Fifty Southern Writers After 1900

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This collection deserves a long review in order to get the attention it has earned. But how would a reviewer do rounded justice in, say, five hundred words to fifty entries by fifty different scholar-critics on `Southerners whose careers ended before 1900 or thereabouts'? Furthermore, each entry was required to follow a five-part pattern: `a biographical sketch, a discussion of major themes, an assessment of the scholarship . . . a chronological list of the author's works, and a bibliography of selected criticism.' That pattern reinforces a reference-work effect that the precise and experienced editors intended. Only a pedant will quible--yet will also regulary use the book and send students to it. It will outlast any reviewer now alive. American Literature A companion volume to Fifty Southern Writers After 1900, this collection focuses on the work of writers whose careers ended before or about 1900, whose works are often anthologized, and whose writing figures prominently in the history of Southern letters. Each essay, written by a specialist in the field, contains five parts: a biographical sketch, a discussion of the author's major themes, an assessment of the scholarship on the author's works, a chronological list of works, and a bibliography of selected criticism. The selected essays treat the individual writers in substantial detail and offer a fresh attempt to estimate the achievements of the authors included as well as a valuable assessment of the secondary work and scholarship to date.

This collection deserves a long review in order to get the attention it has earned. But how would a reviewer do rounded justice in, say, five hundred words to fifty entries by fifty different scholar-critics on `Southerners whose careers ended before 1900 or thereabouts'? Furthermore, each entry was required to follow a five-part pattern: `a biographical sketch, a discussion of major themes, an assessment of the scholarship . . . a chronological list of the author's works, and a bibliography of selected criticism.' That pattern reinforces a reference-work effect that the precise and experienced editors intended. Only a pedant will quible--yet will also regulary use the book and send students to it. It will outlast any reviewer now alive. American Literature A companion volume to Fifty Southern Writers After 1900, this collection focuses on the work of writers whose careers ended before or about 1900, whose works are often anthologized, and whose writing figures prominently in the history of Southern letters. Each essay, written by a specialist in the field, contains five parts: a biographical sketch, a discussion of the author's major themes, an assessment of the scholarship on the author's works, a chronological list of works, and a bibliography of selected criticism. The selected essays treat the individual writers in substantial detail and offer a fresh attempt to estimate the achievements of the authors included as well as a valuable assessment of the secondary work and scholarship to date.

Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.

The extraordinary flowering of Southern literary talent in the early twentieth century, the Southern Literary Renascence, has continued virtually unabated, showing increasing vitality in recent decades. These newer fiction writers, poets, dramatists, and journalists reflect in their work the changing social conditions of the South while also presenting traditional Southern values and qualities. Their astonishing output constitutes a phenomenon worthy of being called a Second Southern Literary Renascence. Joseph M. Flora and Robert Bain, editors of the acclaimed Fifty Southern Writers before 1900 and Fifty Southern Writers after 1900, found that they could only begin to suggest the continuing abundance and significance of Southern writing in the latter volume. Retaining the same format, they have developed two new volumes for the contemporary period. The first, focusing on fiction, comprises forty-nine talented novelists, including such popular figures as Pat Conroy, Gail Godwin, T. R. Pearson, Anne Tyler, and Alice Walker. The companion volume, (Contemporary Poets, Dramatists, Essayists, and Novelists: A Bio-Bibliographical Sourcebook forthcoming from Greenwood Press) will cover primarily poets, playwrights, and essayists as well as fiction writers who have made major contributions to these other genres. The essays, written by scholars and critics, present in each case a biographical sketch, an analysis of the writer's style and major themes, an assessment of reviews and scholarship, a chronological list of works, and a bibliography of selected criticism. Considered individually and comparatively and with attention to the editors' introductory essay, these bio-bibliographical studies clearly demonstrate the state and strength of Southern letters.

Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.

Cleanth Brooks may have summarized it best: "New Orleans has become one of the cities of the mind, and is therefore immortal." Its writers make it so. Like Richard S. Kennedy's earlier collection Literary New Orleans,> these nine essays explore the belletristic Crescent City -- its history, authors, myths, and realities. This volume focuses on twentieth-century New Orleans, beginning with modernism's brief blooming in the 1920s, followed by the fading of New Orleans's peculiarly dreamy romanticism and the flourishing of a distinctive realism, and concluding with a recurrence and transformation of the earlier romantic strain in contemporary Gothic and mystery fiction. Literary New Orleans in the Modern World provides chapters in the history of a unique American city, written in the very spirit of New Orleans as it has cast its spell on writers.

Accurate and reliable biographical information essential to anyone interested in the world of literature TheInternational Who's Who of Authors and Writersoffers invaluable information on the personalities and organizations of the literary world, including many up-and-coming writers as well as established names. With over 8,000 entries, this updated edition features: * Concise biographical information on novelists, authors, playwrights, columnists, journalists, editors, and critics * Biographical details of established writers as well as those who have recently risen to prominence * Entries detailing career, works published, literary awards and prizes, membership, and contact addresses where available * An extensive listing of major international literary awards and prizes, and winners of those prizes * A directory of major literary organizations and literary agents * A listing of members of the American Academy of Arts and Letters

Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.