Fiction Crime And Empire

Reading fiction from high and low culture together, Fiction, Crime, and Empire skillfully sheds light on how crime fiction responded to the British and American experiences of empire, and how forms such as the detective novel, spy thrillers, and conspiracy fiction articulate powerful cultural responses to imperialism. Poe's Dupin stories, for example, are seen as embodying a highly critical vision of the social forces that were then transforming the United States into a modern, democratic industrialized nation; a century later, Le Carré employs the conventions of espionage fiction to critique the exhausted and morally compromised values of British imperialism. By exploring these works through the organizing figure of crime during and after the age of high imperialism, Thompson challenges and modifies commonplace definitions of modernism, postmodernism, and popular or mass culture.

In Crime and Empire, Upamanyu Pablo Mukherjee examines a wide range of nineteenth-century British fictions about crime in India--from writers such as Wilkie Collins, Walter Scott, and Conan Doyle to historical, parliamentary, and medical narratives.

From bestselling author Gary Krist, a vibrant and immersive account of New Orleans’ other civil war, at a time when commercialized vice, jazz culture, and endemic crime defined the battlegrounds of the Crescent City Empire of Sin re-creates the remarkable story of New Orleans’ thirty-years war against itself, pitting the city’s elite “better half” against its powerful and long-entrenched underworld of vice, perversity, and crime. This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.

The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.

Describes the internal struggle in early-twentieth-century New Orleans between the city's upper crust and the underworld, focusing on the head of the red light district, who fought to keep his vice business at the top in a wicked city.

“A rollicking tale that is one part The Sting, one part The Great Gatsby, and one part The Devil in the White City.” —Karen Abbott, author of Liar, Temptress, Soldier, Spy In a time of unregulated madness, nowhere was it madder than in Chicago at the dawn of the Roaring Twenties. It was the perfect place for a slick, smooth-talking, charismatic lawyer named Leo Koretz to entice hundreds of people to invest as much as $30 million--upwards of $400 million today--in phantom timberland and nonexistent oil wells in Panama. It was an ingenious deceit, one that out-Ponzied Charles Ponzi himself. In this rip-roaring tale of greed, financial corruption, dirty politics, over-the-top and under-the-radar deceit, illicit sex, and a brilliant and wildly charming con man on the town and then on the lam, Empire of Deception proves that the American dream of easy wealth is truly a timeless commodity. “Captivating . . . Dean Jobb tells the story of Leo Koretz, a legendary con artist of Madoffian audacity, with terrific energy and narrative brio.” —Gary Krist, author of Empire of Sin “A brilliantly researched tale of greed, ambition, and our desperate need to believe in magic, it’s history that captures America as it really was--and always will be. A great read.” —Douglas Perry, author of Eliot Ness “Reads like a Gatsby-Ponzi mashup . . . Kudos to Jobb for unearthing this overlooked story and bringing to life a charming, witty, naughty, iconic American crook.” —Neal Thompson, author of A Curious Man “The granddaddy of all con men, Leo Koretz gives Jobb the opportunity to exhibit his impressive research and storytelling skills . . . A highly readable, entertaining story.” —Kirkus Reviews

Armchair Fiction presents large, deluxe editions of classic mystery-crime novels. Sterling Noel's "Empire of Evil" is one of the best mystery-crime thrillers dealing with the Mafia that you'll ever come across. It was the bloody path to murder. This is the story of Daniel Andradi, a bright young executive in America's most terrible industry-crime. This is the rise of a Mafioso, don of the Brotherhood of Evil, wielder of power beyond your wildest dreams. This is fiction, but within it there is truth more horrible than fancy could invent. The corner bookie, the neighborhood streetwalker, the friendly local dope-pusher?these are the day laborers in the union of corruption. From them, up through the paid-for politicians and local gang-bosses, the chain of command reaches toward? THE MAFIA. Read the roster of Apalachin, read the names in your headlines?then read this explosive, behind-the-scenes novel and you'll never again doubt that crime is the biggest organized business in the country?yesterday and today!

In Detecting the Nation, Reitz argues that detective fiction was essential both to public acceptance of the newly organized police force in early Victorian Britain and to acclimating the population to the larger venture of the British Empire. In doing so, Reitz challenges literary-historical assumptions that detective fiction is a minor domestic genre that reinforces a distinction between metropolitan center and imperial periphery. Rather, Reitz argues, nineteenth-century detective fiction helped transform the concept of an island kingdom to that of a sprawling empire; detective fiction placed imperialism at the center of English identity by recasting what had been the suspiciously un-English figure of the turn-of-the-century detective as the very embodiment of both English principles and imperial authority. She supports this claim through reading such masters of the genre as Godwin, Dickens, Collins, and Doyle in relation to narratives of crime and empire such as James Mill's History of British India, narratives about Thuggee, and selected writings of Kipling and Buchan. Detective fiction and writings more specifically related to the imperial project, such as political tracts and adventure stories, were inextricably interrelated during this time.

"The seventh adventure for Downie's physician hero masterfully draws out its suspense, painting a vivid portrait of ancient Rome that feels persuasive and authentic." -Kirkus Reviews Ruso and Tilla and their new baby daughter have left Roman-occupied Britain--and the military--for Rome at the urging of Ruso's patron, Accius. Their excitement upon arriving is soon dulled by the discovery that the grand facades of polished marble mask an underworld of corrupt landlords and vermin-infested tenements. There are also far too many doctors--some skilled, but others positively dangerous. Ruso thinks he has been offered a reputable medical practice only to find that his predecessor, Doctor Kleitos, has fled, leaving a dead man in a barrel on the doorstep and the warning, "Be careful who you trust." Distracted by the body and his efforts to help Accius win the hand of a rich young heiress, Ruso makes a grave mistake, causing him to question both his competence and his integrity. With Ruso's reputation under threat, he and Tilla must protect their small family from Doctor Kleitos's debt collectors and find allies in their new home while they track down the vanished doctor and find out the truth about the unfortunate man in the barrel.

The seventh novel in the bestselling Gaius Petreius Ruso series. Ruso and Tilla and their new baby daughter have left Roman-occupied Britain for Rome, but their excitement at arriving in the city is soon dulled when they find that the grand facades of polished marble mask an underworld of corrupt landlords and vermin-infested tenements. There are also far too many doctors - some skilled, but others positively dangerous. Ruso takes on a reputable medical practice only to find that his predecessor, Doctor Kleitos, has fled, leaving a dead man in a barrel on the doorstep and the warning, "Be careful who you trust." Distracted by the body and his efforts to help a friend win the hand of a rich young heiress, Ruso makes a grave mistake, causing him to question both his competence and his integrity. With Ruso's reputation under threat, he and Tilla must protect their small family from Doctor Kleitos's debt collectors and find allies in their new home while they track down the vanished doctor - and find out the truth about the unfortunate man in the barrel. Praise for Ruth Downie: "Crammed with pithy characterisation, mordant humour and beautifully integrated historical detail" - Financial Times (Barry Forshaw) "Reading Vita Brevis felt like catching up with old friends. . ." - Italophile Book Reviews "Masterfully draws out its suspense, painting a vivid portrait of ancient Rome that feels persuasive and authentic" - Kirkus Reviews "Downie's plotting is as engaging as ever...the tension between Tilla's rebellious nature and the ideal of a "Good Roman Wife," and the tension between Ruso's outer gruffness and inner integrity make this Medicus installment much more than a mystery novel." - Historical Novel Society "A deftly crafted and consistently compelling read from beginning to end, "Vita Brevis" clearly establishes...Ruth Downie as a consummate and accomplished master of historical crime fiction" - Midwest Book Review "Perfect for fans of the Falco novels by Lindsey Davis, this entertaining New York Times best-selling series and its endearing characters deserve as long a run" - Booklist