Empty Triumphs

The Baltic (984-85) Ethelwulf the Wanderer and his company arrive in the court of the aged Harald Bluetooth in Denmark. Along with the giant Thorgrim the Short, Ethelwulf is persuaded to help a Wendish tribe plundered by the mysterious Sons of Hel. There follows the horrors of pagan rites, the treachery of a king and then the enforced recruitment into the forces of Styrbjorn, claimant to the Swedish throne. The attempt is a disaster and Ethelwulf has to somehow slip away without the slur of ‘niddering’. With extensive factual End-Notes Part 5 of a nine part series set in the 10th century Viking world. Here the background is a pagan world of the Baltic Sea, with a divided Viking society and savage neighbours.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”

Mercenary Kate Daniels must risk all to protect everything she holds dear in this epic, can't-miss entry in the thrilling #1 New York Times bestselling urban-fantasy series. Kate has come a long way from her origins as a loner taking care of paranormal problems in post-Shift Atlanta. She's made friends and enemies. She's found love and started a family with Curran Lennart, the former Beast Lord. But her magic is too strong for the power players of the world to let her be. Kate and her father, Roland, currently have an uneasy truce, but when he starts testing her defenses again, she knows that sooner or later a confrontation is inevitable. The Witch Oracle has begun seeing visions of blood, fire, and human bones. And when a mysterious box is delivered to Kate's doorstep, a threat of war from the ancient enemy who nearly destroyed her family, she knows her time is up. Kate Daniels sees no other choice but to combine forces with the unlikeliest of allies. She knows betrayal is inevitable. She knows she may not survive the coming battle. But she has to try. For her child. For Atlanta. For the world.

Peter Wright writes from the heart in a simple straightforward manner. Early in his life, the Great War (WW 1) affected him deeply. He could not and still will not understand mans' complete disregard for the lives of his fellow man.

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Many of the wars of the Late Republic were largely civil conflicts. There was, therefore, a tension between the traditional expectation that triumphs should be celebrated for victories over foreign enemies and the need of the great commanders to give full expression to their prestige and charisma, and to legitimize their power. Triumphs in the Age of Civil War rethinks the nature and the character of the phenomenon of civil war during the Late Republic. At the same time it focuses on a key feature of the Roman socio-political order, the triumph, and argues that a commander could in practice expect to triumph after a civil war victory if it could also be represented as being over a foreign enemy, even if the principal opponent was clearly Roman. Significantly, the civil aspect of the war did not have to be denied. Carsten Hjort Lange provides the first study to consider the Roman triumph during the age of civil war, and argues that the idea of civil war as "normal" reflects the way civil war permeated the politics and society of the Late Roman Republic.