Fight Club Politics

The House of Representatives--the people's House--is supposed to most closely reflect the needs and desires of ordinary citizens. But over the past decade, House leaders fearful of losing power have torn the House from its roots. The creation of politically safe, more ideologically-tilted congressional districts through redistricting has cemented this shift and seated more politicians from both the extreme left and right. Fight Club Politics will show how we have come to the point where average Americans have little say over what happens in the House, and what can be done about it.

The function of the U.S. House of Representatives is to serve as the body of government closest to ordinary citizens, reflecting their needs and desires. Yet, over the past decade, the House's drift from its roots has given rise to Republicans' ability to capture control of the chamber from a 40-year Democratic rule. Factors including House rules that have curtailed dissent and more powerful party leaders perpetuate this national divide This book shows how average Americans have little say over what happens in the House, and what can be done about it.

Fight Club is, on one level, pop-culture phenomena and on another, a deeply philosophical and satirical exploration of modern life. David Fincher's 1999 film (and Chuck Palahniuk's source novel) has had a huge impact on audiences worldwide leading to spoofs, homage, merchandising and numerous Internet fan sites. On initial release the film was met with wide hostility from critics who either failed to appreciate its satirical intent or believed the film failed to deliver on its satirical promise. Early in its DVD afterlife, however, a wider audience began to appreciate the film's significance and radical message. Although attracted by the film's playfulness and star wattage, however, many students struggle with its theoretical notions such as Capitalism, materialism, anarchy and so on. This is one film, which therefore merits a thoughtful and provocative analysis but also an accessible one, and Mark Ramey has provided just that.

The first rule about fight club is you don't talk about fight club. Chuck Palahniuk showed himself to be his generation’s most visionary satirist in this, his first book. Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.

"Chuck Palahniuk writes the sequel to the sequel to Fight Club! Marla Singer is about to deliver her second child, but the daddy isn't her husband-it's Tyler Durden, who's very invested in his heir, and the world he'll inherit. Marla, her first son, and her husband-the unnamed narrator in the novel, who now goes by Balthazar-live in a rundown motel with sketchy neighbors. In the Fight Club 2 graphic novel, Tyler transformed Project Mayhem into Rize or Die-now, as a road to paradise presents itself, a new group has implemented a ruthless and deviant plan to fine-tune mankind, leading Balthazar to forge an unlikely alliance . . . with Tyler Durden"--

Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.

The author of Fight Club takes America beyond our darkest dreams in this timely satire. People pass the word only to those they trust most: Adjustment Day is coming. They’ve been reading a mysterious blue-black book and memorising its directives. They are ready for the reckoning. In this ingeniously comic work, Chuck Palahniuk’s first novel in four years, he does what he does best: skewer the absurdities in our society. Smug, geriatric politicians hatch a nasty fate for the burgeoning population of young males; working-class men dream of burying the elites; and professors propound theories that offer students only the bleakest future. When it arrives, Adjustment Day inaugurates a new, disunited states. In this mind-blowing novel, Palahniuk fearlessly makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche. ‘His best book in years’ Irish Independent

'Engaging, hilarious and practical - I will proudly proclaim myself a card-carrying member of the FFC' - Sheryl Sandberg, COO of Facebook and bestselling author of Lean In This is a call to arms. Are you aged zero to infinity? Finished with the sexist status quo? Ready to kick ass and take names? Welcome to the Feminist Fight Club. You have lifetime membership. Feminist Fight Club provides an arsenal of weapons for surviving in an unequal world. You will learn how to fight micro-aggressions, correct unconscious bias, deal with male colleagues who can't stop 'manterrupting' or 'bro-propriating' your ideas - and how to lean in without falling the f*ck over. Every woman needs this book - and they needed it yesterday. This is not a drill.

Fighting fascism at home and abroad begins with the consolidation of a progressive politics Seventy-five years ago, Henry Wallace, then the sitting Vice President of the United States, mounted a campaign to warn about the persisting "Danger of American Fascism." As fighting in the European and Japanese theaters drew to a close, Wallace warned that the country may win the war and lose the piece; that the fascist threat that the U.S. was battling abroad had a terrifying domestic variant, growing rapidly in power: wealthy corporatists and their allies in the media. Wallace warned that if the New Deal project was not renewed and expanded in the post-war era, American fascists would use fear mongering, xenophonbia, and racism to regain the economic and political power that they lost. He championed an alternative, progressive vision of a post-war world-an alternative to triumphalist "American Century" vision then rising--in which the United States rejected colonialism and imperialism. Wallace's political vision - as well as his standing in the Democratic Party - were quickly sidelined. In the decades to come, other progressive forces would mount similar campaigns: George McGovern and Jesse Jackson more prominently. As John Nichols chronicles in this book, they ultimately failed - a warning to would-be reformers today - but their successive efforts provide us with insights into the nature of the Democratic Party, and a strategic script for the likes of Bernie Sanders and Alexandria Ocasio-Cortez.