Eloge De Bernard Le Bovier De Fontenelle

In the eighteenth century, chemistry was transformed from an art to a public science. Chemical affinity played an important role in this process as a metaphor, a theory domain, and a subject of investigation. Goethe's Elective Affinities, which was based on the current understanding of chemical affinities, attests to chemistry's presence in the public imagination. In Affinity, That Elusive Dream, Mi Gyung Kim restores chemical affinity to its proper place in historiography and in Enlightenment public culture. The Chemical Revolution is usually associated with Antoine-Laurent Lavoisier, who introduced a modern nomenclature and a definitive text. Kim argues that chemical affinity was erased from historical memory by Lavoisier's omission of it from his textbook. She examines the work of many less famous French chemists (including physicians, apothecaries, metallurgists, philosophical chemists, and industrial chemists) to explore the institutional context of chemical instruction and research, the social stratification that shaped theoretical discourse, and the crucial shifts in analytic methods. Apothecaries and metallurgists, she shows, shaped the main theory domains through their innovative approach to analysis. Academicians and philosophical chemists brought about two transformative theoretical moments through their efforts to create a rational discourse of chemistry in tune with the reigning natural philosophy. The topics discussed include the corpuscular (Cartesian) model in French chemistry in the early 1700s, the stabilization of the theory domains of composition and affinity, the reconstruction of French theoretical discourse in the middle of the eighteenth century, the Newtonian languages that plagued the domain of affinity just before the Chemical Revolution, Guyton de Morveau's program of affinity chemistry, Lavoisier's reconstruction of the theory domains of chemistry, and Berthollet's path as an affinity chemist.

These essays on the problems and functions of biography - particularly those of writers, thinkers and artists - investigate a subject of enduring importance for those interested in culture.

The Devil's Tabernacle is the first book to examine in depth the intellectual and cultural impact of the oracles of pagan antiquity on modern European thought. Anthony Ossa-Richardson shows how the study of the oracles influenced, and was influenced by, some of the most significant developments in early modernity, such as the Christian humanist recovery of ancient religion, confessional polemics, Deist and libertine challenges to religion, antiquarianism and early archaeology, Romantic historiography, and spiritualism. Ossa-Richardson examines the different views of the oracles since the Renaissance--that they were the work of the devil, or natural causes, or the fraud of priests, or finally an organic element of ancient Greek society. The range of discussion on the subject, as he demonstrates, is considerably more complex than has been realized before: hundreds of scholars, theologians, and critics commented on the oracles, drawing on a huge variety of intellectual contexts to frame their beliefs. In a central chapter, Ossa-Richardson interrogates the landmark dispute on the oracles between Bernard de Fontenelle and Jean-François Baltus, challenging Whiggish assumptions about the mechanics of debate on the cusp of the Enlightenment. With erudition and an eye for detail, he argues that, on both sides of the controversy, to speak of the ancient oracles in early modernity was to speak of one's own historical identity as a Christian.

The fullest and most complete survey of the development of science in the eighteenth century.

The eighteenth century is renowned for the publication of Samuel Johnson's A Dictionary of the English Language, which reference sources still call the first English dictionary. This collection demonstrates the inaccuracy of that claim, but its tenacity in the public mind testifies to how decisively Johnson formed our sense of what a dictionary is. The essays and articles in this volume examine the already flourishing tradition of English lexicography from which Johnson drew, as represented by Kersey, Bailey, and Martin, as well as the flourishing contemporary trade in encyclopedic, technical, pronunciation, and bilingual lexicons.

Why narrative is essential to mathematics Circles Disturbed brings together important thinkers in mathematics, history, and philosophy to explore the relationship between mathematics and narrative. The book's title recalls the last words of the great Greek mathematician Archimedes before he was slain by a Roman soldier—"Don't disturb my circles"—words that seem to refer to two radically different concerns: that of the practical person living in the concrete world of reality, and that of the theoretician lost in a world of abstraction. Stories and theorems are, in a sense, the natural languages of these two worlds—stories representing the way we act and interact, and theorems giving us pure thought, distilled from the hustle and bustle of reality. Yet, though the voices of stories and theorems seem totally different, they share profound connections and similarities. A book unlike any other, Circles Disturbed delves into topics such as the way in which historical and biographical narratives shape our understanding of mathematics and mathematicians, the development of "myths of origins" in mathematics, the structure and importance of mathematical dreams, the role of storytelling in the formation of mathematical intuitions, the ways mathematics helps us organize the way we think about narrative structure, and much more. In addition to the editors, the contributors are Amir Alexander, David Corfield, Peter Galison, Timothy Gowers, Michael Harris, David Herman, Federica La Nave, G.E.R. Lloyd, Uri Margolin, Colin McLarty, Jan Christoph Meister, Arkady Plotnitsky, and Bernard Teissier.