Faces Of The Civil War

Discover the men of color who fought for their freedom during the Civil War through profiles illustrated with original wartime photographs. A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants?many of whom fought to secure their freedom. During the Civil War, 200,000African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits?cartes de visite, ambrotypes, and tintypes?in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America. “It does nothing to diminish the depth and precision of Coddington’s research to say that each compelling vignette prompts the reader to hurriedly flip to the next one.” —Publishers Weekly (starred review)

Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.

“Extensive research, fascinating characters . . . The author has done an admirable job of literally placing a face on the ordinary Confederate soldier.” —The Journal of Southern History “The history of the Civil War is the stories of its soldiers,” writes Ronald S. Coddington in the preface to Faces of the Confederacy. This book tells the stories of seventy-seven Southern soldiers—young farm boys, wealthy plantation owners, intellectual elites, uneducated poor—who posed for photographic portraits, cartes de visite, to leave with family, friends, and sweethearts before going off to war. Coddington, a passionate collector of Civil War-era photography, conducted a monumental search for these previously unpublished portrait cards, then unearthed the personal stories of their subjects, putting a human face on a war rife with inhuman atrocities. The Civil War took the lives of twenty-two of every hundred men who served. Coddington follows the exhausted survivors as they return home to occupied cities and towns, ravaged farmlands, a destabilized economy, and a social order in the midst of upheaval. This book is a haunting and moving tribute to those brave men. Like its companion volume, Faces of the Civil War: An Album of Union Soldiers and Their Stories, this book offers readers a unique perspective on the war and contributes to a better understanding of the role of the common soldier. “With his meticulous research and a journalist’s eye for good stories, Ron Coddington has brought new life to Civil War photographic portraits of obscure and long-forgotten Confederates whose wartime experiences might otherwise have been lost to history.” —Bob Zeller, cofounder and president of the nonprofit Center for Civil War Photography

A collection of rare archival images and biographical sketches of the dauntless women who served as nurses and caregivers during the Civil War. During the American Civil War, women on both sides of the conflict, radiating patriotic fervor equal to their male counterparts, contributed to the war effort in countless ways: forming charitable societies, becoming nurses, or even marching off to war as vivandières, unofficial attachés to the regiments. In Faces of Civil War Nurses, Ronald S. Coddington turns his attention to the experiences of 77 women of all ages and walks of life who provided care during the war as nurses, aid workers, and vivandières. Their personal narratives are as unique as fingerprints: each provides a distinct entry point into the larger social history of the brutal and bloody conflict. Coddington tells these determined women's stories through letters, diaries, pension files, and newspaper and government reports. Using identified tintypes and cartes de visite of women on both sides of the war, many of them never before published, Coddington uncovers the personal histories of each intrepid individual. Following their postwar stories, he also explains how the bonds they formed continued long after the cessation of hostilities. The fifth volume in Coddington's series on Civil War soldiers, this captivating microhistory will appeal to anyone with an interest in the Civil War, women's studies, social history, nursing, or photography. Praise for Ronald Coddington's Faces Series "An engaging look at a neglected part of the history of the American Civil War."—Booklist "Coddington has hit upon a unique and fascinating niche in the seemingly endless march of Civil War books."—C&RL News "A lavishly produced visual record of southern Civil War soldiers . . . will appeal to serious photography enthusiasts and collectors, as well as those readers captivated by the personal stories of Civil War soldiers."—Civil War Books and Authors "Coddington's prose is as unpretentious as the faces he shares, yet authoritative. It resurrects details that broaden our understanding of those sad times and sheds valuable light on the shape of modern culture."—Atlanta Constitution "Even at a distance of over a hundred years, the faces staring out of these pages create an undeniable emotional connection with the reader. This book is highly recommended."—H-CivWar, H-Net Reviews "A fascinating window into the war's impact on the individual soldier . . . well researched and engagingly written. Any teacher of the Civil War would do well to consult this volume and incorporate some of the captivating tales into lectures and readings."—Journal of Military History

A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”

Portraits of the Civil War in photographs, diaries, and letters.

Daniel Webster, Frederick Douglass, Harriet Beecher Stowe, Jefferson Davis, John Brown. We know their names and recall the place of each in our nation's history. But do we recognize their faces and those of the dozens of their contemporaries who forged a new and forward-looking America during the Civil War era? Faces of Discord is a look into the real faces of the leading historical figures of this turbulent and transformative time. Compiled from the collections of the Smithsonian's National Portrait Gallery, these depictions include those of Abraham Lincoln, Robert E. Lee, Ulysses S. Grant, John S. Mosby, George Armstrong Custer, and many others who were painted, sculpted, and photographed by the foremost artists of the day. More than just arresting pictures in a book, these “faces of discord” represent historical portraits of the period, some of which were once owned by the famous sitters themselves and passed down to the Smithsonian by their descendants. The National Portrait Gallery is a fitting repository for these images, in part because the gallery occupies the building that was used as a barracks and hospital for Federal troops during the war and was the site of Lincoln's second inaugural ball. Faces of Discord also tells the stories of the extraordinary lives behind the faces that changed the course of American history. Selected exclusively from Smithsonian collections and illustrated within Faces of Discord are rarely seen personal possessions and memorabilia associated with many of these historical figures who still command our attention and so vividly animate these pages.

Archival images and biographical sketches of common sailors on both sides of the conflict reveal the human side of the Civil War. During the American Civil War, more than one hundred thousand men fought on ships at sea or on one of America’s great inland rivers. There were no large-scale fleet engagements, yet the navies, particularly the Union Navy, did much to define the character of the war and affect its length. The first hostile shots roared from rebel artillery at Charleston Harbor. Along the Mississippi River and other inland waterways across the South, Union gunboats were often the first to arrive in deadly enemy territory. In the Gulf of Mexico and along the Atlantic seaboard, blockaders in blue floated within earshot of gray garrisons that guarded vital ports. And on the open seas, rebel raiders wreaked havoc on civilian shipping. In Faces of the Civil War Navies, renowned researcher and Civil War photograph collector Ronald S. Coddington focuses his considerable skills on the Union and Confederate navies. Using identifiable cartes de visite of common sailors on both sides of the war, many of them never before published, Coddington uncovers the personal histories of each individual who looked into the eye of the primitive camera. These unique narratives are drawn from military and pension records, letters, diaries, period newspapers, and other primary sources. In addition to presenting the personal stories of seventy-seven intrepid volunteers, Coddington also focuses on the momentous naval events that ushered in an era of ironclad ships and other technical innovations. The fourth volume in Coddington’s series on Civil War soldiers, this microhistory will appeal to anyone with an interest in the Civil War, social history, or photography. The narratives and photographs in Faces of the Civil War Navies shed new light on a lesser-known part of our American story. Taken collectively, these “snapshots” remind us that the history of war is not merely a chronicle of campaigns won and lost, it is the collective personal odysseys of thousands of individual life stories.