Exhibiting Jewishness

The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.

In modern times, various Jewish groups have argued whether Jewishness is a function of ethnicity, of nationality, of religion, or of all three. These fundamental conceptions were already in place in antiquity. The peculiar combination of ethnicity, nationality, and religion that would characterize Jewishness through the centuries first took shape in the second century B.C.E. This brilliantly argued, accessible book unravels one of the most complex issues of late antiquity by showing how these elements were understood and applied in the construction of Jewish identity—by Jews, by gentiles, and by the state. Beginning with the intriguing case of Herod the Great's Jewishness, Cohen moves on to discuss what made or did not make Jewish identity during the period, the question of conversion, the prohibition of intermarriage, matrilineal descent, and the place of the convert in the Jewish and non-Jewish worlds. His superb study is unique in that it draws on a wide range of sources: Jewish literature written in Greek, classical sources, and rabbinic texts, both ancient and medieval. It also features a detailed discussion of many of the central rabbinic texts dealing with conversion to Judaism.

Modernity offers people choices about who they want to be and how they want to appear to others. The way in which Jews choose to frame their identity establishes the dynamic of their social relations with other Jews and non-Jews - a dynamic complicated by how non-Jews position the boundaries around what and who they define as Jewish. This book uncovers these processes, historically, as well as in contemporary behavior, and finds explanations for the various manifestations, in feeling and action, of 'being Jewish.' Boundaries and borders raise fundamental questions about the difference between Jews and non-Jews. At root, the question is how 'Jewish' is understood in social situations where people recognize or construct boundaries between their own identity and those of others. The question is important because this is by definition the point at which the lines of demarcation between Jews and non-Jews, and between different groupings of Jews, are negotiated. Collectively, the contributors to the book expand our understanding of the social dynamics of framing Jewish identity. The book opens with an introduction that locates the issues raised by the contributors in terms of the scholarly traditions from which they have evolved. Part I presents four essays dealing with the construction and maintenance of boundaries - two by scholars showing how boundaries come to be etched on an ethnic landscape and two by activists who question and adjust distinctions among neighbors. Part II focuses on expressive means of conveying identity and memory, while, in Part III, the discussion turns to museum exhibitions and festive performances as locations for the negotiation of identity in the public sphere. A lively discussion forum concludes the book with a consideration of the paradoxes of Jewish heritage revival in Poland, and the perception of that revival by Jews and non-Jews. *** ..".these essays help us understand the social dynamics of Jewish identity and how identity is constructed in modern life." -- AJL Reviews, February/March 2015 (Series: Jewish Cultural Studies - Vol. 4) [Subject: Jewish Studies, Cultural Studies]

"The Avraham Harman Institute of Contemporary Jewry, the Hebrew University of Jerusalem."

This volume explores literary and material representations of Jews, Jewishness and Judaism from antiquity to the twenty-first century. Gathering leading scholars from within the field of Jewish Studies, it investigates how the debates surrounding literary and material images within Judaism and in Jewish life are part of an on-going strategy of image management - the urge to shape, direct, authorize and contain Jewish literary and material images and encounters with those images - a strategy both consciously and unconsciously undertaken within multifarious arenas of Jewish life from early modern German lands to late twentieth-century North London, late Antique Byzantium to the curation of contemporary Holocaust exhibitions.

Reconnect with Judaism’s most important contribution to humanity—and redeem our world. “The gift of Judaism is an understanding of what it means to be a human being—what we can do, what we can hope for, how we can live with purpose, what is expected of us. It is a celebration of human freedom, human possibility and human responsibility. Judaism is a way to live a heroic life, to construct a life devoted to values that are eternal, values of ultimate significance. The reward of a Jewish life is walking the world with a profound faith that you matter, your life matters, your dreams matter. I call this chutzpah.” —from the Introduction In this clarion call for a new way to “do Judaism,” award-winning spiritual leader Rabbi Edward Feinstein urges us to recover this message of Jewish self-empowerment—or chutzpah—to reshape our world. He walks us through the history of chutzpah—from the early chapters of Genesis, Jewish biblical law and the Rabbis of the Talmud to the mystics of medieval Spain and the European Hasidic tradition, Zionism and post-Holocaust thought. By showing us the ever-presence of chutzpah in Judaism he reveals the inner story of the Jewish People’s soul as well as the meaning that Judaism’s deepest purpose and most precious treasure has for us today.

The Holocaust and Representations of Jews examines how prominent national exhibitions in Europe represent the Jewish minority and its cultural and religious self-understandings, historically and today, in particular in the context of the Holocaust. Insights from the New Museology are brought to the field of Jewish Studies through an exploration of the visual representation of Jewish history and Jewish identifications in the display of photographs. Drawing on case studies which focus on the Holocaust Exhibition at the Imperial War Museum in London and the permanent exhibition at the Jewish Museum Berlin, these themes become the prism through which aspects of historiography and the display of the ‘otherness’ of minorities are addressed. Casting new light on the issues surrounding the visual representation of Jews, the work of museum practitioners in relation to historical presentations and to the use of photographs in exhibitions, this book is an important contribution not only to the fields of Jewish Studies, Religion and History, but also to the study of the representation of minority-majority relations and the understanding of exhibition visits as an educational tool.

“A remarkable achievement, demonstrating the vitality of Jewish folklore and ethnographic studies a hundred years after An-sky’s pioneering expedition.” —Folklore Taking S. An-sky’s expeditions to the Pale of Jewish Settlement as its point of departure, the volume explores the dynamic and many-sided nature of ethnographic knowledge and the long and complex history of the production and consumption of Jewish folk traditions. These essays by historians, anthropologists, musicologists, and folklorists showcase some of the finest research in the field. They reveal how the collection, analysis, and preservation of ethnography intersect with questions about the construction and delineation of community, the preservation of Jewishness, the meaning of belief, the significance of retrieving cultural heritage, the politics of accessing and memorializing “lost” cultures, and the problem of narration, among other topics. “Going to the People proves itself a useful addition to scholarship on Jewish folklore and ethnography by introducing major issues in these fields, as well as the historical figures and contemporary scholars who have shaped (and continue to shape) their development.” —Western Folklore “This book’s essays portray the various threads and trends in Jewish ethnography in Poland and Soviet Russia, the US, the new Jewish State of Israel and, eventually, in postcommunist societies. The endurance and evolution of Jewish folk culture is analyzed using techniques applicable to all groups and communities. . . . Recommended.” —Choice “I read through this collection with pleasure and fascination. . . . These are valuable voices that should be heard.” —Gabriella Safran, Stanford University “This volume brings together some of the most innovative research in the field.” —Eugene Avrutin, author of Photographing the Jewish Nation: Pictures from S. An-sky’s Ethnographic Expeditions