Fantasmas

En este su segundo tomo de relatos, Miriam Mejía nos presenta el mundo de immigrantes atrapados en circulos socio-económicos difíciles para muchos o en los sueños, ensueños o pesadillas que la memoria y el tiempo pueden crear en los seres humanos. En estos diez y ocho relatos, predomina la traslocación de imágenes, de seres humanos y de locales geográficos.

Narracion del género realismo mágico con tintes existencialistas. En dónde el protagonista, sumido en la marginación social, explora el sin sentido de la vida material y la búsqueda de la verdad espiritual que da razón de ser a la existencia. La respuesta al papel que desempeñamos en el universo, al significado de la vida, y la armonía universal emergen como un secreto casi sagrado entre el lodo de una sociedad perdida y podrida. Y qué, sin embargo, al ser alcanzado, no exonera del sufrimiento, combustible necesario para la trascendencia del ser. Una historia tal vez trágica, pero a la vez refrescante para el alma. Cuyo mensaje acompañará a los que, solitarios, caminan sin rumbo, a pasos ciegos, en la oscuridad de la vida.

In Mexico, cuentos de fantasma are a popular form of literature combining fantasy, folktales, and pulp fiction. This is the first collection of such stories written by Mexican American writers.

From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile, Drama, and Sisters! Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahia de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air that blows in from the sea. As the girls explore their new home, a neighbor lets them in on a secret: There are ghosts in Bahia de la Luna. Maya is determined to meet one, but Cat wants nothing to do with them. As the time of year when ghosts reunite with their loved ones approaches, Cat must figure out how to put aside her fears for her sister's sake - and her own.Raina Telgemeier has masterfully created a moving and insightful story about the power of family and friendship, and how it gives us the courage to do what we never thought possible.

These stories range from tales told to the author as a child, to fictional accounts interweaving erotica, fantasy, and suspense elements in the rural and urban Gothic; part homage to the ancestors who lurk immortal in family folklore, part stories of imagination where specters emerge from the darkness to taunt and torment. From the terrors of the Great Depression to the devastation following Hurricane María, these tales chronicle the resistance and spirit of the Puerto Rican people; a testament to survival and perseverance in the face of disaster and the phantoms awaiting us when we turn off the lights. "Charlie Vázquez revisits the history of Puerto Rico and its diasporas, telling the stories of our dead. Using a textual tonality that brings Edgar Allan Poe and Horacio Quiroga to mind, Vázquez creates wonderfully crafted stories about souls who perish in the Great Depression, young widows drowned in hurricanes, soldiers recruited for medical experiments, and ladies of the night succumbing to vice. With an all-encompassing eye, Vázquez digs deep into various moments in Puerto Rican history to tell the stories of our terror, stories that endure in the realm of phantasms, trapping the living in a limbo that also turns them into transparent, yet present, traces of collective trauma. Finally, a book about our persisting ghosts written with a clarity that can help us conjure collective memory so we can move forward." Mayra Santos-Febres, author and founder of Festival de la Palabra de Puerto Rico

In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Elly Strik's work - drawings and paintings on paper - features brides, birth, rituals and rebirth, witches and mystics, heaven and dreams, in a dialogue with certain aspects from El Greco, Goya, Darwin, Freud, Munch, Ensor and Duchamp.0Strik's approach is instinctive, excessive, and completely focused on itself. With her strong and poetic research she explores the potential of metamorphosis and the process of artistic creation. In her mutant-like figures, turned into shapes, portraits and figures on paper, the inner and outer look are simultaneous and create a visual provocation that forces the onlooker to reflect on the human condition. Exhibition: Reina Sofía National Art Centre, Madrid, Spain (22.1.-26.5.2014).

In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Covering the latest advanced in the field, this brief, easy-to-read introduction to educational psychology focuses on learning and teaching in subject areas and on helping students develop specific cognitive processes that are required to accomplish real academic tasks. Shows how psychological theories and research influence the development of better instructional practices and how real instructional problems influence the development of better psychological theories and research. Deals with the educational psychology of five major subject areas -- reading fluency, reading comprehension, writing, mathematics, and science. Includes three to six major cognitive processes involved in mastering the subject area in each chapter. Analyzes the types of knowledge that are needed to perform academic tasks in the domain in several chapters. Provides concrete examples and connections between cognitive research and practical educational problems. Covers the core advances in educational psychology. For educators at all levels.

Catrina and her family are moving to the coast of Northern California because her little sister, Maya, is sick. Cat isn't happy about leaving her friends for Bahia de la Luna, but Maya has cystic fibrosis and will benefit from the cool, salty air tha