Elma Francois And The Negro Welfare Cultural And Social Association

Using a decade of activist research, this book offers a radical analysis of grassroots black resistance to policing in twenty-first-century Britain.

Explores creole discourse to re-conceptualize archive that is contemporaneous and centralizes the presence and imagery of the Caribbean figure.

The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.

"This retrospective on past Caribbean labour struggles provides the beginnings of a region-wide comparative perspective. Extending initial insights from the Anglophone to the Hispanic Caribbean, and from the momentous upheavals of the 1930s to the present, the essays examine the pivotal role which labour has played, and continues to play, in shaping not only the political culture of the region and its history, but also its domestic and social organization. Moreover, the essays tease out many of the activities and much of the activism which has been obscured not only by biases in the historical record, but by those of the labour leadership. Thus, the role of women in labour and revolutionary activities, and the role of memory on historical consciousness and contemporary activism are crucially brought to the surface. Revisiting Caribbean Labour is written o provide today s Caribean labour movements with an understanding of their history that can help them more effectively face the challenges of today. It is an expansion and tribute to the work of O. Nigel Bolland on the British Caribbean. "

This book provides evidence that Labour in Trinidad and Tobago played a vital role in undermining British colonialism and advocating for federation and self-government. Furthermore, there is emphasis on the pioneering efforts of the Labour movement in party politics, social justice, and working class solidarity.

In the 1990s, expressive culture in the Caribbean was becoming noticeably more feminine. At the annual Carnival of Trinidad and Tobago, thousands of female masqueraders dominated the street festival on Carnival Monday and Tuesday. Women had become significant contributors to the performance of calypso and soca, as well as the musical development of the steel pan art form. Drawing upon ethnographic fieldwork conducted by the author in Trinidad and Tobago, What She Go Do demonstrates how the increased access and agency of women through folk and popular musical expressions has improved intergender relations and representation of gender in this nation. This is the first study to integrate all of the popular music expressions associated with Carnival—calypso, soca, and steelband music—within a single volume. The book includes interviews with popular musicians and detailed observation of musical performances, rehearsals, and recording sessions, as well as analysis of reception and use of popular music through informal exchanges with audiences. The popular music of the Caribbean contains elaborate forms of social commentary that allows singers to address various sociopolitical problems, including those that directly affect the lives of women. In general, the cultural environment of Trinidad and Tobago has made women more visible and audible than any previous time in its history. This book examines how these circumstances came to be and what it means for the future development of music in the region.

A striking new interpretation of colonial policing and political violence in three empires between the two world wars.

Indo-Caribbean women writers are virtually invisible in the literary landscape because of cultural and social inhibitions and literary chauvinism. Until recently, the richness and particularities of the experiences of these writers in the field of literature and literary studies were compromised by stereotypical representations of the Indo-Caribbean women that were narrated from a purely masculine or an Afrocentric point of view. This book fills an important gap in an important but underestimated emergent field. The book explores how cultural traditions and female modes of opposition to patriarchal control were transplanted from India and rearticulated in the Indo-Caribbean diaspora to determine whether the idea of cultural continuity is, in fact, a postcolonial reality or a fictionalized myth. kala pani, to Trinidad and Guyana provided courage, determination, self-reliance and sexual independence to their literary granddaughters who in turn used the kala pani as the necessary language and frame of reference to position Indo-Caribbean female subjectivity with equating writing as a pubic declaration of one's identity and right to claim creative agency. The book is of critical interest to those interested in twentieth-century literary studies, Caribbean studies, gender studies, ethnic studies and cultural studies.