Fifth Avenue Uptown

James Baldwin [RL 9 IL 7-12] A unique viewpoint on ghetto life. Themes: injustice; society as a mirror. 36 pages. Tale Blazers.

Silver-tongued lawyer. Keeper of secrets. Breaker of hearts. He can solve any problem . . . In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There’s no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn’t seem to understand the word danger. She’s not looking for a hero . . . Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it—while playing a modern-day Robin Hood along the way. What she doesn’t need is her father’s lawyer dogging her every step and threatening her efforts to help struggling families in the tenements. However, she doesn’t count on Frank’s persistence . . . or the sparks that fly between them. When fate upends all her plans, Mamie must decide if she’s willing to risk it all on a rogue . . .

In this captivating history of America's most glamorous main street, Jerry Patterson covers two centuries of notable buildings, powerful figures, and colorful events. 75 illustrations.

In the second novel in Joanna Shupe’s the Uptown Girl series, a ruthless casino owner bent on revenge finds his plans upended by a beautiful woman who proves to be more determined than he is--and too irresistible to deny. Powerful casino owner. Ruthless mastermind. Destroyer of men. He lives in the shadows . . . As the owner of the city’s most exclusive casino, Clayton Madden holds the fortunes of prominent families in the palms of his hands every night. There is one particular family he burns to ruin, however, one that has escaped his grasp . . . until now. She is society’s darling . . . Florence Greene is no one’s fool. She knows Clayton Madden is using her to ruin her prestigious family . . . and she’s using him right back. She plans to learn all she can from the mysterious casino owner—then open a casino of her own just for women. With revenge on his mind, Clay agrees to mentor Florence. However, she soon proves more adept—and more alluring—than Clay bargained for. When his plans are threatened, Clay must decide if he is willing to gamble his empire on love.

Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In “Notes on Trap,” he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is “the funeral music that the Reagan Revolution deserves.” In “Back in the Day,” McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In “The Master’s Tools,” the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley’s paintings are viewed, while “To Make a Poet Black” explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, “What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?” For readers of Teju Cole’s Known and Strange Things and Mark Greif’s Against Everything, McCarthy’s essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation.

In his internationally acclaimed novels, short stories, plays and essays, James Baldwin was and remains a powerfully prophetic voice in the American literary landscape, fearlessly brooding upon issues such as race, sex, politics, and art. His literary achievement is a lasting legacy about what it means to be American. Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner. Vintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions.

'These essays ... live and grow in the mind' James Campbell, Independent Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris. 'Brilliant...accomplished...strong...vivid...honest...masterly' The New York Times 'A bright and alive book, full of grief, love and anger' Chicago Tribune

“Nothing makes me happier than a new book from Joanna Shupe!”—Sarah MacLean The final novel in Joanna Shupe's critically acclaimed Uptown Girl series about a beauitful do-gooder who must decide if she can team up with one of New York's brashest criminals without losing something irreplaceable: her heart. Manhattan kingpin. Brilliant mastermind. Gentleman gangster. He’s built a wall around his heart... Orphaned and abandoned on the Bowery’s mean streets, Jack Mulligan survived on strength, cunning, and ambition. Now he rules his territory better than any politician or copper ever could. He didn’t get here by being soft. But in uptown do-gooder Justine Greene—the very definition of an iron fist in a velvet glove—Jack may have met his match. She wears hers on her sleeve... Justine is devoted to tracking down deadbeat husbands and fighting for fair working conditions. When her mission brings her face-to-face with Jack, she’s shocked to find the man behind the criminal empire is considerably more charming and honorable than many “gentlemen” she knows. Forming an unlikely alliance, they discover an unexpected desire. And when Justine’s past catches up with them, Jack may be her only hope of survival. Is she ready to make a deal with the devil...?

USA Today Bestselling Author Following the book called “an alluring blend of love and playfulness” (PW) The Heiress Hunt, beloved author Joanna Shupe continues her new Fifth Avenue Rebels series with a scandalous romance about a good girl desperate to rebel and the rebel desperate to corrupt her. A first-rate scoundrel. A desperate wallflower. Lessons in seduction. The woman no one notices . . . Shy heiress Alice Lusk is tired of being overlooked by every bachelor. Something has to change, else she’ll be forced to marry a man whose only desire is her fortune. She needs to become a siren, a woman who causes a man’s blood to run hot . . .and she’s just met the perfect rogue to help teach her. He’s the life of every party . . . Christopher “Kit” Ward plans to open a not-so-reputable supper club in New York City, and he’s willing to do whatever it takes to hire the best chef in the city to guarantee its success. Even if it requires giving carnal lessons to a serious-minded spinster who has an in with the chef. Their bedroom instruction grows passionate, and Alice is a much better pupil than Kit had ever anticipated. When the Society gentlemen start to take notice, Kit has to try to win Alice in other ways . . . but is he too late to win her heart?

"Interior designer and founder of home-fragrance and lifestyle brand Slatkin & Co., Howard Slatkin shares his decorating and entertaining secrets as he conducts an intimate tour of his heart-stoppingly exquisite Fifth Avenue apartment"--