Essays From The Nick Of Time

A new collection of prophetic essays from one of the sharpest practitioners of the form Mark Slouka writes from a particular vantage point, one invoked by Thoreau, who wished "to improve the nick of time . . . to stand on the meeting of two eternities, the past and future." At this bewildering convergence, Slouka asks us to consider what it means to be human and what we must revive, or reject, in order to retain our humanity in the modern world. Collected over fifteen years, these essays include fascinating explorations of the relationship between memory and history and the nature of "tragedy" in a media-driven culture; meditations on the transcendent "wisdom" of the natural world and the role of silence in an age of noise; and arguments in defense of the political value of leisure time and the importance of the humanities in an age defined by the language of science and industry. Written in Slouka's supple and unerring prose, celebratory, critical, and passionate, Essays from the Nick of Time reawakens us to the moment and place in which we find ourselves, caught between the fading presence of the past and the neon lure of the future.

A philosophical tour de force melding astrophysics and grief by the American maestra of the prose poem “If memory serves, it was five years ago that yours began to refuse,” Rosmarie Waldrop writes to her husband in The Nick of Time. “Does it feel like crossing from an open field into the woods, the sunlight suddenly switched off? Or like a roof without edge or frame, pushed sideways in time?” Ten years in the making, Waldrop’s phenomenally beautiful new collection explores the felt nature of existence as well as gravity and velocity, the second hemisphere of time, mortality and aging, language and immigration, a Chinese primer, the artist Hannah Höch, and dwarf stars. Of one sequence, “White Is a Color,” first published as a chapbook, the Irish poet Billy Mills wrote, “In what must be less than 1000 words, Waldrop says more about the human condition and how we explore it through words than most of us would manage in a thousand pages.” Love blooms in the cut, in the gap, in the nick between memory and thought, sentence and experience. Like the late work of Cézanne, Waldrop’s art has found a new way of seeing and thinking that “vibrates on multiple registers through endless, restless exploration” (citation for the Los Angeles Times Book Prize).

'Always one to take on big questions, Grosz wants to shift the attention of feminist and other radical social theory to the natural sciences, in order to ask how the biological induces the cultural and, further, how our immersion in time affects the materiality of living beings. Her characteristically lucid and passionate style engages imagination and intellect equally.' Susan Sheridan, Professor of Women's Studies, Flinders University In this pathbreaking new work, Elizabeth Grosz proposes a theory of becoming in place of the prevailing emphasis on being in social, political and biological discourse. Drawing on evolutionary biology, she explores the effect of time on the organization of matter and the development of biological life. She argues that factoring in the relentless forward movement of time throws new light on the ever-growing complication of social life, and also on political struggle. Grosz juxtaposes the work of Darwin, Nietzsche and Bergson. Each theorises time as an active phenomenon with specific effects, with a profound impact on understandings of the body in relation to time. She shows how their concepts of life, evolution, and becoming are manifest in the work of Deleuze and Irigaray. Throughout The Nick of Time, Grosz emphasizes the political and cultural imperative to fundamentally rethink time: the more clearly we understand our temporal location as beings straddling the past and the future without the security of a stable and abiding present, the more transformation becomes conceivable.

Recounts the author's decision to educate his three children about the world by taking them on a three-month tour of several countries, including Thailand, India, Israel, France, and England, a trip during which the family's bonds were tested by cramped vehicles, long train rides, endless walks, and unfamiliar foods. Reprint.

"Intense and elegiac…devastatingly agile." —New York Times Book Review The year is 1968. The world is changing, and sixteen-year-old Jon Mosher is determined to change with it. Racked by guilt over his older brother’s childhood death and stuck in the dead-end town of Brewster, New York, he turns his rage into victories running track. Meanwhile, Ray Cappicciano, a rebel as gifted with his fists as Jon is with his feet, is trying to take care of his baby brother while staying out of the way of his abusive, ex-cop father. When Jon and Ray form a tight friendship, they find in each other everything they lack at home, but it’s not until Ray falls in love with beautiful, headstrong Karen Dorsey that the three friends begin to dream of breaking away from Brewster for good. Freedom, however, has its price. As forces beyond their control begin to bear down on them, Jon sets off on the race of his life—a race to redeem his past and save them all. Mark Slouka's work has been called "relentlessly observant, miraculously expressive" (New York Times Book Review). Reverberating with compassion, heartache, and grace, Brewster is an unforgettable coming-of-age story from one of our most compelling novelists. A New York Times Book Review Editor’s Choice A Washington Post Notable Book of 2013 A Barron’s Favorite Book of the Year, selected by Daniel Woodrell A Booklist Best Adult Books for Young Adults Editor’s Choice 2013

Nicki Janssen's days are numbered, but she refuses to accept her fate lying down. Defying her father and doctors, she hits the road with a pocketful of cash, a bus ticket and a romantic fantasy of riding off with her childhood crush. Handsome, dangerous Brad Ward is facing a different kind of sentence. Sent to prison for felony murder, he has escaped and rekindled his relationship with Nicki. But when Nicki's father joins forces with a deputy sheriff, the search for the runaways ignites a manhunt a blistering chase that accelerates with every stolen car, every act of violence.

In desperation, I look up into mum’s face. A small face – a loving face — And the lights go out. Her face is the last image I will ever see in my lifetime. Blind since the age of seven, Nick Gleeson has spent his life learning to ‘see’ without seeing. Growing up in the working-class Melbourne suburb of Broadmeadows, Nick’s young life was defined by touch and smell: learning the shape of each shoe so he knew left from right. Holding the huge, rough hand of his father. Smelling the well-worn vinyl in the family car. Gently feeling the smooth top and soft underbelly of a mushroom he has picked. When Nick meets Peter Bishop, Creative Director of Varuna, the Writers’ House many years later, he has led an amazing life of physical adventuring. He’s scaled basecamp at Everest and the top of Kilimanjaro; he’s been a Paralympic athlete, a marathon runner, a skydiver. And, most recently, he’s been on an expedition to the Simpson Desert. In a unique blend of memoir, conversation and insights into the writing process, together Peter and Nick have collaborated to share Nick’s compelling life journey with its many challenges, loves and losses. The Many Ways of Seeing is an inspiring true story about determination in the face of hardship, the importance of trust and friendship and the wonderful relationship between a mentor and writer.

After two New York Times bestsellers, Nick Offerman—woodworker, actor, comedian, and co-host of NBC’s crafting competition series Making It—returns with the subject for which he’s known best—his incredible real-life woodshop. Nestled among the glitz and glitter of Tinseltown is a testament to American elbow grease and an honest-to-god hard day’s work: Offerman Woodshop. Captained by hirsute woodworker, actor, comedian, and writer Nick Offerman, the shop produces not only fine handcrafted furniture, but also fun stuff—kazoos, baseball bats, ukuleles, mustache combs, even cedar-strip canoes. Now Nick and his ragtag crew of champions want to share their experience of working at the Woodshop, tell you all about their passion for the discipline of woodworking, and teach you how to make a handful of their most popular projects along the way. This book takes readers behind the scenes of the woodshop, both inspiring and teaching them to make their own projects and besotting them with the infectious spirit behind the shop and its complement of dusty wood-elves. In these pages you will find a variety of projects for every skill level, with personal, easy-to-follow instructions by the OWS woodworkers themselves; and, what’s more, this tutelage is augmented by mouth-watering color photos (Nick calls it "wood porn"). You will also find writings by Nick, offering recipes for both comestibles and mirth, humorous essays, odes to his own woodworking heroes, insights into the ethos of woodworking in modern America, and other assorted tomfoolery. Whether you’ve been working in your own shop for years, or if holding this stack of compressed wood pulp is as close as you’ve ever come to milling lumber, or even if you just love Nick Offerman’s brand of bucolic yet worldly wisdom, you’ll find Good Clean Fun full of useful, illuminating, and entertaining information.

This book is the definitive biography of the Grammy Award-winning singer/songwriter and political activist whose career rose rapidly in the 1970's, stalled in the 1980's, and resurged in the 1990's.