Fears And Symbols

An encyclopedic study on the role that fear and anxiety have played as the organizing motives of human existence and social life. Hankiss explains how human beings have surrounded themselves with protective symbols: myths and religions, values and belief systems, ideas and scientific theories, moral and practical rules of behaviour, and a wide range of everyday rituals and trivialities.

At the time of publication our understanding of sexuality relied heavily on biology, and also on morality, as was particularly evident when homosexuality and bisexuality were discussed. In this title, originally published in 1990, the author presents a compelling case for viewing the sexual dimension of life through an understanding of its symbols. The potent figure of the devil serves as his avenue of approach. In the first part of the book, the author presents a detailed case history of a young man who began psychoanalytic therapy with him because of a terrifying conviction that he could be possessed by the devil. In the course of therapy it emerged that the devil had entered into his consciousness as a vehicle to express a complex of homosexual wishes and fears that were deeply troubling to a man whose life history had been entirely heterosexual. The author argues that the assumptions about male psychology that came to pervade psychoanalytic theory after Freud’s death could not account for the nature of this young man’s conflicts or for the outcome of the analysis. In the second part of the book, the author cites historical and anthropological data to demonstrate that the depth and breadth of male psychology extend beyond the limits of what was considered normal by the neoconservative theorists who revised Freud’s theories to exclude his ideas about bisexuality. Rejecting the reduction of sexuality to biology, the author asserts that sexuality can be properly regarded as symbolic, in the same way that meaningful works of art and rituals are symbolic. The power of sexual images and actions comes from their ability to combine important meaning with intensely felt emotion. Finally, the author examines the way in which culture affects sexuality through its control of consciousness and its influence on what kinds of sexual symbols may be utilized and what kinds of meanings they may express.

At the time of publication our understanding of sexuality relied heavily on biology, and also on morality, as was particularly evident when homosexuality and bisexuality were discussed. In this title, originally published in 1990, the author presents a compelling case for viewing the sexual dimension of life through an understanding of its symbols. The potent figure of the devil serves as his avenue of approach. In the first part of the book, the author presents a detailed case history of a young man who began psychoanalytic therapy with him because of a terrifying conviction that he could be possessed by the devil. In the course of therapy it emerged that the devil had entered into his consciousness as a vehicle to express a complex of homosexual wishes and fears that were deeply troubling to a man whose life history had been entirely heterosexual. The author argues that the assumptions about male psychology that came to pervade psychoanalytic theory after Freud’s death could not account for the nature of this young man’s conflicts or for the outcome of the analysis. In the second part of the book, the author cites historical and anthropological data to demonstrate that the depth and breadth of male psychology extend beyond the limits of what was considered normal by the neoconservative theorists who revised Freud’s theories to exclude his ideas about bisexuality. Rejecting the reduction of sexuality to biology, the author asserts that sexuality can be properly regarded as symbolic, in the same way that meaningful works of art and rituals are symbolic. The power of sexual images and actions comes from their ability to combine important meaning with intensely felt emotion. Finally, the author examines the way in which culture affects sexuality through its control of consciousness and its influence on what kinds of sexual symbols may be utilized and what kinds of meanings they may express.

NATIONAL BOOK AWARD WINNER • An “eerie, brilliant, and touching” (The New York Times) modern classic about mass culture and the numbing effects of technology. “Tremendously funny . . . A stunning performance from one of our most intelligent novelists.”—The New Republic The inspiration for the award-winning major motion picture starring Adam Driver and Greta Gerwig Jack Gladney teaches Hitler Studies at a liberal arts college in Middle America where his colleagues include New York expatriates who want to immerse themselves in “American magic and dread.” Jack and his fourth wife, Babette, bound by their love, fear of death, and four ultramodern offspring, navigate the usual rocky passages of family life to the background babble of brand-name consumerism. Then a lethal black chemical cloud floats over their lives, an “airborne toxic event” unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladney family—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

Set in the future when "firemen" burn books forbidden by the totalitarian "brave new world" regime.

NOW A NEW YORK TIMES BESTSELLER! From #1 New York Times-bestselling author Marissa Meyer, comes a high-stakes world of adventure, passion, danger, and betrayal. Secret Identities. Extraordinary Powers. She wants vengeance. He wants justice. The Renegades are a syndicate of prodigies—humans with extraordinary abilities—who emerged from the ruins of a crumbled society and established peace and order where chaos reigned. As champions of justice, they remain a symbol of hope and courage to everyone...except the villains they once overthrew. Nova has a reason to hate the Renegades, and she is on a mission for vengeance. As she gets closer to her target, she meets Adrian, a Renegade boy who believes in justice—and in Nova. But Nova's allegiance is to the villains who have the power to end them both.

The "brilliant, funny, meaningful novel" (The New Yorker) that established J. D. Salinger as a leading voice in American literature--and that has instilled in millions of readers around the world a lifelong love of books. "If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth." The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caufield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days.

First published, 1940. Novel about a young Negro who is hardened by life in the slums and whose every effort to free himself proves helpless

A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance. First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern classics. Now fully revised and updated, this educational edition includes chapter summaries, comprehension questions, discussion points, classroom activities, a biographical profile of Golding, historical context relevant to the novel and an essay on Lord of the Flies by William Golding entitled 'Fable'. Aimed at Key Stage 3 and 4 students, it also includes a section on literary theory for advanced or A-level students. The educational edition encourages original and independent thinking while guiding the student through the text - ideal for use in the classroom and at home.