Erik Kessels And Thomas Sauvin Talk Soon

A wordless, quarantined dialogue in flipbook form Every day, throughout that tumultuous spring of 2020, Dutch artist Erik Kessels (born 1966) and French artist Thomas Sauvin (born 1983) sent one another idiosyncratic, uncaptioned photographs, catalyzing an organic, free-associative exchange of some 120 archival images. Atelier Éditions' author Kingston Trinder then composed an equally free-associative, altogether-whimsical narrative with which to further entwine the duo's eclectic photographs. These two archives of vernacular photography, one from the East, the other from the West, achieve a dialogue through the recurrence of photographic practices, aesthetics and subjects. Talk Soon, a tearaway postcard book with a spiral binding, allows readers to endlessly juxtapose the delightful photographs selected by the two quarantined artists.

A wordless, quarantined dialogue in flipbook form Every day, throughout that tumultuous spring of 2020, Dutch artist Erik Kessels (born 1966) and French artist Thomas Sauvin (born 1983) sent one another idiosyncratic, uncaptioned photographs, catalyzing an organic, free-associative exchange of some 120 archival images. Atelier Éditions' author Kingston Trinder then composed an equally free-associative, altogether-whimsical narrative with which to further entwine the duo's eclectic photographs. These two archives of vernacular photography, one from the East, the other from the West, achieve a dialogue through the recurrence of photographic practices, aesthetics and subjects. Talk Soon, a tearaway postcard book with a spiral binding, allows readers to endlessly juxtapose the delightful photographs selected by the two quarantined artists.

Offers the step-by-step process to making screen prints with an informative overview of the equipment and tools needed, instructions on printing on diverse surfaces, sample images, tips on fixing common mistakes, and the history of screen-printing itself.

A stream of consciousness photobook spanning 2020 by artist Tara Wray. A chronological diary featuring dogs, twins, and domestic scenes from rural Vermont, under a looming specter of doom.

The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.

"Silvermine is a set of five photo albums each containing 20 prints. The negatives were salvaged from a recycling plant on the edge of Beijing, where they had been sent to be filtered for their silver nitrate content. Between 2009 and 2013, Beijing-based collector Thomas Sauvin amassed, archived and edited more than half a million negatives destined for destruction."-- Publisher's website.

Winner of the 2022 Lammy Award for Transgender Fiction From acclaimed author Jeanne Thornton, an epic, singular look at fandom, creativity, longing, and trans identity. Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B----. Gala needs to know: Why did the band stop making music? Why did they never release their rumored album, Summer Fun? And so she writes letters to B---- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B---- and Gala form a dialogue about creation—of music, identity, self, culture, and counterculture. Summer Fun is a brilliant and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

Dappled brushwork, delicate hues and cloisonné textures dance across the surfaces of Cranston's still lives, landscapes and interiors Scottish painter Andrew Cranston (born 1969) creates transporting images that destabilize our sense of time: they invite the viewer to explore a space between nostalgia and the realm of the dream. Dense blots of oil graze on top of washes of distemper, guiding the viewer's eye through thick and thin layers of pigment. The paintings gathered in Waiting for the Bell conjure a state of liminality--the feeling of being suspended in a dream before the alarm jolts one back to reality--and draw from stories, poems and experiences that emerge from the artist's subconscious. Each painting's layering is guided by intuition: a reference to a Carole King album cover is interlaced alongside allusions to jazz history, the writing of Muriel Spark and visions of the Scottish coast. This substantial volume includes newly commissioned essays by Stephanie Burt and Barry Schwabsky.

Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes—linguistic, cultural, racial, familial—of those whose lives are shaped and transformed by immigration. The Nigerian-born daughter of a Nigerian-Muslim woman and a Black man born into a Southern Baptist family in the Jim Crow South and George Wallace's Alabama, Geter charts the history of a Black family of mixed citizenships through poems complicated by migration, language, racism, queerness, loss, belief and lapsed faith, and the heartbreak of trying to feel at home in a country that does not recognize you. Amidst considerations of family and country, Geter weaves in testimonies for Black victims of police brutality, songs of lament that hone each tragedy and like Antigone, demand we bear intimate witness to the ethical failings of the state. Through her mother's death and her father's illnesses, we witness Geter lace the natural world into the discourse of grief, human interactions, and socio-political discord in a collection rich with unflinching intimacy that, turning outward to face the country, examines how all of this is, like the speaker herself, stretched between the context of two nations. This collection that thrums with authenticity and heart.