Fantasy Made Flesh

FANTASY MADE FLESH teaches readers to use their imagination within a sensual/sexual context... allowing themselves to become the creatures of their dreams, to let go of self-consciousness and self-criticism, and set the stage with the props, environment and costumes needed to bring the most outrageous fantasies into living, breathing, incredibly-turned-on reality. Perfect for both experienced players and nervous novices, FANTASY MADE FLESH is the patient and wise stage manager you'll wish you always had.

The Black Jewels Trilogy established Anne Bishop as an author whose “sublime skill...blend[s] the darkly macabre with spine-tingling emotional intensity”(SF Site). Now, the saga continues in this collection that includes four more adventures of Jaenelle and her kindred… Jaenelle is the most powerful Witch ever known, centuries of hopes and dreams made flesh at last. She has forged ties with three of the realm’s mightiest Blood warriors: Saetan, the High Lord of Hell, who trains Jaenelle in magic and adopts her as his daughter; Lucivar, the winged Eyrien warlord who becomes her protector; and the near-immortal Daemon, born to be Witch’s lover. Jaenelle has assumed her rightful place as Queen of the Darkness and restored order and peace to the realms, but at a terrible cost. Collected here are the beguiling stories about the origin of the mystical Jewels, the forbidden passion between Lucivar and a simple hearth witch, the clash between Saetan and a Priestess, and the choice Jaenelle must make, between her magic and happiness with Daemon...

This stylish panorma of the Great American Dream Machine reveals the wonderful unreality that made Hollywood the capital of pop culture and features quizzes, games, and gossip about stars

The rebellious Valen has spent his life trying to escape his family legacy. But his fate is sealed when he winds up half-dead, addicted to an enchantment-which leads him into a world he could never possibly imagine...

Hungry For Justice-And Brains Meet Mallory Caine. Attorney at law. Zombie at large. She's not like those "Living Dead" losers you see in the movies. She doesn't slobber, drool, or lurch-she's smart, stylish, and sexy. Sure, she's a zombie and a lawyer but, hey, a girl's got to eat. When Mallory's not in the courtroom, going head to head with her ex-boyfriend, killer-prosecutor Aaron Argula, she's in the seedy streets of Hollywood, hunting brain after brain. That is, until some psycho starts hunting zombie after zombie. . . The Defense Never Rests-In Peace The undead are decapitated, a letter "Z" carved in their flesh. Mallory doesn't want to lose her head, but she's worried. Like a lot of lawyers in L.A., she doesn't have a soul-a side effect of being a zombie, not a defense attorney. If Mallory dies before she gets her soul back, she goes straight to hell. No appeals. Objection overruled. If the killer isn't stopped, it's case closed for zombies everywhere. But Mallory is an undying champion of justice. And she won't go down-without a bite. . .

In the fourth novel in Anne Bishop’s New York Times bestselling series, the Others will need to decide how much humanity they’re willing to tolerate—both within themselves and their community... Since the Others allied themselves with the cassandra sangue, the fragile yet powerful human blood prophets who were being exploited by their own kind, the dynamic between humans and Others has changed. Some, such as Simon Wolfgard, wolf shifter and leader of the Lakeside Courtyard, and blood prophet Meg Corbyn see the closer companionship as beneficial. But not everyone is convinced. A group of radical humans is seeking to usurp land through a series of violent attacks on the Others. What they don’t realize is that there are older and more dangerous forces than shifters and vampires protecting the land—and those forces are willing to do whatever is necessary to safeguard what is theirs...

Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul.Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females.

A poetic exploration of the new world created by the collision of the biological body with technology and culture. For more than 3,000 years, humans have explored uncharted geographic and spiritual realms. Present-day explorers face new territories born from the coupling of living tissue and metal, strange lifeforms that are intelligent but unconscious, neither completely alive nor dead. Our bodies are now made of machines, images, and information. We are becoming cultural bodies in a world inhabited by cyborgs, clones, genetically modified animals, and innumerable species of human/information symbionts. Ollivier Dyens's Metal and Flesh is about two closely related phenomena: the technologically induced transformation of our perceptions of the world and the emergence of a cultural biology. Culture, according to Dyens, is taking control of the biosphere. Focusing on the twentieth century—which will be remembered as the century in which the living body was blurred, molded, and transformed by technology and culture—Dyens ruminates on the undeniable and irreversible human/machine entanglement that is changing the very nature of our lives.

Adrenaline-fuelled action from the Underhive. The Fallen Dome of Periculus, once a hub of sanctioned commerce and illicit dealings, is lost no more… and the prizes it holds are sought by noble, Guilder and hive scum alike. For Tempes Sol of the Guild of Light, Periculus is an opportunity to not only prove his superiority over his superstitious peers, but also to see the end of Lord Silas Pureburn, Keeper of the God-Emperor’s Eternal Flame, bringer of fire and faith to the rioting masses, and his most hated rival. But Periculus did not fall by chance. Dark secrets lurk in its shadows – forbidden archeotech, twisted creatures that feast on flesh, and an insidious rage that afflicts all who dwell inside its confines. As madness and violence erupt within the fallen dome, the legacy of Periculus threatens not only to consume the underhive, but ultimately Hive Primus itself…

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.