Fatal Light

A combat medic in Vietnam faces the chaos of war, set against the tranquil scenes of family life back home in small-town America. After returning home from war to stay with his grandfather, he confronts his own shattered personal history and the mysterious human capacity for renewal.

When Crozat, the Bohemian, escaped from poverty, by a good marriage that made him a citizen of the Rue de Vaugirard, he did not break with his old comrades; instead of shunning them, or keeping them at a distance, he took pleasure in gathering them about him, glad to open his house to them, the comforts of which were very different from the attic of the Rue Ganneron, that he had occupied for so long a time. Every Wednesday, from four to seven o'clock, he had a reunion at his house, the Hotel des Medicis, and it was a holiday for which his friends prepared themselves. When a new idea occurred to one of the habitues it was caressed, matured, studied in solitude, in order to be presented in full bloom at the assembly. Crozat's reception of his friends was pleasing, simple, like the man, cordial on the part of the husband, as well as on the part of the wife, who, having been an actress, held to the religion of comradeship: On a table were small pitchers of beer and glasses; within reach was an old stone jar from Beauvais, full of tobacco. The beer was good, the tobacco dry, and the glasses were never empty.

A Breath of Life is Clarice Lispector's final novel, 'written in agony', which she did not live to see published. Sensual and mysterious, it is a mystical dialogue between a god-like author and the creation he breathes life into: the speaking, shifting, indefinable Angela Pralini. As he has created Angela, so, eventually, he must let her die, for life is merely 'a kind of madness that death makes.' This is a unique, elegiac meditation on the creation of life, and of art.