Eye Of The Labyrinth

Since the Age of Shadows ended, the people of Ranadon have lived under the merciless heat of two suns and the tyranny of Antonov, the Lion of Senet. Consumed by his lust for power and his unshakable belief in the capricious, almighty Goddess, Antonov’s rule is absolute. Only one man has the intelligence and will to break that hold…a man who could be King. Suddenly widowed, Morna Provin, Duchess of Elcast, has lost her only protector. With her son banished for an unspeakable crime, she faces a horrifying fate at the hands of the Lion of Senet as retribution for her relationship with the heretic Johan Thorn. But it is only part of a cunning scheme to lure her son, Dirk Provin, back into the fold so Antonov can consolidate his power once and for all. With his mother’s life at stake, Dirk Provin must emerge from hiding in the Baenlands and return to Elcast—setting in motion a rebellion that will expose long-buried secrets and ignite festering hatreds. For a ruler’s fears and a madman’s prophecy will start Dirk on a quest for truth that will spark a fierce battle between two very different men: one who believes only what his five senses tell him, the other obsessed by his faith in the divine. It is a clash that will bring to light a revelation that may shatter them all.

The Labyrinth is a unique vision of a dystopian future from one of the most sought-after visual storytellers in the world. A world covered by ruins and ash, the remnants of an otherworldly phenomenon that has ravaged the earth’s atmosphere and forced the few survivors deep underground. Matt, Sigrid and Charlie leave the safe harbour of the enclave for an expedition onto the wastelands of the surface world. During their journey they are forced to confront dark secrets from the time before civilization’s fall. Simon Stålenhagis the internationally acclaimed author and artist behind Tales From the Loop, Things From the Flood and The Electric State. He is world-renowned for his highly imaginative images and stories depicting illusive sci-fi phenomena in mundane, hyper-realistic Scandinavian landscapes. Perfect for fans of everything from Stranger Things to Jurassic Park to Westworld. PRAISE for SIMON STALENHAG 'Tales has the magic. It's got the robots, the weirdness, the dinosaurs. But most of all, it has the wonder. No one who picks this book up will be the same person when they put it down again' NPR on Tales from the Loop 'No words to describe this novel in pictures. Stahlenhag defined a whole new aesthetic for scifi in the 21st century' Damien Walter on The Electric State 'A chilling, unforgettable visual and narrative experience' Locus on The Electric State Stalenhag's 'stories crawl into my brain and mess with my memory of history, time and place' NPR on The Electric State

From Wall Street Journal bestselling author Aleron Kong comes, Awakening, Book One of God's Eye, the long awaited second series of the Labyrinth Universe! Telos is a world at the center of the Universe. A bright jewel wrapped in a Lattice of realities. It is a world that gods and demons call home at the beginning of a new age. Remy is a newly risen deity, struggling to survive in a Battle Royale where the consequences are worse than death and last longer than damnation. He will find that he cannot live without his tribe of worshipers. Their strength is his, and his is theirs. Other tribes want nothing more than to feast upon their flesh and consume their power. It is a deadly race of technology and power, faith and corruption, of commoners and legends. Gods of ancient pantheons and demons of forbidden nightmares compete in a timeless game where the stakes are the souls of every living being. These old forces will come to fear a newly risen god. His name will become a curse on their lips. His name will be a chant in the mouths of the faithful. His name will be carved in time. Zero Fell, Zero Fell, ZERO FELL!

A seminal work by an artist whose drawings in The New Yorker, LIFE, Harper's Bazaar, and many other publications influenced an entire generation of American artists and writers. Saul Steinberg’s The Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings. These carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, discovering and inventing a great variety of events: "Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.

Hugh of Emblin is, so far as he's concerned, the worst student that the Academy at Skyhold has ever seen. He can barely cast any spells at all, and those he does cast tend to fail explosively. If that wasn't bad enough, he's also managed to attract the ire of the most promising student of his year- who also happens to be the nephew of a king. Hugh has no friends, no talent, and definitely doesn't expect a mage to choose him as an apprentice at all during the upcoming Choosing. When a very unexpected mage does choose him as apprentice, however, his life starts to take a sharp turn for the better. Now all he has to worry about is the final test for the first years- being sent into the terrifying labyrinth below Skyhold.

An enticing history of food and drink in Western art and culture Eating and drinking can be aesthetic experiences as well as sensory ones. The Hungry Eye takes readers from antiquity to the Renaissance to explore the central role of food and drink in literature, art, philosophy, religion, and statecraft. In this beautifully illustrated book, Leonard Barkan provides an illuminating meditation on how culture finds expression in what we eat and drink. Plato's Symposium is a timeless philosophical text, one that also describes a drinking party. Salome performed her dance at a banquet where the head of John the Baptist was presented on a platter. Barkan looks at ancient mosaics, Dutch still life, and Venetian Last Suppers. He describes how ancient Rome was a paradise of culinary obsessives, and explains what it meant for the Israelites to dine on manna. He discusses the surprising relationship between Renaissance perspective and dinner parties, and sheds new light on the moment when the risen Christ appears to his disciples hungry for a piece of broiled fish. Readers will browse the pages of the Deipnosophistae—an ancient Greek work in sixteen volumes about a single meal, complete with menus—and gain epicurean insights into such figures as Rabelais and Shakespeare, Leonardo and Vermeer. A book for anyone who relishes the pleasures of the table, The Hungry Eye is an erudite and uniquely personal look at all the glorious ways that food and drink have transfigured Western arts and high culture.

true darkness, she often heard Murray say, was in men's souls. On the world of Ranadon there is no night and both suns shine brightly. the intervention of Belagren, High Priestess of the Shadowdancers, has banished the Age of Shadows from the skies. Belagren's position is at risk as political rivalries erupt into a deadly game. A volcanic eruption shipwrecks a mysterious sailor on the island of Elcast. His arrival stirs up old hatreds and unravels old secrets. And brings Antonov, the powerful Lion of Senet - and fear - to the Keep of the Duke of Elcast. A strong friendship begins to develop between Dirk, second son of the Duke, and Kirshov Latanya, second son of the Lion of Senet. But will they survive the ambitions of Antonov and Belagren? Praise for Jennifer Fallon 'one of those rare hybrids, an SF plot compounded with the in-depth characterization of a good fantasy tale' Robin Hobb 'picks up on many of the best trends - not least of which is well-drawn characters - in the current fantasy scene' alternate reality webzine

In the tradition of Simon Winchester and Dava Sobel, The Riddle of the Labyrinth: The Quest to Crack an Ancient Code tells one of the most intriguing stories in the history of language, masterfully blending history, linguistics, and cryptology with an elegantly wrought narrative. When famed archaeologist Arthur Evans unearthed the ruins of a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece’s Classical Age, he discovered a cache of ancient tablets, Europe’s earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain a mystery. Award-winning New York Times journalist Margalit Fox's riveting real-life intellectual detective story travels from the Bronze Age Aegean—the era of Odysseus, Agamemnon, and Helen—to the turn of the 20th century and the work of charismatic English archeologist Arthur Evans, to the colorful personal stories of the decipherers. These include Michael Ventris, the brilliant amateur who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of the deipherment; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code.

Wracked with guilt, Dirk Provin has fled the Lion of Senet's court in Avacas to hide in the Baenlands with Tia Veran, where he finds that he can't escape his destiny, no matter how hard he tries. The Lion of Senet has finally accepted that Dirk will not return to Avacas willingly, so, with the help of the High Priestess, he sets about driving him out into the open with a series of atrocities so dreadful that even Dirk cannot ignore them. Desperate to expose Antonov and Belagren's lies, Dirk and Tia travel to the ruins at Omaxin, in the hope of uncovering the truth about the Age of Shadows. But in Omaxin, Dirk will discover an unexpected truth and be forced to make a decision that will mark him forever as a traitor.