Fallen Masters

A novel of metaphysical suspense traces the ultimate confrontation between good and evil as it unfolds on both the Earthly plane and the Other Side.

What do you get if you combine William Young's The Shack with Dan Brown's Angels and Demons? The answer is Fallen Masters, by New York Times bestselling author John Edward. In the near future, signs and portents have begun to appear that point to a rushing cataclysm. Both political and religious world leaders see the patterns, and the scientific community confirm evidence of what they call "a dark matter" that is expanding into our universe, threatening the very fabric of our world. But it will not be governments or religions upon whose actions the fate of the world rests. Rather it will be up to a small diverse group of men and women who will have to decide to use their free will to aid in the last great cosmic battle between good and evil as these apocalyptic forces clash—both here on Earth and on the Other Side. An internationally renowned psychic, John Edward has helped millions of people to connect with loved ones on the Other Side. In Fallen Masters, Edward has written a riveting novel of metaphysical suspense, a final confrontation between good and evil as it unfolds on both the Earthly plane and the Other Side. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

For thousands of years the ageless masters have ruled the hundred worlds, conquering all who oppose them while raising those who bring them glory, but in remote Karthold, the boy Rastín struggles to keep alive the memories of his fallen people and fulfill the wishes of his ailing father. For an Alv he is young; he has no great power to help him, no true magic to light his way and keep him safe. Yet as his life turns increasingly grim, he must find the courage and resourcefulness to befriend his most savage enemies if there is to be hope for him and his people.

A U.S. Special Ops unit races to Siberia to recover a fallen military satellite containing advanced nuclear fuel before China or Russia can intercept it.

In preindustrial Europe, dependence on grain shaped every phase of life from economic development to spiritual expression, and the problem of subsistence dominated the everyday order of things in a merciless and unremitting way. Steven Laurence Kaplan’s The Bakers of Paris and the Bread Question, 1700–1775 focuses on the production and distribution of France’s most important commodity in the sprawling urban center of eighteenth-century Paris where provisioning needs were most acutely felt and most difficult to satisfy. Kaplan shows how the relentless demand for bread constructed the pattern of daily life in Paris as decisively and subtly as elaborate protocol governed the social life at Versailles. Despite the overpowering salience of bread in public and private life, Kaplan’s is the first inquiry into the ways bread exercised its vast and significant empire. Bread framed dreams as well as nightmares. It was the staff of life, the medium of communion, a topic of common discourse, and a mark of tradition as well as transcendence. In his exploration of bread’s materiality and cultural meaning, Kaplan looks at bread’s fashioning of identity and examines the conditions of supply and demand in the marketplace. He also sets forth a complete history of the bakers and their guild, and unmasks the methods used by the authorities in their efforts to regulate trade. Because the bakers and their bread were central to Parisian daily life, Kaplan’s study is also a comprehensive meditation on an entire society, its government, and its capacity to endure. Long-awaited by French history scholars, The Bakers of Paris and the Bread Question, 1700–1775 is a landmark in eighteenth-century historiography, a book that deeply contextualizes, and thus enriches our understanding of one of the most important eras in European history.

Enjoy the panorama of a Creation so beautifully detailed, ordered and complex that it would be unbelievable if it was not there in front of us. As you look at the world around you, it is impossible not to experience the incredible awe and wonder of its design. Is this the result of an unlimited number of immeasurable odds or a more satisfying and reasonable explanation of a Creator? What is the purpose of it all?

The villain is the hero of his own story - and is every bit as important as the heroic characters. This book contains the lectures and exercises from Tami Cowden's popular online class on villain archetypes. The workshop identifies and examines the motivations of the 16 literary villain archetypes, and shows what happens when heroes and heroines turn to the dark side. Here's what participants have said about the workshop: -I really enjoyed this class. Seeing these archetypes spelled out like this really gives perspective instinct does not. -Not only did this give me some really good tips on villain archetypes, but seeing the thought process behind creating a character for the archetypes helped me with your hero/heroine archetypes as well. -WONDERFUL class, again!!! It was quite a thrill figuring out which archetype matched up with the villianess of my WIP: ) . I have your exclamation about motivation stuck to my wall, just as a reminder. --I did get a chance to apply this to my characters. I put a lot more thought into my characters' motivations and I think I will have a stronger book for it. The workshop really helped me make a more consistant characters and to work through how my characters act. -I'm having trouble getting a handle on my villain in my next book, and these archetypes are really helping me. -The exercises were enlightening as well as a fun way to get into the heads of these characters. - You have given me good ideas for use in my current WIP and I'm certain I'll be using some of the others archetypes in future works.