Fatal Remedies

The Italian police detective’s latest case hits close to home, in this novel in the New York Times–bestselling series. For Commissario Brunetti, it began with an early morning phone call. In the chill of the Venetian dawn, a sudden act of vandalism shatters the quiet of the deserted city. But Brunetti is shocked to find that the culprit waiting to be apprehended at the scene is someone from his own family. Meanwhile, Brunetti is under pressure from his superiors to solve a daring robbery with a link to a suspicious accidental death. Does it all lead back to the Mafia? And how are his family’s actions connected to these crimes? The truth must be uncovered in this novel in the Silver Dagger Award–winning series by “one of the best of the international crime writers” (Rocky Mountain News). “Leon’s devoted readers love her books for their juicy mystery plots, and also for the rich and varied cast of recurring characters, among which is the city of Venice itself.” —Publishers Weekly

by Ronald G. Corwin What do the following have in common: regulatory agencies, magnet schools, a declining empire, puritan asceticism, plea bargaining, the recent tax revolt in California, the Boston Tea Party, the Vietnam War, public drinking halls during Prohibi tion, police entrapment, and Yosemite National Park on Labor Day weekend? If the answer is not readily apparent, read this engaging book. Dr. Sam Sieber makes a convincing case that harbored in a potpourri of such events are countless instances of how well-intentioned social interventions often produce harmful effects. Searching for a general framework that will force us to think of heretofore discrete events in new ways, he has chosen to use the term "intervention" in its broadest sense. His approach is a superb example of how serious schol arship can produce a new creative synthesis from familiar knowledge when the scholar is guided by a lively curiosity. The wide-ranging subject matter of this book provides a re freshing vision of social reform movements and programs. I think that Sieber has succeeded in doing what he set out to do: namely, to develop a general and inclusive typology for cl- ix x RONALD G. CORWIN sifying and interpreting the perverse effects of all kinds of social interventions. This is not merely another treatise on the "unintended effects" of purposeful action, however. As Dr.

A crisis is caused when Commissario Guido Brunetti's wife Paola breaks the law and is waiting at the scene of the crime to be apprehended. Brunetti is under more pressure at work and finds his career at risk as his professional and personal lives clash.

The New York Times–bestselling series continues with the murder of an American soldier in Venice: “This is definitely an author to watch (Kirkus Reviews). Early one morning, Commissario Guido Brunetti of the Venice police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient. When something discovered in the victim’s apartment suggests the existence of a high-level conspiracy, Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime. Rich with atmosphere and marvelous plotting, Death in a Strange Country is a superb novel in Donna Leon’s chilling Venetian mystery series. Praise for Donna Leon and the Commissario Brunetti Mysteries “One of the best international crime writers is Donna Leon, and her Commissario Guido Brunetti tales set in Venice are at the apex of continental thrillers.” —Rocky Mountain News “Leon’s books shimmer in the grace of their setting and are warmed by the charm of her characters.” —The New York Times Book Review “Brunetti . . . long ago joined the ranks of the classic fictional detectives.” —Evening Standard “Commissario Brunetti, most charismatic current Euro-cop, uncovers deadly ants’ nest of corruption. A highly accomplished, scary read.” —The Guardian

The New York Times–bestselling series and its Italian detective explore the seedy underworld of Venice: “Procedural writing at its best” (The Washington Post). Commissario Guido Brunetti’s hopes for a refreshing family holiday in the mountains are once again dashed when a gruesome discovery is made in Marghera—a body so badly beaten the face is completely unrecognizable. Brunetti searches Venice for someone who can identify the corpse but is met with a wall of silence. He then receives a telephone call from a contact who promises some tantalizing information. And before the night is out, Brunetti is confronting yet another appalling, and apparently senseless, death. “[One of] the real charms of this series [is] the endearing character of Brunetti and his compassionate insights into the heart of Venice and the soul of its people. . . . Truly, a refreshing hero.” —The New York Times Book Review “Despite the gruesome way in which this murder, and subsequent ones, take place, it’s really a cheery, breezy mystery, filled with good humor and adventure. The ending can only leave the reader waiting avidly for the next time we meet Brunetti and his lively friends and cohorts.” —Pittsburgh Post-Gazette “Leon delivers her plot in an unassuming, graceful and beautifully paced prose that hides its measured elegance.” —The Washington Post “One of the most appealing of recent detectives, Brunetti stars in a case that brings out his canniness and his compassion—and shows his creator spreading her wings more powerfully than ever.” —Kirkus Reviews “Richly evocative. . . . Venice takes on a deep noir tint in Leon’s latest well-crafted work.” —Publishers Weekly

The story of poison is the story of power... For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns and antidotes tested on condemned prisoners. Servants licked the royal family’s spoons, tried on their underpants and tested their chamber pots. Ironically, royals terrified of poison were unknowingly poisoning themselves daily with their cosmetics, medications and filthy living conditions. Women wore makeup made with lead. Men rubbed feces on their bald spots. Physicians prescribed mercury enemas, arsenic skin cream, drinks of lead filings and potions of human fat and skull, fresh from the executioner. Gazing at gorgeous portraits of centuries past, we don’t see what lies beneath the royal robes and the stench of unwashed bodies; the lice feasting on private parts; and worms nesting in the intestines. The Royal Art of Poison is a hugely entertaining work of popular history that traces the use of poison as a political - and cosmetic - tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today.

San Francisco 1882: Annie has a problem. She has a beautiful child, a loving husband, a well-run boardinghouse with a supportive circle of friends and family, but she’s feeling restless and unhappy. Dr. Charlotte Brown, the doctor who delivered Annie’s baby, has a different problem. The Pacific Dispensary for Women and Children, the clinic and hospital she co-founded, is being threatened by financial and legal difficulties caused by the mysterious illness of a former patient. When Annie takes up the challenge to help Dr. Brown and the dispensary, she will discover that getting back into the business of investigating crimes is exactly the remedy she requires. Lethal Remedies is the seventh novel in the Victorian San Francisco Mystery series and comes after Scholarly Pursuits.

“By far the best” in the New York Times–bestselling, Macallan Silver Dagger–winning series featuring Venetian detective Commissario Brunetti (Evening Standard). In this vivid and atmospheric mystery, Commissario Brunetti is visited by a young bureaucrat investigating the lack of official approval for the construction of Brunetti’s apartment years before. What began as a red tape headache ends in murder when the bureaucrat is later found dead after a mysterious fall from a scaffold. Brunetti starts an investigation that will take him into the unfamiliar and dangerous areas of drug abuse and loan-sharking, and will reveal, once again, what a difference it makes in Venice to have friends in high places. “Beautifully written and immaculately plotted, Friends in High Places is further proof still that Leon can do no wrong.” —Scotsman “Carefully plotted and full of colorful as well as sinister characters, this is crime writing of the highest order: powerful, relevant and all too full of human failings.” —The Guardian “Leon tells the story as if she loves Venice as much as her detective does, warts and all. The plot and subplots unfold elegantly; beauty and the beast march hand in hand, and the result is rich entertainment.” —The Sunday Times (London) “Leon’s best so far . . . I don’t think I could really understand a crime fan who didn’t love Donna Leon.” —Scotland on Sunday “Leon is a skillful plotter . . . Brunetti is a nicely shaded creation, a moral man who is also all too human. Friends in High Places is a splendid read, clever and provoking.” —Observer (UK)

A remarkable new historical thriller by New York Times notable mystery author Lawrence Goldstone that evokes the New York City of 1899. In 1899, in Brooklyn, New York, Dr. Noah Whitestone is called urgently to his wealthy neighbor’s house to treat a five-year-old boy with a shocking set of symptoms. When the child dies suddenly later that night, Noah is accused by the boy’s regular physician—the powerful and politically connected Dr. Arnold Frias—of prescribing a lethal dose of laudanum. To prove his innocence, Noah must investigate the murder—for it must be murder—and confront the man whom he is convinced is the real killer. His investigation leads him to a reporter for a muckraking magazine and a beautiful radical editor who are convinced that a secret, experimental drug from Germany has caused the death of at least five local children, and possibly many more. Noah is drawn into a dangerous world of drugs, criminals, and politics, which threatens not just his career but also his life. Goldstone weaves a savvy tale of intrigue and stunning twists that incorporates real-life historical figures and events while richly recreating the closing days of the nineteenth century—a time when American might was on the march in the Pacific, medicine was poised to leap into a new era, radical politics threatened the status quo, and the role of women in American society was undergoing profound change.

A moody mystery set in Italy from the New York Times–bestselling author: “One of the most exquisite and subtle detective series ever.” —The Washington Post Guido Brunetti has to deal every day with crimes big and small, suffocating corruption, and a never-ending influx of tourists. But at least he gets to do it in Venice, one of the most beautiful cities in the world. In this mystery in the bestselling series, the police commissioner’s endurance will truly be tested. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break. Granted leave from the Questura, he accompanies his wife to a villa on Sant’Erasmo, one of the largest islands in the laguna. There he intends to pass his days rowing, and his nights reading Pliny’s Natural History. That is until the caretaker of the house, a widowed beekeeper, goes missing following a sudden storm, and Brunetti must set aside his leave of absence and understand what happened to a man who had become a friend. From a Silver Dagger Award–winning author, this is a poignant novel featuring Guido Brunetti, “a superb police detective—calm, deliberate, and insightful” (Library Journal).