Ephemeral Territories

What does it mean to be at home? In a critical engagement with notions of territory, identity, racial difference, separatism, multiculturalism, and homelessness, this book delves into the question of what it means to belong--in particular, what it means to be at home in Canada. Ephemeral Territories weaves together many narratives and representations of Canadian identity--from political philosophy and cultural theory to art and films such as Srinivas Krishna's Lulu, Clement Virgo's Rude, and Charles Biname's Eldorado--to develop and complicate familiar views of identity and selfhood. Canadian identity has historically been linked to a dual notion of culture traceable to the French and English strains of Canada's colonial past. Erin Managing subverts this binary through readings that shift our attention from nationalist constructions of identity and territory to a more radical and pluralizing understanding of the political. As she brings together issues specific to Canada (such as Quebec separatism and Canadian landscape painting) and concerns that are more transnational (such as globalization and immigration), Manning emphasizes the truly cross-cultural nature of the problems of racism, gender discrimination, and homelessness. Thus this impassioned reading of Canadian texts also makes an important contribution to philosophical, cultural, and political discourses across the globe.

Europe sees itself as embodying the ideals of modernity, especially in relation to democracy and the respect for human rights. Faced on the one hand with the need for public recognition of a new population of Muslim identity, and the threat of violent radicalization on the other, Europe is falling prey to the politics of fear and is tempted to compromise on its professed ideals. Reflecting on the manifestations and causes of the contemporary fear of Islam gaining ground in contemporary Europe, as well as on the factors contributing to the radicalization of some Muslims, (Il)liberal Europe: Islamophobia, Modernity and Radicalization offers a diversity of perspectives on both the challenges to social cohesion, and the danger of Islamophobia encouraging a spiral of co-radicalization. Combining empirical studies of several European countries with a comparative account of India and Europe, the book analyzes vital issues such as secularity, domophilia, de-politicization, neo-nationalism, the European unification project and more. Spanning a variety of disciplinary approaches, the volume offers novel insights into the complex landscape of identity politics in contemporary Europe to widen the scope of intellectual inquiry. This book was originally published as a special issue of Politics, Religion & Ideology.

Beirut to Carnival City: Reading Rawi Hage is a pioneering collection of critical essays on the work of the Lebanese-Canadian writer, situating his fiction in contexts such as diasporic writing or trans-geographical literature, and reflecting the worldwide range of research into his literary output.

This book is one out of 8 IAEG XII Congress volumes and deals with river basins, which are the focus of many hydraulic engineering and hydrogeological studies worldwide. Such studies examine river systems as both a resource of the fluvial environment, and also explore river-related hazards and risks. The contributions of researchers from different disciplines focus on: surface-groundwater exchanges, stream flow, stream erosion, river morphology and management, sediment transport regimes, debris flows, evaluation of water resources, dam operation and hydropower generation, flood risks and flood control, stream pollution and water quality management. The contributions include case studies for advancing field monitoring techniques, improving modeling and assessment of rivers and studies contributing to better management plans and policies for the river environment and water resources. The Engineering Geology for Society and Territory volumes of the IAEG XII Congress held in Torino from September 15-19, 2014, analyze the dynamic role of engineering geology in our changing world and build on the four main themes of the congress: environment, processes, issues and approaches. The congress topics and subject areas of the 8 IAEG XII Congress volumes are: Climate Change and Engineering Geology. Landslide Processes. River Basins, Reservoir Sedimentation and Water Resources. Marine and Coastal Processes. Urban Geology, Sustainable Planning and Landscape Exploitation. Applied Geology for Major Engineering Projects. Education, Professional Ethics and Public Recognition of Engineering Geology. Preservation of Cultural Heritage.

Shifting the Ground of Canadian Literary Studies is a collection of interdisciplinary essays that examine the various contexts—political, social, and cultural—that have shaped the study of Canadian literature and the role it plays in our understanding of the Canadian nation-state. The essays are tied together as instances of critical practices that reveal the relations and exchanges that take place between the categories of the literary and the nation, as well as between the disciplinary sites of critical discourses and the porous boundaries of their methods. They are concerned with the material effects of the imperial and colonial logics that have fashioned Canada, as well as with the paradoxes, ironies, and contortions that abound in the general perception that Canada has progressed beyond its colonial construction. Smaro Kamboureli’s introduction demonstrates that these essays engage with the larger realm of human and social practices—throne speeches, book clubs, policies of accommodation of cultural and religious differences, Indigenous thought about justice and ethics—to show that literary and critical work is inextricably related to the Canadian polity in light of transnational and global forces.

Offering the first comparative study of 1920s’ US and Canadian print cultures, ‘Imagining Gender, Nation and Consumerism in Magazines of the 1920s’ comparatively examines the highly influential ‘Ladies’ Home Journal’ (1883–2014) and the often-overlooked ‘Canadian Home Journal’ (1905–1958). Firmly grounded in the latest advances in periodical studies, the book provides a timely contribution to the field in its presentation of a transferrable transnational approach to the study of magazines. While Canadian magazines have often been viewed, unflatteringly and inaccurately, as merely derivative of their American counterparts, Rachel Alexander asserts the value of an even-handed consideration of both. Such an approach acknowledges the complexity of these magazines as collaborative texts, cultural artefacts and commercial products, revealing that while these magazines shared certain commonalities, they functioned in differing – at times unexpected – ways. During the 1920s, both magazines were changing rapidly in response to technological modernity, altering gender economies and the burgeoning of consumer culture. ‘Imagining Gender, Nation, and Consumerism in Magazines of the 1920s’ explores the influences, tensions and interests that informed the magazines’ construction of their audience of middle-class women as readers, consumers and citizens.