Ex Umbra Necromancy Grimoire

Communion with the dead. Necromancy without illegal practices. Divination with the spirits of the dead. Ancestors worship as done in Egypt, Sumeria, ancient Rome and Mexico. Different scrying mirrors, scrying with Hekate, Tiamat, Mammitu. Clairvoyance and clairaudience exercises. How to perform a séance or "misa". EVP: Electric Voice Phenomenon. Powerful Palo Mayombe and Hoodoo spells. Cemetery Hoodoo spells, using dirt from graveyards and summon spirits. Summoning the dead, mixed spiritism (espiritismo cruzado), boveda espiritual and misa (séances), and more. 168 pages.

Necrosophy ( Necro-dead & Sophy-knowledge) is a necromantic grimoire of sorts that contains the knowledge of the intelligence of the dead. What I mean by that is different cultural knowledge is going to be presented in the form of stories and parables.

A Satanic Grimoire is a guide to using and interpreting the black arts for seduction, manipulation and one of the few books that deals openly with spirits of darkness. This book covers that forbidden area where sex, black magic and the Devil meet in an unholy and lascivious fusion. Included are essays, poetry and a stunning revisiting of magical workings performed by the Magus himself.

The Shamanic Plant Medicine series acts as an introduction to specific teacher plants used by shamans in a variety of cultures to facilitate spirit communion, healing, divination and personal discovery, and which are increasingly known, used and respected in Western society by modern shamans as a means of connecting to spirit. Salvia is the shamanic plant of Mexico. It is known particularly for its divinatory powers but it also has the ability to heal and, more extraordinarily, in modern usage it provides access to inter-dimensional travel and the ability to move through time. The shamanic applications of Salvia are currently little known outside of Mexico but, along with Ketamine and Ecstasy, it has become one of the most popular ‘drugs’ on the planet among teenagers who have little or no understanding of how to use its powers in a positive and effective way or the potential dangers of using it recreationally. This book therefore serves as a much-needed introduction to this powerful plant.

Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.

Most studies of Graeco-Roman magic focus on the Greek texts. Stimulated by important recent finds of Latin curse-tablets, this collection of essays for the first time tries to define the nature and extent of the originality of magical practice in the Latin West

This "compendium of information on the occult sciences, occult personalities, psychic science, demonology, spiritism, and mysticism" was one of a kind when it was first published in 1920 and is still considered the best in its field today. Spence organizes a world's worth of magic -- from "Ab" (a magical month in the ancient Semitic calendar) to "Zulu witch-finders" -- into 2,500 dictionary-style entries that explore concepts and personalities both familiar (Freemasonry, Morgan le Fay) and obscure: palingenesy (a process by which plants or vegetables are destroyed and then "resurrected"), Leonora Galigai (a 17th-century Italian aristocrat who was burned as a witch). A delight for devotees of the weird and the strange, and a valuable resource for students of mythology and the evolution of scientific thought, this important volume is at home in the libraries of all book lovers. Scottish journalist and folklorist LEWIS SPENCE (1874 -1955) was a Fellow of the Royal Anthropological Institute of Great Britain and Ireland, and Vice-President of the Scottish Anthropological and Folklore Society. He published more than 40 works on mythology and the occult, including History of Atlantis, An Introduction to Mythology, and Myth and Ritual in Dance, Game and Rhyme.

Managing arthritis inflammation and pain with a diet plan and tasty recipes Millions of Americans suffer from osteoarthritis, but few understand the link between their diet and their pain and inflammation. The 21-Day Arthritis Diet Plan gives you essential information on the root causes of the condition and high-risk foods to avoid, plus a specialized Mediterranean-style diet plan that’s quick, easy, and delicious. From Garlic Steak with Warm Spinach Salad to Balsamic-Glazed Pork Tenderloin, this nutritious arthritis diet plan and cookbook can get you on the path to gaining strength and improving your symptoms by eating smarter and healthier every day. It’s not just good for arthritis—it’s also a practical plan for anyone looking to lose weight and feel better. The 21-Day Arthritis Diet Plan delivers: All-in-one—This three-week meal plan includes sample menus, meal prep tips, and shopping lists. 75 recipes—Savor lots of delicious dishes designed to ease arthritis symptoms. Food facts—Discover helpful information on the best nutrients and daily supplements for managing arthritis. Get soothing relief from arthritis pain and inflammation—one healthy, tasty recipe at a time.

According to tradition, each Master or Mistress who was responsible for a particular Satanic Temple or group, was given on his or her assumption of that responsibility, a copy of the Black Book of Satan. The Black Book contained the basic Satanic rituals and instructions relating to ceremonial magick in general. The whole text of the traditional Black Book is included in the present work, together with several additional chapters (e.g. Self-Initiation; Organizing and Running a Temple). These additions make this present work a concise practical handbook for those seriously interested in the Black Arts.