Fearsome Fairies

Fearsome Fairies taps into the enormous fascination with fairies in the nineteenth and early twentieth centuries, and includes cornerstone authors of the Weird genre such as Arthur Machen, M R James and Charlotte Riddell. You see - no, you do not, but I see - such curious faces: and the people to whom they belong flit about so oddly, often at your elbow when you least expect it, and looking close into your face, as if they were searching for someone - who may be thankful, I think, if they do not find him. There was an enormous fascination with fairies in the nineteenth and early twentieth centuries which popularised depictions of benevolent, butterfly-winged beings and glittering pantomime figures. But the fae have always had a more sinister side. Taking inspiration from folk tales and medieval legends, the works of weird tale and ghost story writers such as Arthur Machen, M. R. James, Angela Carter and Charlotte Riddell show that fairies, goblins and other supernatural entities could be something far more unsettling. Delving into a frightening realm of otherworldly creatures from banshees to changelings, this new collection of stories revives and revels in the fearsome power of the fairy folk.

Dixie is a fairy who is afraid to fly. It doesn't help that all the other fairies in the Land-of-Pixie have four wings while she has only two. Then one day a bumblebee finds himself in trouble and it's up to Dixie to help him. Will she be able to "rise above" and overcome her fears?

The sharp-tongued Shade, gregarious Ginch, and pilfering Professor return for more mad-cap misadventures! Will the three stop a bullying bugbear from closing the Grand Library of Elfame? Maybe. Will they track down members of a secret society of book guardians and retrieve a treasure trove of lost books? Possibly. Will Quentin Q. Quacksworth actually approve of this tale? I wouldn't bet on it, but the only way to find out is to read (against the advice of Quacksworth, of course) Another Dreadful Fairy Book! Bullying bugbears, inept inventors, bickering gangsters, hay fever-plagued monsters—a whole new batch of dreadful fairies join Shade, Ginch, and the Professor in this sequel to A Dreadful Fairy Book. Shade's pleasant life in the magical Grand Library of Elfame is threatened when the Grand Scrutinizer of the Ministry of Ordinariness, Averageness, and Normalcy (M.O.A.N.) decides that the library poses a danger to the "moral climate" of the fairy lands. Shade, unfortunately, has little time to deal with that when she discovers that her late father belonged to a secret society of book guardians. Taking up her father's mission, Shade ventures forth to find and unite the other members and retrieve a treasure trove of rare books. Will she succeed? Will the library remain open? Will narrator Quentin Q. Quacksworth find this book to be as "improper" as the last one? Read Another Dreadful Fairy Book and find out!

Readers, beware: what you hold in your hands is a dreadful fairy book. I wish I were narrating almost any other fairy story, but alas, this is my lot. Whatever expectations you have of delightful and whimsical fairies are sure to be disappointed. There are certainly fairies, but most are not proper fairies. Some who are supposed to be nasty are disappointingly nice, while some who should be kind and helpful are disconcertingly surly, dishonest, and generally unpleasant company. Our heroine is, perhaps, the worst offender—a sprite more interested in books than carefree games, who insists on being called Shade. She is on a quest, albeit with rather questionable companions, to find a place her outré self can call home. A place of companionship, comfort, and, most importantly, positively filled with books.

War is coming to Elfame! The uneasy truce between the Seelie Court and the Sluagh Horde is in trouble as nobles on both sides push King Julius and Queen Modthryth to attack while amongst the common fairy folk the Brother/Sisterhood of Afflicted and Repressed Fairies (B.A.R.F.) plans a revolution.The one chance Elfame may have to maintain the peace is a fairy raid organized by Prince Beow of the Sluagh and Princess Viola of the Seelie. But when the two are kidnapped, it's up to Shade, Ginch, and the Professor to save them and prevent the fairy lands from descending into chaos. Can a junior librarian and a pair of con artists stop a civil war? (Seems like a pretty tall order.) Will Elfame see a final, epic showdown between the Seelie and Sluagh? (Well, this is the third book in a fantasy series, so it's kind of required, but then again this is also dreadful fantasy series, so...?) Will Quacksworth and Etter finally get along? (The Magic 8-Ball says, &“Outlook not so good.&”)

Introduces mischievous fairy babies, tricky toadstool fairies, nasty fairies who trip people and cover their clothes with goo, and other unpleasant supernatural creatures.

Introduces mischievous fairy babies, tricky toadstool fairies, nasty fairies who trip people and cover their clothes with goo, and other unpleasant supernatural creatures.

Author Renee Simmons Raney believes that every child deserves his or her own personal landscape in which to seek adventure and unleash creativity. Through this charming storybook, Renee weaves fairy stories, enhancing the natural world with supernatural creatures, and connecting children to diverse habitats, creatures, seasons, and holidays while inspiring a sense of place, a land conservation ethic, and a comfortable fearlessness for outdoor exploration. Hairy, Scary, but Mostly Merry Fairies! includes activities that encourage families and school classes to explore their natural surroundings and to engage in imaginative play, and it offers a multi-generational remedy for curing nature deficiency.

EcoGothic gardens in the long nineteenth century provides fresh approaches to contemporary ecocritical and environmental debates, providing new, compelling insights into material relationships between vegetal and human beings. Through twelve exciting essays, the collection demonstrates how unseen but vital relationships among plants and their life systems can reflect and inform human behaviours and actions. In these entertaining essays, human and vegetal agency is interpreted through ecocritical and ecoGothic investigation of uncanny manifestations in gardens – hauntings, psychic encounters, monstrous hybrids, fairies and ghosts – with plants, greenhouses, granges, mansions, lakes, lawns, flowerbeds and trees as agents and sites of uncanny developments. The collection represents the forefront of ecoGothic critical debate and will be welcomed by specialists in environmental humanities at every level, as a timely, innovative inclusion in ecoGothic studies.

Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.