Events Exhibitions And Programs

Bridget Riley: Perceptual Abstraction explores Bridget Riley's longstanding relationship with the United States, beginning in 1965 with the inclusion of her works in the pivotal exhibition, The Responsive Eye, at the Museum of Modern Art in New York. Accompanying the exhibition catalogue are essays by Maryam Ohadi-Hamadani and Rachel Stratton, along with an original reflection by the artist.

This book fits the era of Obama and financial meltdown. It contains essays by mostly young architects who have gone grass roots to work with people, materials, and building types way off radar for earlier generations of architects. There is an eye-opening essay on bamboo. Jean Chae discusses her work using materials form Home Depot to build communal buildings in villages of Central America. Balkrishna Doshi introduces a "housing development" that its inhabitants, following a few guidelines, built from debris. The point throughout is a reversal of the usual flow of power and ideas. The architects have all endeavored to learn from people who, if noticed by mainstream authorities, have had buildings imposed on them. 175 illustrations

Quilters and crafters rejoice! This story of a community coming together to make a quilt is a heartwarming celebration of creativity and teamwork. The kids and grown-ups at a community center begin with lots of colorful fabrics and an idea. Then step by step they make that idea a reality. They design, cut, stitch, layer, and quilt. It's the work of many hands, many hours, and many stories. And the result is something warm and wonderful they all can share. Lizzy Rockwell is the artistic director and organizing force behind the Norwalk Community Quilt Project: Peace by Piece, and this book is inspired by all the people who have gathered over the years to teach and learn and to make something beautiful together.

"Friendship, loss and the everyday populate Packer's canvases, full of disquieting detail." -Adrian Searle, The Guardian Through a uniquely textural style of oil painting that evokes the fluidity of watercolors, Jennifer Packer recasts classical genres in a fresh political and contemporary light while keeping them rooted in a deeply personal context. Combining observation, improvisation and memory, Packer's intimate portraits of friends and family members and flower paintings insist on the particularity of the Black lives she depicts. The title of this volume refers to an ecclesiastical description of the insatiable human quest for divine knowledge; with this in mind, Packer's work urges viewers to understand and appreciate the unique dimensions of Black lives beyond just the physical. Richly illustrated, this volume includes texts by fellow painters Dona Nelson and Lynette Yiadom-Boakye, professors Rizvana Bradley and Christina Sharpe, and an interview between the artist and Serpentine Artistic Director Hans Ulrich Obrist. American painter Jennifer Packer(born 1984) grew up in Philadelphia and received her MFA from Yale University in 2012. She was formerly the Artist-in-Residence at the Studio Museum in Harlem (2012-13) and a Visual Arts Fellow at the Fine Arts Work Center in Provincetown, MA (2014-16). She currently works as an assistant professor of painting at the Rhode Island School of Design. Packer is represented by Sikkema Jenkins & Co in New York City, where the artist lives.

The Hajj is the largest pilgrimage in the world today and a sacred duty for all Muslims. With contributions from renowned experts, this book opens out onto the full sweep of the Hajj: as a sacred path walked by early Islamic devotees, as a sumptuous site of worship under the care of sultans, and as an expression of faith in the modern world.