Et Sapienter Et Eloquenter

As the ancient Greek version of the Old Testament the Septuagint is probably the first great translation project of Greco-Roman antiquity. Together with the Septuagint text the religion and culture of ancient Judaism came to the fore of a Greek speaking audience, which did not have any access to the holy scriptures of the Jews in Hebrew. That translation project also manifested a transfer of religious, social, and anthropological categories and concepts of Semitic origin to another cultural world of language and science that itself was shaped by Hellenism.Over the last years the Septuagint has gradually edged closer into the interest of Biblical scholars and into the centre of historical and philological research. In the course of this main attention has not only been paid to further particulars of its origination in Alexandria but also on various linguistic specifics and distinctive features with regards to content of the Greek Bible. The question, however, which has hardly been studied so far, is to what extent the Greek translation of the Bible consists of stylistic and rhetorical elements that are not present in the Hebrew source text. Did the translators made use of their rhetoric and stylistic skills to give their translations a distinctive ornatus? Can we, according to Augustine, rightly claim that not only the authors of the Biblical texts but also the translators knew to formulate et eloquenter et sapienter, i.e. in an eloquent and wise manner? This issue, neglected in current research, is taken up in this collected volume. Seven scholars investigate into stylistic and rhetorical elements present in various books of the Bible (e.g., Psalms, Amos, and Solomon's Book of Wisdom) and establish a field of work that deserves to receive more attention in the future.Contributors are Eberhard Bons, Jennifer M. Dines, Katrin Hauspie, Jan Joosten, Thomas J. Kraus, A. Léonas, and K. Usener.

This volume examines numerous Hebrew wordplays not identified and discussed in previous research, and the technique of the Septuagint translators, by offering another criterion of evaluation – essentially, their concern about the style of translating Hebrew into Greek. Elizabeth Backfish's study analyzes seventy-four wordplays employed by the Hebrew poets of Psalms 90-106, and how the Septuagint renders Hebrew wordplay in Greek. Backfish estimates that the Septuagint translators were able to render 31% of the Hebrew semantic and phonetic wordplays (twenty-four total), most of which required some sort of transformation, or change, to the text in order to function in Greek. After providing a thorough summary of research methods on wordplay, definitions and research methodology, Backfish summarizes all examples of wordplay within the Fourth Psalter, and concludes with examples of the wordplay's replication, similar rendition or textual variation in the Septuagint. Emphasising the creativity and ingenuity of the Septuagint translators' work in passages that commentators often too quickly identify as the results of scribal error or a variant Vorlage from the Masoretic text, Backfish shows how the aptitude and flexibility displayed in the translation technique also contributes to conversations in modern translation studies.

This volume from the International Organization for Septuagint and Cognate Studies (IOSCS) includes the papers given at the XVII Congress of the IOSCS, which was held in Aberdeen in 2019. Essays in the collection fall into five areas of focus: textual history, historical context, syntax and semantics, exegesis and theology, and commentary. Scholars examine a range of Old Testament and New Testament texts. Contributors include Kenneth Atkinson, Bryan Beeckman, Elena Belenkaja, Beatrice Bonanno, Eberhard Bons, Cameron Boyd-Taylor, Ryan Comins, S. Peter Cowe, Claude Cox, Dries De Crom, Paul L. Danove, Crispin Fletcher-Louis, Frank Feder, W. Edward Glenny, Roger Good, Robert J. V. Hiebert, Gideon R. Kotzé, Robert Kugler, Nathan LaMontagne, Giulia Leonardi, Ekaterina Matusova, Jean Maurais, Michaël N. van der Meer, Martin Meiser, Douglas C. Mohrmann, Daniel Olariou, Vladimir Olivero, Luke Neubert, Daniel Prokop, Alison Salvesen, Daniela Scialabba, Leonardo Pessoa da Silva Pinto, Martin Tscheu, and Jelle Verburg.

The Oxford Handbook of the Septuagint features contributions from leading experts in the field considering the history and manuscript transmission of the version, and the study of translation technique and textual criticism.

In Style and Context of Old Greek Job, Marieke Dhont offers a new understanding of the linguistic and stylistic diversity in the Septuagint corpus. To this end, the author innovatively uses Polysystem Theory, which has been developed in the field of modern literary studies. After discussing the appropriateness of a systemic approach to understanding Jewish-Greek literature, the author reflects on the Jewishness of Greek-language texts. Dhont then presents a thorough literary analysis of the Old Greek version of the book of Job. On this basis, she explains the dynamics that produced the translation of Old Greek Job and its position within the development of a Jewish-Greek literary tradition.

This volume represents the current state of Septuagint studies as reflected in papers presented at the triennial meeting of the International Organization for Septuagint and Cognate Studies (IOSCS). It is rich with contributions from distinguished senior scholars as well as from promising younger scholars whose research testifies to the bright future and diversity of the field. The volume is remarkable in terms of the number, scholarly interests, and geographical distribution of its contributors; it is by far the largest congress volume to date. More than fifty papers represent viewpoints and scholarship from Belgium, Canada, Cameroon, Finland, France, Germany, Israel, Korea, The Netherlands, South Africa, Spain, the United Kingdom, and the United States.

Jewish Paideia examines the diverse and complex views on education in the Hellenistic and early Roman Diaspora and how these understandings of education were inextricably bound to continually evolving constructions and reshapings of self- and communal identity.

Much can be learned about a translation’s linguistic and cultural context by studying it as a text, a literary artifact of the culture that produced it. However, its nature as a translation warrants a careful approach, one that pays attention to the process by which its various features came about. In Characterizing Old Greek Deuteronomy as an Ancient Translation, Jean Maurais develops a framework derived from Descriptive Translation Studies to bring both these aspects in conversation. He then outlines how the Deuteronomy translator went about his task and provides a characterization of the work as a literary product.

Based on recent studies in intercultural communication Kathy Ehrensperger applies the paradigm of multilingualism, which includes the recognition of cultural distinctiveness, to the study of Paul. Paul's role as apostle to the nations is seen as the role of a go-between – as that of cultural translator. This role requires that he is fully embedded in his own tradition but must also be able to appreciate and understand aspects of gentile culture. Paul is viewed as involved in a process in which the meaning of the Christ event is being negotiated 'in the space between' cultures, with their diverse cultural coding systems and cultural encyclopaedias. It is argued that this is not a process of imposing Jewish culture on gentiles at the expense of gentile identity, nor is it a process of eradication of Jewish identity. Rather, Paul's theologizing in the space between implies the task of negotiating the meaning of the Christ event in relation to, and in appreciation of both, Jewish and gentile identity.

Most readers do not know about the Bible used almost universally by early Christians, or about how that Bible was birthed, how it grew to prominence, and how it differs from the one used as the basis for most modern translations. Although it was one of the most important events in the history of our civilization, the translation of the Hebrew Scriptures into Greek in the third century BCE is an event almost unknown outside of academia. Timothy Michael Law offers the first book to make this topic accessible to a wider audience. Retrospectively, we can hardly imagine the history of Christian thought, and the history of Christianity itself, without the Old Testament. When the Emperor Constantine adopted the Christian faith, his fusion of the Church and the State ensured that the Christian worldview (which by this time had absorbed Jewish ideals that had come to them through the Greek translation) would leave an imprint on subsequent history. This book narrates in a fresh and exciting way the story of the Septuagint, the Greek Scriptures of the ancient Jewish Diaspora that became the first Christian Old Testament.