Fall Of The Big Top

Once an eagerly awaited spectacle, the traveling circus--that miracle of red wagons, trumpeting elephants and spangled trapeze artists that slipped into town at dawn and disappeared by midnight--has all but vanished from the American landscape. This work explores circus history from 1793 to the present and addresses the forces of modern culture (such as the popularity of Cirque du Soleil, and pressure from the animal rights movement) that are pushing big top shows toward what the author calls "circus ballet." Numerous photographs and in-depth interviews conducted with show owners, performers and directors enrich the narrative. Overall, the book reveals a sobering contrast between circuses of yesterday and today, even as it honors the outstanding performers who created, and have sustained, the enduring appeal of the circus.

Once an eagerly awaited spectacle, the traveling circus--that miracle of red wagons, trumpeting elephants and spangled trapeze artists that slipped into town at dawn and disappeared by midnight--has all but vanished from the American landscape. This work explores circus history from 1793 to the present and addresses the forces of modern culture (such as the popularity of Cirque du Soleil, and pressure from the animal rights movement) that are pushing big top shows toward what the author calls "circus ballet." Numerous photographs and in-depth interviews conducted with show owners, performers and directors enrich the narrative. Overall, the book reveals a sobering contrast between circuses of yesterday and today, even as it honors the outstanding performers who created, and have sustained, the enduring appeal of the circus.

“Les Standiford takes us under the big top and behind the curtain in this richly researched and thoroughly engaging narrative that captures all of the entrepreneurial intrigue and spirit of the American circus.” —Gilbert King, Pulitzer Prize–winning author of Devil in the Grove Millions have sat under the “big top,” watching as trapeze artists glide and clowns entertain, but few know the captivating stories behind the men whose creativity, ingenuity, and determination created one of our country’s most beloved pastimes. In Battle for the Big Top, New York Times–bestselling author Les Standiford brings to life a remarkable era when three circus kings—James Bailey, P. T. Barnum, and John Ringling—all vied for control of the vastly profitable and influential American Circus. Ultimately, the rivalry of these three men resulted in the creation of an institution that would surpass all intentions and, for 147 years, hold a nation spellbound. Filled with details of their ever-evolving showmanship, business acumen, and personal magnetism, this Ragtime-like narrative will delight and enchant circus-lovers and anyone fascinated by the American experience.

International Literacy Association Award Winner for Intermediate Nonfiction 2016 Eureka Children's Book Honor 2016 On July 6, 1944, thousands of fans made their way to Barbour Street in Hartford, Connecticut, to see the Ringling Bros. and Barnum & Bailey Circus performance. Not long after the show's start, a fire broke out and spread rapidly as panicked circus-goers pushed and scrambled to escape. Within 10 minutes the entire big top had burned to the ground, and 167 people never went home. Big Top Burning recounts the true story of one of the worst fire disasters in US history. It follows the tragic stories of the Cook family—including children Donald, Eleanor, and Edward, who were in the audience that day—and 15-year-old Robert Segee, a circus employee with an incendiary past. Drawing on primary sources and interviews with survivors, author Laura Woollett guides readers through several decades of investigations and asks, Wasthe unidentified body of a little girl nicknamed"Little Miss 1565" Eleanor Cook?Was the fire itself an act of arson—anddid Robert Segee set it? Young readers are invited to evaluate the evidence and draw their own conclusions. Combining a gripping disaster story, an ongoing detective and forensics saga, and vivid details about life in World War II–era America, Big Top Burning is sure to intrigue any history or real-life mystery fan.

In his book, My Life Under the Big Top, the Rev. David Fly shares his lifes journey as a standup comedian, a professional television clown, and an Episcopal priest. The three roles became increasingly intertwined throughout his life. The big top of the circus came to represent for him the church with its sense of wonder and mysterya world from which no one is excluded. The role of the clown and the Christian is to play Stan Laurel to the worlds Oliver Hardy, exposing the folly of pretense and the vanity of pride. The book is both a memoir and a theological reflection.

Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .

Circuses and film are a natural pairing, and the new essays making up this volume begin the exploration of how these two forms of entertainment have often worked together to create a spectacle of onscreen alchemy. The films discussed herein are an eclectic group, ranging from early silent comedies to animated, 21st century examples, in which circuses serve as liminal or carnivalesque spaces wherein characters--and by extension audience members--can confront issues as far-reaching as labor relations, sensuality, identity, ethics, and more. The circus as discussed in these essays encompasses the big top, the midway, the sideshow and the freak show; it becomes backdrop, character, catalyst and setting; and it is welcoming, malicious or terrifying. Circus performers are family, friends, foe or all of the above. And film is the medium that brings it all together. This volume starts the conversation about how circuses and film can combine to form productive, exciting spaces where almost anything can happen.

After what turns out to be his group Sirkus Kult's final concert, clown hip-hopper Freshy Jest finds himself bedding a voluptuous groupie. Unfortunately, the gal's sexual philosophy includes postcoital "double suicide," and her butcher knife makes flesh confetti of Freshy's abdomen.Transported via death into a circus tent afterlife, the rapper encounters enough clowns to colonize a continent-populating amusement rides, humorously cavorting, and playing games of skill and chance. Before long, he makes many strange, funny new friends. But even in the hereafter, one can die. Enduring a succession of gruesome demises, each of which drops him to a lower tent level, Freshy tours realms of shifting geometry, backwards colors, self-aware balloon animals, scalding lipstick currents, and grisly gluttony. Menaced by serial killer clowns and even eerier entities, he seeks to return to Earth. Will Freshy Jest escape the Forever Big Top, and come back to life, or is he destined to reach the great tent's nethermost level?

The newspapers called him "Overshadowing Monarch Mastodon," "Behemoth of Holy Writ" and "Prodigious Mountain." He was the main event at the greatest show on earth: Jumbo, at around 6-1/2 tons and almost 12 feet tall, the biggest elephant anyone had ever seen. Jumbo's mere presence in the Barnum, Bailey and Hutchinson circus guaranteed an additional $3,000 a day in box office receipts. More of an exhibit than a performer, Jumbo was simply paraded around the three rings. But still the people came, just to marvel at the size of this monster pachyderm. This work traces Jumbo's capture in East Africa, his life in the London Zoo, the controversy over his sale for $10,000 to American showman P.T. Barnum, his journey across the Atlantic, his life as the most famous attraction in Barnum's circus, and his tragic death in a railway accident in Canada in 1885.

This laugh-out-loud funny illustrated book in James Patterson’s New York Times bestselling series finds our favorite dog Junior on a high-flying circus adventure! Imagine my WAG-NIFICENT excitement when I found out the circus was coming to town! I’d do anything to join those muscly mastiffs, tumbling toy poodles, and clowning corgis. Read my latest diary to discover: How my pack-pals and I caused carnival chaos! The way I reunited with the most-wanted escapee from pooch prison. My show-stealing PAW-formance. It’s going to be a RE-BARK-ABLE show! With my whole pooch pack alongside me—and, of course, my favorite pet human, RUFF!—what could possibly go wrong?