Eye Of The Sixties

In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli

In passionate first-person accounts, Through Survivors' Eyes tells the story of the six survivors of the Greensboro Massacre in 1979.

Many books have been written on the Sixties: tributes to music and fashion, sex, drugs and revolution. In The Sixties, Jenny Diski breaks the mould, wryly dismantling the big ideas that dominated the era - liberation, permissiveness and self-invention - to consider what she and her generation were really up to. Was it rude to refuse to have sex with someone? Did they take drugs to get by, or to see the world differently? How responsible were they for the self-interest and greed of the Eighties? With characteristic wit and verve, Diski takes an incisive look at the radical beliefs to which her generation subscribed, little realising they were often old ideas dressed up in new forms, sometimes patterned by BIBA. She considers whether she and her peers were as serious as they thought about changing the world, if the radical sixties were funded by the baby-boomers' parents, and if the big idea shaping the Sixties was that it really felt as if it meant something to be young.

Iconic 1960s figures are immortalized in pictures and commentary by this legendary photographer from "Rolling Stone" magazines early heyday. An affectionate tribute that juxtaposes cooled-out hippies against history-making events, the book portrays the youth revolution in full swing.

Kathy Etchingham was Jimi Hendrix's Foxy Lady, and the inspiration for many of his best-known songs. They lived together in London for nearly two years and she recently hosted a party to celebrate a blue plaque in his name, at the house they shared in Brook Street.

Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.

A Day in the Life is the story of how the ideal marriage between two young and extraordinarily beautiful members of the English upper class fell apart as the psychedelic dreams of the sixties gave way to the harsh, hard-rock reality of the seventies. A tender, moving, and often harrowing look at the moment in time when the counterculture collided with the international jet set, A Day in the Life captures the spirit of that era and the people who lived through it with unerring accuracy and heartfelt precision. When Tommy Weber and Susan “Puss” Coriat, London’s most beautiful couple, were married in 1964, it was the fitting end to a storybook romance. But the fast cars Tommy loved to race, their celebrity friends, and the huge trust fund Puss had inherited masked a tortured truth—both had suffered through oppressive and neglectful childhoods and were now caught up in a wildly extravagant lifestyle that neither Puss’ inheritance nor Tommy’s increasingly desperate schemes could support. Six years later, Puss found herself wandering around India with her two sons while Tommy, who was now smuggling drugs to survive, lived in London with a stunning young actress. A Day in the Life is also the stirring account of how the couple’s tow sons—one of whom is the well-known actor Jake Weber—somehow managed to survive a childhood that would have destroyed those of lesser spirit. An unbelievable true-life tale that often reads like a novel, A Day in the Life follow the fortunes and misfortunes of one remarkable family while also introducing us to an extensive cast of supporting characters that includes Keith Richards, Anita Pallenberg, Mick Jagger, Jimi Hendrix, Eric Clapton, George Harrison, John Lennon, and Charlotte Rampling, as well as many of the movers and shakers who helped create the “Swinging London” scene.

A chronicle of a friendship that began in 1969 and spanned three decades. Two high school newspaper editors in different states exchanges heated letters about politics, relationships and social upheaval and spark a friendship that lasted through heartbreak and change.

The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.