Entanglements

To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

Twelve visions of the future—by turns hilarious, frightening, and relevant—from new and established voices in science fiction. In this book, new and established voices in science fiction come together to offer original stories of the future. Ken Liu writes about a virtual currency that hijacks our empathy; Elizabeth Bear shows us a smart home tricked into kidnapping its owner; Clifford V. Johnson presents, in a graphic novella, the story of a computer scientist seeing a new side of the AIs she has invented; and J. M. Ledgard describes a 28,000-year-old AI who meditates on the nature of loneliness. We encounter metal-melting viruses, vegetable-based heart transplants, search-and-rescue drones, and semi-automated sailing ships. Sometimes hilarious, sometimes frightening, and always relevant, Twelve Tomorrows offers compelling visions of potential futures. Originally launched in 2011 by MIT Technology Review, the Twelve Tomorrows series explores the future implications of emerging technologies through the lens of fiction. Featuring a diverse collection of authors, characters, and stories rooted in contemporary real-world science, each volume in the series offers conceivable and inclusive stories of the future, celebrating and continuing the genre of “hard” science fiction pioneered by authors such as Isaac Asimov, Arthur C. Clarke, and Robert Heinlein. Twelve Tomorrows is the first volume of the series to be published in partnership with the MIT Press. Contributors Elizabeth Bear, SL Huang, Clifford V. Johnson, J. M. Ledgard, Liu Cixin, Ken Liu, Paul McAuley, Nnedi Okorafor, Malka Older, Sarah Pinsker, Alastair Reynolds

From 2004 to 2006 the Osage Nation conducted a contentious governmental reform process in which sharply differing visions arose over the new government's goals, the Nation's own history, and what it means to be Osage. The primary debates were focused on biology, culture, natural resources, and sovereignty. Osage anthropologist Jean Dennison documents the reform process in order to reveal the lasting effects of colonialism and to illuminate the possibilities for indigenous sovereignty. In doing so, she brings to light the many complexities of defining indigenous citizenship and governance in the twenty-first century. By situating the 2004-6 Osage Nation reform process within its historical and current contexts, Dennison illustrates how the Osage have creatively responded to continuing assaults on their nationhood. A fascinating account of a nation in the midst of its own remaking, Colonial Entanglement presents a sharp analysis of how legacies of European invasion and settlement in North America continue to affect indigenous people's views of selfhood and nationhood.

Presents strikingly original and contemporary answers to the most traditional philosophical problems in epistemology, ethics, aesthetics, and political theory. A work of maximally ambitious scope with a foundation in humility, Entanglements sets out a philosophical system of the sort rarely seen over the past century. In a discipline marked by greater and greater specialization and the narrowing of increasingly insular traditions and approaches, Crispin Sartwell has spent his career engaging widely across philosophical topics and texts. Here he brings together his philosophical positions in a unified system that is coherent across the issues and subdisciplines in the field. In addition to presenting his own theories of truth, knowledge, free will, beauty, and the political state, Sartwell’s criticisms of other figures and movements provide an overview of the history of philosophy. The project of presenting an overarching philosophical system is a resolutely old-fashioned one, and in undertaking it, Sartwell is not only encapsulating an extraordinarily unique and productive career but also nudging philosophy back to its broader aims of explaining the world and our place in it. “One of the greatest strengths of this book is its breadth, not just in topics but in the range of ideas drawn on—it’s unusual to find a scholar who can move effortlessly from J. L. Austin to Heidegger to Emerson. Original, engaging, and accessible, there’s nothing else like it.” — Roderick T. Long, Auburn University

The impulse for the recent transformations in the Arab world came from the Maghreb. Research on the region has been on the rise since, yet much remains to be done when it comes to interdisciplinary comparative research. The Maghreb is a heterogeneous region that deserves thorough investigation. This volume focuses on Entanglements as a cross-field and cross-lingual concept to generate a new approach to the region and its inner interdependencies as well as exchanges with other regions. Eminent researchers conceptualize Entanglements through the description of various thematic fields and actors in motion, addressing culture, politics, social affairs, and economics.

A memory-impaired time traveller attempts to correct a tragic mistake he made in 1977 when, panicked, he abandoned his brother on a frozen lake in Baltimore. Decades later, in 2011, a novelist researching at the Centre for Time in Sydney becomes romantically involved with a philosopher from New Zealand. Another eight years on, and a writer at a lake retreat in New Zealand in 2019 obsesses over the disintegration of his marriage following another tragedy. Are these separate stories, or are they one? Is the time traveller actually travelling? Can the past be changed? As the answers to these questions slowly emerge, the three tales become entangled, along with the usual abstractions: love, desperation and physics.

INSTANT NEW YORK TIMES BESTSELLER “Most appealing... technical accuracy and lightness of tone... Impeccable.”—Wall Street Journal “A porthole into another world.”—Scientific American “Brings science dissemination to a new level.”—Science The most trusted explainer of the most mind-boggling concepts pulls back the veil of mystery that has too long cloaked the most valuable building blocks of modern science. Sean Carroll, with his genius for making complex notions entertaining, presents in his uniquely lucid voice the fundamental ideas informing the modern physics of reality. Physics offers deep insights into the workings of the universe but those insights come in the form of equations that often look like gobbledygook. Sean Carroll shows that they are really like meaningful poems that can help us fly over sierras to discover a miraculous multidimensional landscape alive with radiant giants, warped space-time, and bewilderingly powerful forces. High school calculus is itself a centuries-old marvel as worthy of our gaze as the Mona Lisa. And it may come as a surprise the extent to which all our most cutting-edge ideas about black holes are built on the math calculus enables. No one else could so smoothly guide readers toward grasping the very equation Einstein used to describe his theory of general relativity. In the tradition of the legendary Richard Feynman lectures presented sixty years ago, this book is an inspiring, dazzling introduction to a way of seeing that will resonate across cultural and generational boundaries for many years to come.

Biomedical Entanglements is an ethnographic study of the Giri people of Papua New Guinea, focusing on the indigenous population’s interaction with modern medicine. In her fieldwork, Franziska A. Herbst follows the Giri people as they circulate within and around ethnographic sites that include a rural health center and an urban hospital. The study bridges medical anthropology and global health, exploring how the ‘biomedical’ is imbued with social meaning and how biomedicine affects Giri ways of life.

Scholarly and personal essays on the intersections of the prison-industrial complex, industrial animal agriculture, and capitalism. Systems of oppression function by exploiting the most vulnerable amongst us. Where these oppressive systems overlap, the victims are pitted against one another. Slaughterhouses provide a particularly brutal example, wherein speciesism, capitalism, and carcerality intersect at the expense of their collective victims. In a dozen compelling essays from around the world, Vegan Entanglements: Dismantling Racial and Carceral Capitalism examines the ways human and animal bodies are controlled, manipulated, and sectioned within a system that commodifies labor, production, and individual beings for profit. The book is divided into four sections: 1: The Intersection(s) Between Prison- and Animal-Industrial Complexes 2: Critical Animal Geographies and the Panopticon 3: Law, Veganism, and the Carceral State 4: Fighting for Our Collective Liberation with Consistent Anti-Oppression

How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.