Embers Of The Past

Embers of the Past is a powerful critique of historicism and modernity. Javier Sanjinés C. analyzes the conflict between the cultures and movements of indigenous peoples and attention to the modern nation-state in its contemporary Latin American manifestations. He contends that indigenous movements have introduced doubt into the linear course of modernity, reopening the gap between the symbolic and the real. Addressing this rupture, Sanjines argues that scholars must rethink their temporal categories. Toward that end, he engages with recent events in Latin America, particularly in Bolivia, and with Latin American intellectuals, as well as European thinkers disenchanted with modernity. Sanjinés dissects the concepts of the homogeneous nation and linear time, and insists on the need to reclaim the indigenous subjectivities still labeled "premodern" and excluded from the production, distribution, and organization of knowledge.

A remote 18th-century Hungarian castle is the setting for a dramatic meeting. Forty-one years after a tragic event two former friends must confront each other in a devastating bid to lay the past to rest. Betrayal, love, truth and friendship all come to the fore in this unforgettable play based on Sándor Márai's bestselling novel. Embers premiered at the Duke of York's Theatre in London's West End in February 2006.

Perodia is threatened by Thorn, a powerful vulture, who is using magic to spread a terrible darkness. When a young owl named Tag and his best friend Skyla rescue a golden egg from Thorn's army, they may have found the key to saving Perodia: the last firehawk, guardian of the ember stone.

In the smoking ruins of our world, will the struggle for yesterday's technology spark tomorrow's global war? A new postapocalyptic novel, in which a young cowboy claims his destiny—and tries to prevent a catastophic war—from New York Times best-selling author John Ringo, Kacey Ezell, and Christopher L. Smith. WAR IN THE SMOKING RUINS OF TOMORROW! Thirty years ago, the world ended. Giant electrovoric ants and pterodons came through a rift in space-time, millions of humans died, and that was that. Without electricity, human ingenuity has provided some creative work-arounds to the energy problem, but most people survive at subsistence level. For Chuck Gordon, the simple life of a rancher was enough. But then he met a mysterious dying stranger and now he’s on the road of destiny across America accompanied by a warrior monk, a beautiful dragon tamer, a runaway cultist, and a mystic drunken lecher—all searching for the key to reclaiming humanity’s past—and future. At the publisher's request, this title is sold without DRM (Digital Rights Management). About The Valley of Shadows by John Ringo: ". . . fast-paced . . . building to an exciting climax . . . Ringo and Massa have written an end-of-the-world novel that is unconventional and entertaining."—Daily News of Galveston County About Black Tide Rising, coedited by John Ringo (featuring stories by Kacey Ezell and Christopher L. Smith): “. . . an entertaining batch of . . . action-packed tales. Certainly, fans of Ringo’s particular brand of action-adventure will be pleased.”—Booklist "This anthology broadens Ringo’s Black Tide world, serving up doses of humanity amid the ravenous afflicted. Comedy has a place in this harsh reality, and these stories stir adventure and emotion at a frantic clip throughout. Zombie fiction fans will be thrilled."—Library Journal About the Black Tide Rising Series: “Not only has Ringo found a mostly unexplored corner of the zombie landscape, he's using the zombie frame to tackle a broader theme: the collapse and rebirth of civilization. The zombie scenes are exciting, sure, but its the human story that keeps us involved. A fine series.”—Booklist on the Black Tide Rising Series About John Ringo: “[Ringo’s work is] peopled with three-dimensional characters and spiced with personal drama as well as tactical finesse.”—Library Journal “. . . Explosive. . . . Fans . . . will appreciate Ringo’s lively narrative and flavorful characters.”—Publishers Weekly “. . . practically impossible not to read in one sitting . . . exceedingly impressive . . . executed with skill, verve, and wit.”—Booklist “Crackerjack storytelling.”—Starlog About the work of Kacey Ezell: "Gritty, dark and damp. Much like the war itself."—Michael Z. Williamson, best-selling author of A Long Time Until Now "I loved Minds of Men."—D.J. Butler, best-selling author of Witchy Eye

The collapse of the Habsburg Monarchy at the end of World War I ushered in a period of radical change for East-Central European political structures and national identities. Yet this transformed landscape inevitably still bore the traces of its imperial past. Breaking with traditional histories that take 1918 as a strict line of demarcation, this collection focuses on the complexities that attended the transition from the Habsburg Empire to its successor states. In so doing, it produces new and more nuanced insights into the persistence and effectiveness of imperial institutions, as well as the sources of instability in the newly formed nation-states.

Jonathan Marcus, a young American lawyer and former doctoral student in classics, is summoned to Rome for a case and stumbles across a message hidden inside an ancient stone fragment. The discovery propels him and UN preservationist Dr. Emili Travia into a coldblooded modern plot to erase every remnant of Jewish and Christian presence from Jerusalem's Temple Mount, in the process redefining history itself.

Sometimes, the greatest love stories start with the dying embers of the past. Olivia put her dreams on hold to care for her grandfather, finding purpose amidst the fading echoes of his memories. When Ethan, the boy-next-door turned hero-firefighter, returns to their small town, old sparks rekindle. But can they build a future on the ashes of lost years, or will the weight of their shared history extinguish the flames of their second chance?

A history of the four decades leading up to the Vietnam War offers insights into how the U.S. became involved, identifying commonalities between the campaigns of French and American forces while discussing relevant political factors.