Ernesto

From Box Trolls director Graham Annable comes Peter & Ernesto: The Lost Sloths, the immensely charming sequel to his brilliant debut graphic novel about the endearing friendship between two sloths. Peter and Ernesto loved their tree. Then a hurricane came and blew it away! Now, Peter, Ernesto, and the rest of their sloth friends must venture into the jungle to find a new—great—tree. But the jungle is full of dangers, including angry ants, slithering snakes, and a ravenous jaguar! Can cautious Peter and confident Ernesto work together to keep their tribe safe? They’ll have to, if they want to find the perfect tree to call home!

From Box Trolls director Graham Annable comes Peter & Ernesto: Sloths in the Night, an immensely charming new addition to his brilliant graphic novel series about the endearing friendship between two sloths. Peter and Ernesto love the jungle, but they know how dangerous it can be at night. From clumsy bats to crazed owls to rumors of a dragon, there are countless things that make the darkness perilous for sloths. That’s why, one day, when their friend Bernard goes missing just as the sun is setting, Peter and Ernesto quickly gather their tribe to form a search party. However, while these sloths have some sense of the dangers that they’ll face while looking for Bernard, there are surprises lurking in the shadows that will surpass their wildest imaginings!

Winner of the Pura Belpré Award! “We need books to break open our hearts, so that we might feel more deeply, so that we might be more human in these unkind times. This is a book doing work of the spirit in a time of darkness.” —Sandra Cisneros, author of The House on Mango Street Efrén Nava’s Amá is his Superwoman—or Soperwoman, named after the delicious Mexican sopes his mother often prepares. Both Amá and Apá work hard all day to provide for the family, making sure Efrén and his younger siblings Max and Mía feel safe and loved. But Efrén worries about his parents; although he’s American-born, his parents are undocumented. His worst nightmare comes true one day when Amá doesn’t return from work and is deported across the border to Tijuana, México. Now more than ever, Efrén must channel his inner Soperboy to help take care of and try to reunite his family. A glossary of Spanish words is included in the back of the book.

From the first North American scholar permitted to study in residence at Hemingway's beloved Cuban home comes a radically new understanding of “Papa’s” life in Cuba Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted the coveted Nobel “as a citizen of Cojímar.” In Ernesto, Andrew Feldman uses his unprecedented access to newly available archives to tell the full story of Hemingway’s self-professed Cuban-ness: his respect for Cojímar fishermen, his long-running affair with a Cuban lover, the warmth of his adoptive Cuban family, the strong influences on his work by Cuban writers, his connections to Cuban political figures and celebrities, his denunciation of American imperial ambitions, and his enthusiastic role in the revolution. With a focus on the island’s violent political upheavals and tensions that pulled Hemingway between his birthplace and his adopted country, Feldman offers a new angle on our most influential literary figure. Far from being a post-success, pre-suicide exile, Hemingway’s decades in Cuba were the richest and most dramatic of his life, and a surprising instance in which the famous American bully sought redemption through his loyalty to the underdog.

A coming of age story that is a classic of gay literature, now in English for the first time An NYRB Classics Original Ernesto is a classic of gay literature, a tender and complex tale of sexual awakening by one of Italy’s most admired poets. Ernesto is a sixteen-year-old boy from an educated family who lives with his mother in Trieste. His mother is eager for him to get ahead and has asked a local businessman to give him some workplace experience in his warehouse. One day a workingman makes advances to Ernesto, who responds with willing curiosity. A month of trysts ensues before the boy begins to tire of the relationship, finally escaping it altogether by engineering his own dismissal. And yet his experience has changed him, and as Umberto Saba’s unfinished, autobiographical story breaks off, Ernesto has struck up a new, oddly romantic attachment to a boy his own age.

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In this "thriller with literary merit" (Time Out New York), a stunning narrative combines the gritty rhythms of Junot Diaz with the noir genius of Walter Mosley. Bodega Dreams pulls us into Spanish Harlem, where the word is out: Willie Bodega is king. Need college tuition for your daughter? Start-up funds for your fruit stand? Bodega can help. He gives everyone a leg up, in exchange only for loyalty—and a steady income from the drugs he pushes. Lyrical, inspired, and darkly funny, this powerful debut novel brilliantly evokes the trial of Chino, a smart, promising young man to whom Bodega turns for a favor. Chino is drawn to Bodega's street-smart idealism, but soon finds himself over his head, navigating an underworld of switchblade tempers, turncoat morality, and murder. "Bodega is a fascinating character. . . . The story [Quiñonez] tells has energy and verve." —The New York Times Book Review

One hundred years ago, Trieste was the chief seaport of the entire Austro-Hungarian empire, but today many people have no idea where it is. This fascinating Italian city on the Adriatic, bordering the former Yugoslavia, has always tantalized Jan Morris with its moodiness and melancholy. She has chosen it as the subject of this, her final work, because it was the first city she knew as an adult -- initially as a young soldier at the end of World War II, and later as an elderly woman. This is not only her last book, but in many ways her most complex as well, for Trieste has come to represent her own life with all its hopes, disillusionments, loves and memories. Jan Morris evokes Trieste's modern history -- from the long period of wealth and stability under the Habsburgs, through the ambiguities of Fas-cism and the hardships of the Cold War. She has been going to Trieste for more than half a century and has come to see herself reflected in it: not just her interests and preoccupations -- cities, empires, ships and animals -- but her intimate convictions about such matters as patriotism, sex, civility and kindness. Trieste and the Meaning of Nowhere is the culmination of a singular career.

The Life and Work of Ernesto de Martino introduces one of the 20th century’s key thinkers in religious studies and demonstrates that the discipline was animated by a tension between the fear of the apocalypse and the desire for civilizational rebirth.

Set against a backdrop of real people and events, Ernesto's Ghost is more than an espionage thriller or historical novel about Cuba. It is about moral choices-the moral choices made by the novel's central character, Professor David Diamond, when he discovers the dark side of the revolution, and the choices made by the other principal characters regarding their revolutionary commitment, their loved ones, and their professionalism. The time is 1974. A possible rapprochement between the United States and Cuba is in the offing following Nixon's resignation. But Henry Kissinger and the State Department are receiving mixed signals from Havana. On the eve of his trip to Cuba, the CIA tries to enlist Diamond in sorting out Fidel Castro's real intentions. The novel follows Diamond in Cuba as he begins to doubt the revolution only to fall in love with the stunning Catalina Cruz. It traces Catalina's own struggle in getting over the death of her beloved Ernesto, the epitome of Cuba's new man, and in ultimately questioning her government's policies. And it is a tale of the two lovers fending off Cuba's all-powerful state and the Comandante himself. On still other levels Ernesto's Ghost follows the dedication and courage of two intelligence officers-the CIA's Rudy Garcya and Joaquyn Acosta of Cuba's State Security-who are guided more by their own moral compasses than by the dictates of their governments. It is also about a revolution gone astray and the conceit of idealism that blinded so many of its followers. Finally, Ernesto's Ghost takes the reader through a labyrinth of political intrigue, with its concluding chapters full of unexpected twists and revelations, with mounting tension and suspense. It will appeal to those who enjoy popular fiction, as well as those interested in learning more about international politics and a major political phenomenon of our times.