focused-care play principles and promote positive attachment between child and caregivers. Explanations for how and why specific play themes and caregiver attitudes can help children's brain development enhance the text. The book also shows how children learn to problem-solve real life situations by playing them out, finding workable solutions to their own problems, and increasing their resiliency. Further benefits include better cause-effect thinking, impulse control, and increased cognitive and emotional functioning by practicing physical movements that exercise specific areas of the brain.

An inspirational look at a diverse group of popular American sports figures and how they found success in sports and life. Young athletes all dream of what they might become. They might see themselves as a soccer player racing through defenses at the World Cup, as a hockey player scoring the winning goal in the Stanley Cup Final, or as a figure skater in the Winter Olympics. But to get there takes hard work, dedication, and passion. In The Reason We Play: American Sports Figures and What Inspires Them, Marc Bona profiles some of the nation’s top athletes and sports personalities from the past several decades to reveal what it takes to make it in the world of professional sports. Along with fascinating accounts of the sports figures’ lives and careers, Bona includes, in their own words, what motivated them, what obstacles they overcame, and even what books they loved to read when they were young. Featuring athletes such as soccer icon Kristine Lilly, basketball star Victor Oladipo, and softball phenom Cat Osterman, The Reason We Play has something for everyone. From football to rodeo, baseball to racing, the front office to coaching, the subjects all share a common trait of excellence on and off the field.

Start with a heart . . . and create beautiful in-proportion people! Aspiring artists who feel intimidated at drawing figures will love Jane Davenport's amazingly easy technique, developed while she worked as a fashion illustrator. It involves using equal-size hearts to build the body's structure, and the results are astounding. Jane lays out the basics and walks you through working with different mediums; drawing the head, face, clothing, hair, and features; and constructing figures inspired by fashion, fantasy, life drawing, and more.

From medieval contemplation to the early modern cosmopoetic imagination, to the invention of aesthetic experience, to 19th century decadent literature, and to early 20th century essayistic forms of writing and film, Niklaus Largier shows that mystical practices have been reinvented across the centuries, generating a notion of possibility with unexpected critical potential. Arguing for a new understanding of mystical experience, Niklaus Largier foregrounds the ways in which devotion builds on experimental practices of figuration in order to shape perception, emotions, and thoughts anew. Largier illuminates how devotional practices are invested in the creation of possibilities, and this investment has been a key element in a wide range of experimental engagements in literature and art from the 17th to the 20th century, and most recently in forms of 'new materialism.' Read as a history of the senses and emotions, the book argues that mystical and devotional practices have long been invested in the modulating and reconfiguring of sensation, affects, and thoughts. Read as a book about practices of figuration, it questions ordinary protocols of interpretation in the humanities, and the priority given to a hermeneutic understanding of texts and cultural artefacts.

“Enjoyable and informative . . . Using this humorously presented book, children will truly improve their styles of writing” (School Library Journal). Writing “The road was bumpy” is okay . . . but isn’t it more fun to say “It felt like we were riding on square tires”? This lively guide shows kids how to make their writing more dramatic, more memorable, or just plain funnier—whether they’re writing for school or for creative expression. It explains six techniques: Similes Metaphors Onomatopoeia Alliteration Hyperbole Personification . . . and provides guidelines for their use, plenty of examples, and entertaining illustrations.

Argues that Black literature cannot be characterized strictly as social realism, and offers a textual analysis of works by eighteenth- to twentieth-century Black writers.

The Methuen Drama Book of Suffrage Plays: Taking the Stage features a wide variety of short pieces and one-act plays written by female and male suffragist writers between 1908-1914. Spanning different styles and genres they explore many issues that interested feminist and suffragist campaigners such as: the value of women's work, domestic and economic inequality, visibility in public space, direct action and its consequences, sexual double standards, and the influence of the media on public opinion. Edited and introduced by Dr Naomi Paxton, the anthology is brimming with in-depth knowledge, photographs and contextual information of the period making for an informative and inspirational volume that's perfect for both performance and study.

Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.