Fantasy Literature For Children And Young Adults

Fantasy conjures up images of witches, fairies, dark woods, magic wands and spells, time travel, ghosts, and dragons. Each of us defines fantasy in a personal way, based on our life stories, experiences, hopes, dreams, and fears. Fantasy Literature for Children and Young Adults, helps teachers and students of literature to develop their own understandings of this broad genre in order to evaluate and promote the joy of fantasy in their classrooms. An excellent teaching tool, the discussions are organized around three categories of fantasy literature, including fairy/folktale; mixed fantasy (which includes journey, transformation, talking animal, and magic); and heroic-ethical; and they are supported by well-chosen examples of representative authors, critics, and theorists. With the assumption that the reader has no special knowledge of fantasy literature but has some previous exposure to the study of literature for children and young adults, this book focuses on reviewing texts that illustrate particular types of fantasy literature. The authors have an extensive knowledge of both classic and contemporary children's and YA titles, and they offer many insightful observations and details that make a book a particularly good classroom choice. Literature allows us to discuss controversial issues without making judgments; it allows us the opportunity to "experience" another time and space by providing a new lens through which to view; and it offers us a multitude of ways to come to appreciate and embrace the world of fantasy. Fantasy Literature for Children and Young Adults will help teachers and other readers to deepen their knowledge, appreciation, and pedagogical understandings of fantasy literature.

Bibliographic information, grade level, and annotations for nearly 7,500 fantasy books for grades 3-12 are given. The introduction discusses the history of fantasy, and awards presented to fantasy titles are listed.

Ursula K. Le Guin discusses her fiction, nonfiction, and poetry?both her process and her philosophy?with all the wisdom, profundity, and rigor we expect from one of the great writers of the last century. When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period. In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work.

Fantasy has been an important and much-loved part of children's literature for hundreds of years, yet relatively little has been written about it. Children's Fantasy Literature traces the development of the tradition of the children's fantastic - fictions specifically written for children and fictions appropriated by them - from the sixteenth to the twenty-first century, examining the work of Lewis Carroll, L. Frank Baum, C. S. Lewis, Roald Dahl, J. K. Rowling and others from across the English-speaking world. The volume considers changing views on both the nature of the child and on the appropriateness of fantasy for the child reader, the role of children's fantasy literature in helping to develop the imagination, and its complex interactions with issues of class, politics and gender. The text analyses hundreds of works of fiction, placing each in its appropriate context within the tradition of fantasy literature.

Rediscover your inner child! Rediscover your inner child in this magical Christmas mystery as you follow the lonely Emma Harper through the enchanting town of Pottsville during the height of Christmas merriment. When Emma's mysterious new friend, Penelope, convinces her to break into the old cookie factory, her life is instantly filled with adventure and purpose. Emma soon becomes captive to Penelope's spunky personality, but when strange, enchanting things begin to happen around Penelope, Emma suddenly begins to question the reality of her new friend. Fall in love with Emma and Penelope in this heartwarming Christmas tale of friendship, adventure, and love for Christmas cookies.

An Instant #1 New York Times Bestseller A GOOD MORNING AMERICA Book Club Pick "Adeyemi has sparked magic once again." —The New York Times After battling the impossible, Zélie and Amari have finally succeeded in bringing magic back to the land of Orïsha. But the ritual was more powerful than they could’ve imagined, reigniting the powers of not only the maji, but of nobles with magic ancestry, too. Now, Zélie struggles to unite the maji in an Orïsha where the enemy is just as powerful as they are. But when the monarchy and military unite to keep control of Orïsha, Zélie must fight to secure Amari's right to the throne and protect the new maji from the monarchy's wrath. With civil war looming on the horizon, Zélie finds herself at a breaking point: she must discover a way to bring the kingdom together or watch as Orïsha tears itself apart. Children of Virtue and Vengeance is the stunning sequel to Tomi Adeyemi's New York Times-bestselling debut Children of Blood and Bone, the first book in the Legacy of Orïsha trilogy. Praise for Children of Virtue and Vengeance: “Electrifying . . . With this second book Adeyemi brings a new maturity and depth to the series. Her characters are no longer underdogs on a hero’s journey to return magic―now they are leaders who are suffering from the consequences and trauma of their previous quest.” ―The New York Times “Like its predecessor, Children of Virtue and Vengeance is fast-paced and unafraid to ask tough questions about the cyclical nature of oppression and the systems that enforce it.” ―TIME “Relentless even beyond its finish, this is a sure-fire hit.” ―Booklist, starred review - The Complete Legacy of Orïsha Series: Children of Blood and Bone (Book 1) Children of Virtue and Vengeance (Book 2) Children of Anguish and Anarchy (Book 3)

Award-winning anthologists Jane Yolen and Patrick Nielsen Hayden have combed through a year's worth of books and magazines and websites to find the most outstanding fantasy and science fiction stories of 2004--and collected them into a single volume aimed specifically at teens and young adults. Many of today's most popular authors are represented here, including: * Garth Nix, author of Sabriel, Lirael, and Abhorsen, who presents an unforgettable tale of two swords, two daughters, and two endings.... * S. M. Stirling, author of Island in the Sea of Time, sends a likeable young barbarian across the Channel to Alba, for a confrontation with a wizard from faraway Nantucket that will change his life forever... * David Gerrold, creator of "The Trouble with Tribbles," who takes you to a remote countryside surrounded by a mysterious darkness, whose secret has yet to be revealed...

This bestselling story continues the adventures and training of a young Merlin, who is destined to become the greatest wizard of all time. Illustrations.

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

In this thrilling novel from the acclaimed Dismas Hardy series, Hardy’s friend and client finds himself the prime suspect in a homicide investigation. While Dismas Hardy has built a solid legal practice and a happy family, his friend John Holiday, a proprietor of a rundown local bar, has not followed the same path. Despite this, Hardy has remained Holiday’s attorney and confidant, and when Holiday is suspected of murder, Hardy and Glitsky find ample reason to question Holiday’s guilt. But Hardy’s case falls on hostile ears, and to avoid arrest, Holiday turns fugitive. The police now believe three things: that Hardy is a liar protecting Holiday, that Holiday is a cold-blooded killer, and that Glitsky is a bad cop on the wrong side of the law. As the suspense reaches fever pitch, Hardy, Glitsky, and even their families may be caught in the crossfire and directly threatened—and this time, the police won’t be on their side.