Fatal Fiction

When kindergarten teacher Charli Rae Warren hightailed it out of Hazel Rock, Texas, as a teen, she vowed to leave her hometown in the dust. A decade later, she’s braving the frontier of big hair and bigger gossip once again . . . but this time, she’s saddled with murder! Charli agrees to sell off the family bookstore, housed in a barn, and settle her estranged dad’s debt—if only so she can ride into the sunset and cut ties with Hazel Rock forever. But the trip is extended when Charli finds her realtor dead in the store, strangled by a bedazzled belt. And with daddy suspiciously MIA, father and daughter are topping the most wanted list . . . Forging an unlikely alliance with the town beauty queen, the old beau who tore her family apart, and one ugly armadillo, Charli’s intent on protecting what’s left of her past . . . and wrangling the lone killer who’s fixin’ to destroy her future . . .

Freelance book editor Mikki Lincoln knows the makings of a well-written story. But she’ll need to choose her words wisely when a new assignment introduces a deadly plot twist . . . Forgotten on the outskirts of quaint Lenape Hollow, Feldman’s Catskill Resort Hotel has outlasted its heyday as a popular tourist destination and now awaits demolition. But once Mikki is hired to edit a revealing memoir by Sunny Feldman, the last living relative of its original owners, the doomed resort quickly ends up back in the spotlight . . . Unfortunately, everyone’s attention shifts to Mikki when a body is discovered at the demolition site. Seen arguing with deceptive entrepreneur Greg Onslow right before his shocking death, the editor has no choice but to spell out exactly why she isn’t guilty of murdering him . . . Mikki’s dash for answers brings Greg’s shady dealings into focus, along with an unsettling list of potential culprits. As false leads and dead ends force her to revise theories on who really did it, can Mikki separate fact from fiction before the investigation reaches a terrifying conclusion?

Kate loves her life. At forty-four, she's happily married to her kind husband, Ron, blessed with two wonderful children, and has a beautiful home in San Francisco. Everything changes, however, when she and Ron attend a dinner party and meet another couple, Peter and Jill. Kate and Peter only exchange a few pleasant words but that night, in bed with her husband, Kate is suddenly overcome with a burning desire for Peter. What begins as an innocent crush soon develops into a dangerous obsession and Kate's fixation on Peter results in one intense, passionate encounter between the two. Confident that her life can now go back to normal, Kate never considers that Peter may not be so willing to move on. Not long after their affair, a masked man barges into the cafe Kate is sitting in with her best friend, firing an assault weapon indiscriminately into the crowd. This tragedy is the first in a series of horrifying events that will show Kate just how grave the consequences of one mistake can be.

Feminist science fiction that anticipates a post-patriarchal future. Our Fatal Magic is a collection of feminist science fiction by contemporary artist Tai Shani. Foregrounding explorations of sensation, experience, and interiority, these twelve fantastical prose vignettes refract their ideas through a series of curious characters, from Medieval Mystics to Cubes of Flesh, from Sirens to Neanderthal Hermaphrodites. Drawing on the speculative narrative strategies pioneered by writers like Marge Piercy, Octavia Butler and others, Our Fatal Magic metabolizes new and necessary fictions from feminist and queer theory to propose an erotic, often violent space of critique in which gender constructs are destabilized, alternative histories imagined, and post-patriarchal futures proposed.

Minnesotan Nick Morgan overcomes the hardships of life during the Depression with the thrill of flying. The rush he shares with his soon-to-be wife, Martha, as they barnstorm small Midwestern towns offering plane rides for a dollar, forges a love for each other and a sense of freedom to last a lifetime. But in 1943, Nick must leave Martha, now pregnant, to become a WWII pilot in Alaska for the army's newly formed Air Transport Command. In this uncharted and inaccessible landscape, Nick joins U.S. forces, who have set up a strategic defense position against Japan, and an Lend-Lease supply program that trains Soviet pilots with U.S. aircraft for their war with Germany.The remoteness of Alaska also draws the attention of Manhattan Project scientists in New Mexico as a possible site for atomic bomb testing. When Nick Morgan and his Okie crop-duster copilot, Red, are tapped by the Manhattan Project for classified flying duty over the isolated Yukon Flats region, they have no idea that they will be caught up in a Soviet plot aimed at stealing top-secret bomb and test site development documents. After Nick's plane goes down in a botched hijacking attempt by a Russian agent, all three crewmembers and eighteen military passengers are presumed dead by the U.S. military.A much-delayed recovery effort, however, reveals there to be at least one survivor, with many bodies missing from the crash site. This sparks a massive search to find the person who escaped with the documents, but a CIA cover-up to conceal the potentially disastrous breach in national security blocks all communication with survivor families in their need for information. Inspired by the true events of an Air Transport Command aircraft disaster in Alaska in 1944, Fatal Incident will attract any reader interested in conspiracy, espionage, and stories of love during wartime.

From The Sisterhood, Michael Palmer's first New York Times bestseller, to The Patient, his ninth, reviewers have proclaimed him a master of medical suspense. Recognized around the world for original, topical, nail-biting suspense, emergency physician Palmer'swork has been translated into more than thirty-five languages. Now he reaches controversial and startling new heights in a terrifying tale of cutting-edge microbiology, unbridled greed, and murder, where either knowing too little or trusting too much can be FATAL. In Chicago, a pregnant cafeteria worker suffering nothing more malevolent than flulike symptoms begins hemorrhaging from every part of her body. In Boston, a brilliant musician, her face disfigured by an unknown disease, rapidly descends into a lethal paranoia. In Belinda, West Virginia, a miner suddenly goes berserk, causing a cave-in that kills two of his co-workers. Finding the link between these events could prove FATAL. Five years ago, internist and emergency specialist Matt Rutledge returned to his West Virginia home to marry his high-school sweetheart and open a practice. He also had a score to settle. His father died while working for the Belinda Coal and Coke Company, and Matt swore to expose the mine’s health and safety violations. When his beloved Ginny succumbed to an unusual cancer, his campaign became even more bitterly personal. Now Matt has identified two bizarre cases of what he has dubbed the Belinda Syndrome--caused, he is certain, by the mine’s careless disposal of toxic chemicals. All he needs is proof. Meanwhile, two women, unknown to one another, are drawn inexorably to Belinda, into Matt’s life--and into mortal danger. Massachusetts coroner Nikki Solari comes to attend the funeral of her roommate, killed violently on a Boston street. Ellen Kroft, a retired schoolteacher from Maryland, seeks the remorseless killer who has threatened to destroy her and her family.Three strangers--Rutledge, Solari, and Kroft--each hold one piece of a puzzle they must solve, and solve quickly. If they don’t, it will be far more than just their own lives that are at risk. Michael Palmer has crafted a novel of breathtaking speed and medical intricacy where nothing is as it seems and one false step could be FATAL.

Don't fall victim to the 12 fatal flaws of fiction writing Fiction writers often struggle to improve their craft And the biggest challenge comes from the inability to see what isn't working. The prose feels off. The scene isn't gelling. The dialogue sounds stilted or clunky. But they don't know why or how to fix it. This book lays it all out 5 Editors Tackle the Twelve Fatal Flaws of Fiction Writing demonstrates the deadly dozen pitfalls on the road to a strong story, along with revisions that show writers exactly how to avoid novel failure. No other writing craft book offers such detailed instruction in how to spot and remedy the major flaws of fiction writing. What makes this book an important addition to a writer's bookshelf? More than 60 Before and After passages showcase each of the twelve fatal flaws, which are then picked apart and examined to help writers spot these flaws in their own writing and fix them. Five editors with extensive background in both editing fiction and writing novels bring a wealth of insights, examples, and solutions to these flaws, using various genre styles and POVs. Each chapter ends with a checklist to help writers seek and destroy these fatal flaws in their manuscript, followed by bonus Before and After passages to help them test what they've learned. This in-depth guide to self-editing is an invaluable resource for any writer of any genre. It shows, not just tells, how to write better fiction. Using it, you'll be armed with the tools and skills you need to conquer the twelve fatal flaws of fiction writing. Here are some of the 12 fatal flaws: Overwriting-the most egregious and common flaw in fiction writing.Nothin' Happenin'-Too many stories take too long to get going. Learn what it means to start in medias res.Weak Construction-It sneaks in at the level of words and sentences, and rears up in up in the form of passive voice, ing verbs, and misplaced modifiers.Too Much Backstory-the bane of many manuscripts. Backstory has its place, but too often it serves as an info dump and bogs down pacing.POV Violations-Head hopping, characters knowing things they can't know, and foreshadowing are just some of the many POV violations explored.Telling instead of Showing-Writers have heard this admonition, but there's a lot to understanding how and when to show instead of tell.Lack of Pacing and Tension-Many factors affect pacing and tension: clunky passages, mundane dialogue, unimportant information, and so much more.Flawed Dialogue Construction-Writers need to learn to balance speech and narrative tags and avoid "on the nose" speech."Underwriting"-just as fatal as overwriting. Too often scenes are lacking the necessary actions, descriptions, and details needed to bring them to life.Description Deficiencies and Excesses-Learning how to balance description is challenging, and writers need to choose wisely just what to describe and in what way. Don't be left in the dark. Learn what causes these flaws and apply the fixes in your own stories. No one need suffer novel failure. You don't have to be brilliant or talented to write strong fiction. You just need to be forewarned and forearmed to be able to tackle these culprits. And this book will give you all the weapons and knowledge you need. "This book should be on every writer's bookshelf." -Cheryl Kaye Tardif, international best-selling author

First the fire, then the heat… A brutal home invasion. Two small, traumatized survivors who may have witnessed the horror. Lieutenant Sam Holland has never worked a case quite like this one, in which her eye-witnesses are five-year-old twins. But when Sam steps up in a big way for them, she risks her heart as much as her career. While Sam and her husband, Vice President Nick Cappuano, go to battle in more ways than one for her tiny witnesses, her colleague Sergeant Tommy “Gonzo” Gonzales battles his own demons. Months of unbearable grief and despair come to a head in an unimaginable way that threatens Gonzo’s status with the department and his relationship with his fiancée, Christina. With trouble both at MPD headquarters and on the case, Sam struggles to keep her priorities straight at home and at work while trying not to lose her heart to her latest crime victims.

The People’s Republic of China has launched a terrifying attack against Taiwan. Cold. Swift. Deadly. The U.S. isn’t willing to stand by and watch, but when they come to Taiwan’s aid, they’re dealt an unexpected blow from Chinese forces. It looks like the U.S. is going down. Until aerial strike warfare expert Patrick McLanahan and genius Jon Masters come to into the picture. Together, they have created a monster—the EB-52 Megafortress. A high-tech display of weaponry, fully equipped with stealth cruise missiles. The most sophisticated bomber the world has ever seen. The unsinkable “flying battleship.” Now China is on its way to a nuclear high noon. And the Doomsday clock is ticking.

U.S. Marshal Jake Taylor has seen plenty of action during his years in law enforcement. But he'd rather go back to Iraq than face his next assignment: protection detail for federal judge Liz Michaels. His feelings toward Liz haven't warmed in the five years since she lost her husband--and Jake's best friend--to possible suicide. How can Jake be expected to care for the coldhearted workaholic who drove his friend to despair? As the danger mounts and Jake gets to know Liz better, his feelings slowly start to change. When it becomes clear that an unknown enemy may want her dead, the stakes are raised. Because now both her life--and his heart--are in mortal danger.