Fay M Jackson

During the 1920s and 1930s, Fay M. Jackson broke traditional barriers by serving as the first African American foreign correspondent for the Associated Negro Press (ANP). Jackson was the only African American female reporter of the ANP who covered the coronation of King George VI in 1937 and used the opportunity to report on the sociopolitical affairs of Blacks in Europe while specifically underscoring the Italio-Ethiopian conflict. While in Europe, Jackson set out to meet with various political figures and activists of color to emphasize the parallel treatment between Blacks in the U.S and other communities of color outside the U.S. Furthermore, Jackson started Flash the first Black intellectual news weekly magazine on the west coast, in 1928,and became a political news editor for the California Eagle in 1931. She served as the first African American female Hollywood correspondent with accreditation from the Motion Pictures Directors Association. Jackson used her positions to re-contextualize the identity of Black America by advocating for progressive reform inside and outside Hollywood. The following research will create a sociopolitical narrative of Jackson's career by analyzing the political and social statements made by her as a publisher, editor, and correspondent. Little research has been done on the role of African American female journalists in American history. Therefore, Jackson's importance is further accentuated by the fact that she was one of few women who forged a way into the Black Press. Jackson is a voice that has gone virtually unnoticed with scant acknowledgments of her career and contributions to the Black experience in America. This thesis will be the first scholarly work to highlight Jackson's efforts in developing the Black identity by participating in the formulation and expression of the Black political consciousness during the 1920s and 30s.

Wallace Thurman (1902-1934) played a pivotal role in creating and defining the Harlem Renaissance. Thurman's complicated life as a black writer is described here for the first time: from his birth in Salt Lake City, Utah; through his quixotic and spotty education; to his arrival and residence in New York City at the height of the New Negro Movement in Harlem. Seen as it often is through the life of Langston Hughes, the Harlem Renaissance is celebrated as a highly successful Afro-centrist achievement. Seen from Thurman's perspective, as set against the historical and cultural background of the Jazz Age, the accomplishments of the Harlem Renaissance appear more qualified and more equivocal. In Thurman's view the Harlem Renaissance's failure to live up to its initial promise resulted from an ideological underpinning which was overwhelmingly concerned with race. He felt that the movement's self-consciousness and faddism compromised the aesthetic standards of many of its writers and artists, including his own.

In the late 1920s and '30s Lincoln Perry, aka Stepin Fetchit, was both renowned and reviled for his surrealistic portrayals of the era’s most popular comic stereotype–the lazy, shiftless Negro. Perry was hailed by critic Robert Benchley as “the best actor that the talking movies have produced,” and Mel Watkins’s meticulously researched and sensitive biography reveals the paradoxes of this pioneering actor’s life, from Perry’s tremendous popularity to his money troubles and rowdy offscreen antics. As later generations come to recognize Perry’s prodigious talent and achievements, in Stepin Fetchit, Mel Watkins brilliantly and definitively illuminates the life and times of a legendary figure in American entertainment.

2020 Miriam Matthews Ethnic History Award from the Los Angeles City Historical Society As Southern California was reimagining leisure and positioning it at the center of the American Dream, African American Californians were working to make that leisure an open, inclusive reality. By occupying recreational sites and public spaces, African Americans challenged racial hierarchies and marked a space of Black identity on the regional landscape and social space. In Living the California Dream Alison Rose Jefferson examines how African Americans pioneered America's "frontier of leisure" by creating communities and business projects in conjunction with their growing population in Southern California during the nation's Jim Crow era. By presenting stories of Southern California African American oceanfront and inland leisure destinations that flourished from 1910 to the 1960s, Jefferson illustrates how these places helped create leisure production, purposes, and societal encounters. Black communal practices and economic development around leisure helped define the practice and meaning of leisure for the region and the nation, confronted the emergent power politics of recreational space, and set the stage for the sites as places for remembrance of invention and public contest. Living the California Dream presents the overlooked local stories that are foundational to the national narrative of mass movement to open recreational accommodations to all Americans and to the long freedom rights struggle.

The biography of a black operatic soprano who died too soon

Chronicling the making of all seven feature films in which King Kong has appeared - including the Peter Jackson film due for release in December 2005 - this book includes coverage of all the original films as well as the many variants and offshoots.