Erotic Politics

Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.

Identifying the stage as a primary site for erotic display, these essays take eroticism in Renaissance culture as a paradigm for issues of sexuality and identity in early modern culture. Contributors examine how the Renaissance stage functioned as a decoder for erotic experience, both reinforcing and subverting expected sexual behaviour. They argue that the dynamics of theatrical eroticism served to deconstruct gender definitions, leaving conventional categories of sexuality blurred, confused - or absent. In seeking to reposition the conventions and subversions of gender and desire in terms of one another, these essays open up an attractive and distinctive perspective in cultural debate.

The first comprehensive assessment of the diverse sexual practices of India: transsexual, homosexual and heterosexual.

Treating sixteenth- and seventeenth-century erotic literature as part of English political history, Erotic Subjects traces some surprising implications of two early modern commonplaces: first, that love is the basis of political consent and obedience, and second, that suffering is an intrinsic part of love. Rather than dismiss such assumptions as mere conventions, Melissa Sanchez uncovers the political import of early modern literature's fascination with eroticized violence. Focusing on representations of masochism, sexual assault, and cross-gendered identification, Sanchez re-examines the work of politically active writers from Philip Sidney to John Milton. She argues that political allegiance and consent appear far less conscious and deliberate than traditional historical narratives allow when Sidney depicts abjection as a source of both moral authority and sexual arousal; when Edmund Spenser and William Shakespeare make it hard to distinguish between rape and seduction; when Mary Wroth and Margaret Cavendish depict women who adore treacherous or abusive lovers; when court masques stress the pleasures of enslavement; or when Milton insists that even Edenic marriage is hopelessly pervaded by aggression and self-loathing. Sanchez shows that this literature constitutes an alternate tradition of political theory that acknowledges the irrational and perverse components of power and thereby disrupts more conventional accounts of politics as driven by self-interest, false consciousness, or brute force. Erotic Subjects will be of interest to students and scholars of early modern literary and political history, as well as those interested in the histories of gender, sexuality, and affect more generally.

The essays in Erotic Justice address the ways in which law has been implicated in contemporary debates dealing with sexuality, culture and `different' subjects - including women, sexual minorities, Muslims and the transnational migrant. Law is analyzed as a discursive terrain, where these different subjects are excluded or included in the postcolonial present on terms that are reminiscent of the colonial encounter and its treatment of difference. Bringing a postcolonial feminist legal analysis to her discussion, Kapur is relentless in her critiques on how colonial discourses, cultural essentialism, and victim rhetoric are reproduced in universal, liberal projects such as human rights and international law, as well as in the legal regulation of sexuality and culture in a postcolonial context. Drawing her examples from postcolonial India, Ratna Kapur demonstrates the theoretical and disruptive possibilities that the postcolonial subject brings to international law, human rights, and domestic law. In the process, challenges are offered to the political and theoretical constructions of the nation, sexuality, cultural authenticity, and women's subjectivity.

A trenchant critique of sexuality in an age of discipline, where bodies and pleasures have become sites of regulatory power.

Sexual desire, often understood as personal erotic preference, is frequently seen as neutral, natural, or inevitable. Countering these commonplace assumptions, Racial Erotics shows how sexual partnering within communities of gay men is deeply embedded within larger social structures that define whiteness as desirable and normative while othering men of color. In queer erotic economies this othering may take the form of sexual rejection or fetishization of men of color, but C. Winter Han argues that the real danger of sexual racism is that it creates a hierarchy of racial worth that extends outside of erotic encounters into the everyday lives of gay men of color. In this way, sexual racism perpetuates a larger project of racial erasing that equates gayness with whiteness to secure acceptance for gay white men at the expense of queers of color. With vivid examples from interviews, media representations, and online dating sites, Han highlights the creative means through which gay men of color, cordoned off in spaces both gay and straight, produce alternative frameworks to combat dominant narratives. Racial Erotics offers a new paradigm for understanding the connection of race and queer desire, demonstrating how race profoundly shapes sexual desires among men while racialized notions of desire construct beliefs about belonging.

Designed for students, academics and the general reader alike, Sexual Politics of Desire and Belonging provides theoretical and empirical insights into the linkages between sexualities and forms of desire, and ways of belonging and relating to others in specific contexts and moments in time. Opening with a substantial introduction by one of the editors, this collection of thirteen essays is organised into three parts, each section making important contributions to contemporary debates regarding the sexual politics of citizenship, marriage, friendship, pornography, intimacies, eroticism and desire. As such, the essays introduce fresh perspectives for thinking about how individuals construct senses of belonging and modes of relating to others in their everyday lives, within the disciplinary frameworks of sociology, organisational analysis and cultural studies. As well, the volume analyses representations of desire and eroticism in British Pop Art, trauma and feminist fiction, polyamory self-help literature, Hollywood films, and sociological and psychoanalytic theory. Analytical insights offered within these essays will do much to stimulate debate about aspects of the socially and historically constituted relationship between desire and sexuality. Because of the diverse approaches and conclusions it contains, the volume will be essential reading for anyone interested in engaging with inter- and multidisciplinary perspectives in order to understand the dynamics between constructions of desire and belonging, and discourses of gender, sex and sexuality.

By the end of the nineteenth century, women had become an undeniable force both in the public discussion of social life and in politics itself. Yet in art and literature women's bodies continued to be represented—and domesticated—by men. They were still more often the object of the artist's or writer's gaze than they were the subject of their own representing processes. The erotic potential of women's bodies, however, was far from a marginal concern in the elaboration of modern forms of politics, art, literature, and psychology. In Eroticism and the Body Politic, scholars from art history, history, and literature examine the frequent intersections between the body erotic and the body politic. Focusing on eighteenth- and nineteenth-century France, they show how eroticized representations of bodies had a multitude of political and cultural meanings. The authors consider the eroticized body in a wide variety of media: from Fragonard's paintings of "erotic mothers," to political pornography attacking Marie Antoinette, to the "new woman" of fin de siècle decorative arts. Exploring the possibilities of a multidisiplinary approach, the volume shows that eroticism had an impact far beyond the usual confines of libertine or pornographic literature—and that politics included much more than voting, meeting, or demonstrating. At a time of general methodological ferment in the "human sciences," Eroticism and the Body Politic brings fresh approaches to the developing field of cultural studies.

Taking eroticism on the English renaissance stage as a paradigm for issues of sexuality and identity, the essays in Erotic Politicsexamine the nature of sexual definition and desire in early modern culture. Recent studies of Renaissance sexuality have focused on the subversive potential of gender reversal, yet this collection widens the arena of debate to study the structure and cultural definition of erotic desire. The authors view the Renaissance stage as a decoder for erotic experience which is used to both reinforce and subvert expected sexual behaviour. Any examination of Renaissance eroticism must acknowledge the profound shift in sexual sensibility which took place after the seventeenth century, a shift which introduced concepts of sexual dimorphism and constructed the category of "homosexuality." EroticPoliticsviews the theatrical convention of cross-dressing as part of a dynamic which served to deconstruct gender itself, leaving conventional categories of sexuality blurred, confused, or absent. It also addresses a crucial theoretical problem in postmodern criticism: how can a subjective phenomena, such as Renaissance erotic experience, be placed in its historical, public context? And can this experience be examined without recourse to psychoanalytic theory? In seeking to reposition the conventions and subversions of gender and desire, this collection opens up a new and distinctive perspective in the cultural debate. Contributors: Catherine Belsey, Jean E. Howard, Lisa Jardine, Kathleen McLuskie, Stephen Orgel, Bruce R. Smith, Peter Stallybrass, Valerie Traub, and Susan Zimmerman. This title available in eBook format. Click here for more information. Visit our eBookstore at: www.ebookstore.tandf.co.uk.