Fahrenheit 9 11 Directed By Michael Moore

Fahrenheit 9/11 is the scorching cinema sensation that sent waves of shock and awe across the globe. Now you can get the facts behind the most talked about film of the year. Here Mike gives you the full, explosive transcript of the smash hit that's got the phoney President running for the hills - with extra outtakes that never made the final cut. He fires back at the critics with his own 'Fact Bible' to prove that it's all true, and gives us just a taste of the buzz that's made this movie torpedo all predictions and become a worldwide phenomenon.

Examines the development of Michael Moore's ideas and the evolution of his filmmaking, then dissects "Fahrenheit 9/11", and explores the many claims and disagreements about the movie's truthfulness. This study shows that Michael Moore's film did more than shake up a nation.

A fireman in charge of burning books meets a revolutionary school teacher who dares to read. Depicts a future world in which all printed reading material is burned.

Newsbreaking and controversial -- an award-winning investigative journalist uncovers the thirty-year relationship between the Bush family and the House of Saud and explains its impact on American foreign policy, business, and national security. House of Bush, House of Saud begins with a politically explosive question: How is it that two days after 9/11, when U.S. air traffic was tightly restricted, 140 Saudis, many immediate kin to Osama Bin Laden, were permitted to leave the country without being questioned by U.S. intelligence? The answer lies in a hidden relationship that began in the 1970s, when the oil-rich House of Saud began courting American politicians in a bid for military protection, influence, and investment opportunity. With the Bush family, the Saudis hit a gusher -- direct access to presidents Reagan, George H.W. Bush, and George W. Bush. To trace the amazing weave of Saud- Bush connections, Unger interviewed three former directors of the CIA, top Saudi and Israeli intelligence officials, and more than one hundred other sources. His access to major players is unparalleled and often exclusive -- including executives at the Carlyle Group, the giant investment firm where the House of Bush and the House of Saud each has a major stake. Like Bob Woodward's The Veil, Unger's House of Bush, House of Saud features unprecedented reportage; like Michael Moore's Dude, Where's My Country? Unger's book offers a political counter-narrative to official explanations; this deeply sourced account has already been cited by Senators Hillary Rodham Clinton and Charles Schumer, and sets 9/11, the two Gulf Wars, and the ongoing Middle East crisis in a new context: What really happened when America's most powerful political family became seduced by its Saudi counterparts?

#1 New York Times bestselling author Michael Moore returns with his first major book in eight years -- a blend of memoir, history, and politics that only he could write. "I had an unusually large-sized head, though this was not uncommon for a baby in the Midwest. The craniums in our part of the country were designed to leave a little extra room for the brain to grow in case one day we found ourselves exposed to something we didn't understand, like a foreign language, or a salad." Michael Moore-Oscar-winning filmmaker, bestselling author, the nation's unofficial provocateur laureate-is back, this time taking on an entirely new role, that of his own meta-Forest Gump. Breaking the autobiographical mode, he presents twenty-four far-ranging, irreverent, and stranger-than-fiction vignettes from his own early life. One moment he's an eleven-year-old boy lost in the Senate and found by Bobby Kennedy; and in the next, he's inside the Bitburg cemetery with a dazed and confused Ronald Reagan. Fast-forwarding to 2003, he stuns the world by uttering the words "We live in fictitious times . . . with a fictitious president" in place of the expected "I'd like to thank the Academy." And none of that even comes close to the night the friendly priest at the seminary decides to show him how to perform his own exorcism. Capturing the zeitgeist of the past fifty years, yet deeply personal and unflinchingly honest, Here Comes Trouble takes readers on an unforgettable, take-no-prisoners ride through the life and times of Michael Moore. No one will come away from this book without a sense of surprise about the Michael Moore most of us didn't know. Alternately funny, eye-opening, and moving, it's a book he has been writing-and living-his entire life.

A critic of Michael Moore's Fahrenheit 9/11 presents arguments against the film's views on the Bush administration, the September 11 attacks, and the Iraq war.

Not afraid to tackle provocative topics in American culture, from gun violence and labor policies to terrorism and health care, Michael Moore has earned both applause and invective in his career as a documentarian. In such polarizing films as Bowling for Columbine, Fahrenheit 9/11, and Sicko, Moore has established a unique voice of radical nostalgia for progressivism, and in doing so has become one of the most recognized documentary filmmakers of all time. In the first in-depth study of Moore’s feature-length documentary films, editors Thomas W. Benson and Brian J. Snee have gathered leading rhetoric scholars to examine the production, rhetorical appeals, and audience reception of these films. Contributors critique the films primarily as modes of public argument and political art. Each essay is devoted to one of Moore’s films and traces in detail how each film invites specific audience responses. Michael Moore and the Rhetoric of Documentary reveals not only the art, the argument, and the emotional appeals of Moore’s documentaries but also how these films have revolutionized the genre of documentary filmmaking.

He's the man everyone's talking about. He's taken on gun freaks, stupid white men and corporate crooks. Now Michael Moore is on a new mission: to get us of our behinds and kicking out the corrupt political elites who rule our lives.

In the winter of 2002, Stupid White Men took America -- and the world -- by storm. Tired and skeptical of George W. Bush's high approval ating, frightened by the implications of the Enron scandal -- and generally just looking for a voice of honest dissent in the thick atmosphere of jingoism that followed 9/11 -- book buyers from coast to coast swiftly embraced Michael Moore's in-your-face anti-Bush-era manifesto, making it one of the bestselling nonfiction books of the year. With an unerring eye for greed, hypocrisy, and corruption, Michael Moore takes on the whole ugly mess of America at the dawn of the twenty-first century. Whether he's demanding U.N. action to overthrow the Bush Family Junta or calling on African Americans to place whites only signs over the entrances of unfriendly businesses, Stupid White Men is a pitch-perfect skewering of our culture of Malfeasance and Mediocrity.

This is an overview of the theoretical issues and critical debates around documentary, whose attempts to depict reality and to comment on it have provoked disagreement from the 1920s to the present day.