Essays Vol 3

In this second volume of his essays on the history of halakhah, Haym Soloveitchik grapples with much-disputed topics in medieval Jewish history, including the roots and culture of Early Ashkenaz and its knowledge of the Babylonian Talmud; martyrdom as perceived and practised by Jews under Islam and Christianity; and the interpretation of Maimonides’ Mishneh torah

"Over his lifetime from 1894 to 1963, Aldous Huxley earned a reputation as one of the giants of modern English prose and of social commentary in our time. Best known for his novels, including Brave New World and Point Counter Point, Huxley was nonetheless very much at home in the essay form. Ranging from journalism to critical reviews to lierary, political, cultural, and philosophical reflections, these essays stand among the finest examples of the genre in modern literature. They also provide absorbing commentary on contmporary currents and events."--Page 2 of cover.

This central volume in the Collected Essays brings together John Finnis's wide-ranging contribution to central issues in political philosophy. The volume begins by examining the general theory of political community and social justice. It includes the powerful and well-known Maccabaean Lecture on Bills of Rights — a searching critique of Ronald Dworkin's moral-political arguments and conclusions, of the European Court of Human Rights' approach to fundamental rights, and of judicial review as a constitutional institution. It is followed by an equally searching analysis of Kant's thought on the intersection of law, right, and ethics. Other papers in the book's opening section include an early assessment of Rawls's A Theory of Justice, a radical re-interpretation of Aquinas on limited government and the significance of the private/public distinction, and a challenging paper on virtue and the constitution. The volume then focuses on central problems in modern political communities, including the achievement of justice in work and distribution; the practice of punishment; war and justice; the public control of euthanasia and abortion; and the nature of marriage and the common good. There are careful and vigorous critiques of Nietzsche on morality, Hart on punishment, Dworkin on the enforcement of morality and on euthanasia, Rawls on justice and law, Thomson on the woman's right to choose, Habermas on abortion, Nussbaum and Koppelman on same-sex relations, and Dummett and Weithman on open borders. The volume's previously unpublished papers include a foundational consideration of labour unions, a fresh statement of a new grounding for the morality of sex, a surprising reading of C.S. Lewis's Abolition of Man on contraception, and an introduction reviewing some of the remarkable changes in private and public morality over the past half-century.

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.

This text contains essays written from 1991 through early 1996. Topics covered include: General Concepts, Technical Ideas, Structure, Strategic Ideas, In the Cardrooms, Quizzes, Erroneous Concepts, and Something Silly. In addition, advice is offered on handling rushes, moving up, poker skills, simulations, maximizing your expectation, betting when first to act on the river, whether limit hold 'em, should have two or three betting levels, playing the overs, adjusting to the big ante, how to play well, low-limit hold 'em, how many hands you should play early in a tournament, chopping the blinds, cardroom theory, and much more.

The Israeli analytical psychologist Erich Neumann, whom C. G. Jung regarded as one of his most gifted students, devoted much of his later writing to the theme of creativity. This is the third volume of Neumann's essays on that subject. Neumann found his examples not only in the work of writers and artists--William Blake, Goethe, Rilke, Kafka, Klee, Chagall, Picasso, Trakl--but as well in that of physicists, biologists, psychiatrists, and philosophers. Confronting the problem of portraying men and women as creative beings, Neumann expanded the concepts of Jungian psychology with a more comprehensive definition of the archetype and a new concept--"unitary reality." Whether or not humanity can be restored to health from its present situation as a self-endangered species depends, according to Neumann, on whether we can experience ourselves as truly creative, in touch with our own being and the world's being. The six essays comprising this volume--"The Psyche and the Transformation of the Reality Planes," "The Experience of the Unitary Reality," "Creative Man and the `Great Experience,'" "Man and Meaning," "Peace as the Symbol of Life," and "The Psyche as the Place of Creation"--all originated as lectures at the Eranos Conferences in the years 1952 to 1960. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The fields of intellectual property have broadened and deepened in so many ways that commentators struggle to keep up with the ceaseless rush of developments and hot topics. Kritika: Essays on Intellectual Property is a series that is designed to help authors escape this rush. It creates a forum for authors who wish to more deeply question, investigate and reflect upon the evolving themes and principles of the discipline.