Fernando

More than 100 extraordinary desserts—with photos and meticulous instructions—by the creator of the internationally acclaimed blog Cafe Fernando: “Superb.” —David Lebovitz, bestselling author of My Paris Kitchen Written, styled, photographed, and designed by Cenk Sönmezsoy, The Artful Baker shares the inspiring story of a passionate home baker, beginning with his years after graduate school in San Francisco and showcasing the fruits of a baking obsession he cultivated after returning home to Istanbul. Sönmezsoy’s stories and uniquely styled images, together with his original creations and fresh take on traditional recipes, offer a window into the life of this luminary artist. The Artful Baker is comprised of almost entirely new content, with a few updated versions of readers’ favorites from his blog, such as Brownie Wears Lace, his signature brownies topped with blond chocolate ganache and bittersweet chocolate lace (originally commissioned by Dolce & Gabbana and awarded “Best Original Baking and Desserts Recipe” by Saveur magazine); Raspberry Jewel Pluot Galette, inspired by Chez Panisse’s 40th anniversary celebrations; and Devil Wears Chocolate, his magnificent devil’s food cake. Covering indulgences from cookies to cakes and tarts to ice creams, recipes include Pistachio and Matcha Sablés; Tahini and Leblebi (double-roasted chickpeas) Swirl Brownies; Sakura Madeleines; Sourdough Simit, the beloved ring-shaped Turkish bread beaded with sesame seeds; Isabella Grape and Kefir Ice Cream; Pomegranate Jam; and Blanche, a berry tart named after the Golden Girl Blanche Devereaux. Each has been tested by an army of home bakers with varying levels of skill, equipment, and access to ingredients, and revised to ensure they’ll work flawlessly in any kitchen. Measurements of ingredients are provided in both volume and weight (grams), and where a volume measurement isn’t useful, weight measurements are provided in both ounces and grams.

From Sri Lanka, a beautiful island snuggled in the palm of the Indian Ocean, comes this tale of a young woman's painful and courageous journey through poverty, abuse and cultural bondage to emancipation in the United States. Told against the backdrop of Sri Lanka's mesmerising coastline, this story of human bondage and forbidden love, of courage and the will to live, is a gripping page-turner from start to finish.

Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, the 100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of these—portraits of friends and family members and remembered scenes—have remained in the artist’s possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist’s creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.

Provides the background essential to understanding Cardoso's struggle to complete the reforms that he believes are necessary to bring Brazil into the 21st century as a fully modern society. Drawing upon sources such as Cardoso's writings, Senate speeches, press conferences, and numerous interviews (including two with Cardoso himself), the author covers Cardoso's life and intellectual development, his university days and years in exile, his involvement in democratic politics in Brazil, and his remarkable record as president. Although Cardoso carefully read and corrected the manuscript, the author states that this is not an authorized biography and all interpretations and opinions are his own. Annotation copyrighted by Book News, Inc., Portland, OR

Translator Richard Zenith has collected in a single volume all the major poetry of Fernando Pessoa (1888-1935), "one of the most extraordinary poetic talents the century has produced" ("Microsoft Network's Reading Forum").

Bad boys have never been my thing. I've seen firsthand the kind of devastation they can cause. That's why I go for safe. Predictable. Guys who will take whatever I'm willing to give. That way, I always have the upper hand, ensuring that my heart remains unscathed. There is only one problem. None of those men have ever made my heart beat faster, or made me feel out of control. That is, until him. I live by one rule. Treat others the same way they treat me. So, if Sylar treats me as though I'm his world, does it matter that technically he is not a good man? He's good to me. He's good for me. At least that's what I'm gambling on. With the one thing I swore I'd never risk. My heart. *Part 1 and 2*

Fernando Wood was one of the most controversial figures of nineteenth-century America. His fellow New Yorkers either respected or despised him, depending whether they considered his policies beneficial or harmful to their interests. The character revealed herein possessed some admirable qualities; high intelligence, sharp analytic skills, great capacity for hard work, and a clear talent to set his executive agenda. But equally evident are Wood's less admirable qualities; ruthless business practices, shoddy personal ethics, corrupt politics, dictatorial tendencies. What emerges is the story of a very complex person: a successful businessman, consummate politician, resourceful three-time may of New York City, and nine-term congressman, beneath which lurked mean and self-destructive tendencies. Take as a whole, Wood's colorful career was a unique microcosm of American history both during and after his lifetime. His business achievements mirrored popular beliefs in upward mobility. And Wood's mayoralty held a promise of revitalizing municipal government, giving it a social conscience, and setting new standards for the future. Despite his shortcomings, Fernando Wood played a major but unappreciated role in the urban and political history of time.

This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."

In spite of good intentions, too many Christian workers today burn out and quit. How can you avoid failing as a Christian leader?