Fighting For Defeat

Fighting for Defeat argues that the Union army’s lack of success in the eastern theater early in the Civil War was due largely to its fear that the Confederate army was invincible. Certain to arouse discussion, this study by Michael C. C. Adams combines probing social and psychological analysis, blood-rushing description of events, and candid pictures of President Lincoln, and Generals George McClellan and Ulysses Grant, among many others. It was first published in 1978 with the main title Our Masters the Rebels.

NEW YORK TIMES BESTSELLER Your playbook to becoming who God created you to be: a man who knows how to fight for what's right. Pastor, bestselling author, husband, and father Craig Groeschel helps you uncover who you really are--a powerful man with the heart of a warrior. With God's help, you'll find strength to fight the battles you know you must win: the ones that determine the state of your heart, the quality of your marriage, and the spiritual health of those you love most. Groeschel examines the life of Samson--a strong man with glaring weaknesses. Like many men, Samson taunted his enemy and rationalized his sins. The good news is God's grace is greater than your worst sin. By looking at Samson's life, you will . . . Learn to defeat the demons that make strong men weak. Tap into a strength you never knew was possible. And become who God made you to be--a man who knows how to fight for what's right. Don't just fight like a man. Fight like a man of God. For God's sake . . . FIGHT! Spanish edition also available, as well as a video study and study guide.

A personal account of military field command during the Second World War as told by Sir William Slim, who led the British forces in Burma. In Mar. 1942 he took command of the Burma Corps and then led the British 14th Army, formed in 1943. They were British, Australians, Canadians, South Africans, Burmese, Chinese, and African soldiers, but mainly drawn from the volunteer Indian Army. For three years Slim's soldiers tied down tens of thousands of Japanese troops in Burma which keep them from fighting in the Pacific. Slim relates the long retreat through Burma and the final hard-fought victory over the Japanese forces, capturing the harsh realities of war. This narrative was first published during his appointment as the 13th Governor General of Australia, granted by the, then new, Queen Elizabeth II, in May, 1953.

When a country is defeated in war, not only are the policies, strategies, and goals of the military affected, but those of society as well. In this book experts in military history examine conflicts ranging from the American Revolution to the Arab-Israeli wars of 1967 and 1973 and to China's invasion of Vietnam in 1979 to show how the trauma of defeat also affects the evolution of society. The authors argue that recovery from defeat must be assessed on the level of grand strategy, that ultimate responsibility for recovery rests on the capacity of a nation's top political and military leaders to use their society's resources in order to master the challenges confronting them. Sometimes a nation can rebound from defeat simply by re-forming or reorganizing the military services and the branches of government involved in military decisions. At other times military defeat can have a greater impact on society, leading to the consolidation of the status quo, the disruption of the traditional social order, or increased civilian control over the military. In any case, the leadership's viability often hinges on its ability to detect the inevitable pressures for reform that follow military defeat and to harness them accordingly.

A guide to drawing street-fighting characters that covers male and female anatomy, clothing, martial arts stances, and poses.

In war, do mass and materiel matter most? Will states with the largest, best equipped, information-technology-rich militaries invariably win? The prevailing answer today among both scholars and policymakers is yes. But this is to overlook force employment, or the doctrine and tactics by which materiel is actually used. In a landmark reconception of battle and war, this book provides a systematic account of how force employment interacts with materiel to produce real combat outcomes. Stephen Biddle argues that force employment is central to modern war, becoming increasingly important since 1900 as the key to surviving ever more lethal weaponry. Technological change produces opposite effects depending on how forces are employed; to focus only on materiel is thus to risk major error--with serious consequences for both policy and scholarship. In clear, fluent prose, Biddle provides a systematic account of force employment's role and shows how this account holds up under rigorous, multimethod testing. The results challenge a wide variety of standard views, from current expectations for a revolution in military affairs to mainstream scholarship in international relations and orthodox interpretations of modern military history. Military Power will have a resounding impact on both scholarship in the field and on policy debates over the future of warfare, the size of the military, and the makeup of the defense budget.

 Fighting is the key to winning any battle or war against giants. If you don’t fight you have no chance of defeating your giant. If you do fight you have a chance at defeating your giants. This world is a warzone. Your neighbors are not really your neighbors. It’s the devil disguised as your neighbor. Or the devil may disguise himself as a city official, or a relative or even a pastor. You’ve got to fight. And as you fight you have to keep on fighting. No matter how bad it looks. You can’t stop fighting. No matter what kind of report you received from the doctor, you can’t stop fighting. If you stop fighting then your physical and your spiritual self will rot away as nothing and leave this world in the same sinful state they entered into this world with. The same way you used to beat your colleagues down back in the day in the street is the same way you must beat your giants down today. With the same determination that you are going to beat them down and defeat them. Your goal was to be powerful and victorious. Be victorious today. Dare to take that first step into the ring and start fighting again.

Fighting is the key to winning any battle or war against giants. If you don't fight you have no chance of defeating your giant. If you do fight you have a chance at defeating your giants. This world is a warzone. Your neighbors are not really your neighbors. It's the devil disguised as your neighbor. Or the devil may disguise himself as a city official, or a relative or even a pastor. You've got to fight. And as you fight you have to keep on fighting. No matter how bad it looks. You can't stop fighting. No matter what kind of report you received from the doctor, you can't stop fighting. If you stop fighting then your physical and your spiritual self will rot away as nothing and you will leave this world in the same sinful state that you entered into this world with. The same way you used to beat your colleagues down back in the day in the street is the same way you must beat your giants down today. With the same determination that you are going to beat them down and defeat them. Your goal was to be powerful and victorious then. Be victorious today. Dare to take that first step back into the ring and start fighting again.

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.