Eliza Parsons The Castle Of Wolfenbach

It is among the seven "horrid novels" recommended by the character Isabella Thorpe in Jane Austen's novel Northanger Abbey and an important early work in the genre. It contains the standard gothic tropes of the blameless damsel in distress, the centrality of a huge, gloomy, ancient building to the plot, the discovery of scandalous family secrets, and a final confrontation between forces of good and evil. Its resolutely anti-Catholic, pro-English Protestant sentiment is also a feature of the genre. "Matilda Weimar flees her lecherous and incestuous uncle and seeks refuge in the ancient Castle of Wolfenbach. Among the castle's abandoned chambers, Matilda will discover the horrifying mystery of the missing Countess of Wolfenbach. But when her uncle tracks her down, can she escape his despicable intentions?" --www.valancourtbooks.com.

The good old Count Renaud is dead, and his will makes the degenerate Rhodophil his heir, disinheriting his other son Ferdinand, who has married against his father's wishes. Rhodophil promises to share his new riches with his younger brother and his wife Claudina, but Ferdinand hears a mysterious voice from beyond the grave, warning him to flee his brother and his wife to save himself from sin and death! Ferdinand obeys the supernatural warning and sets out to find fortune and adventure. In the course of his quest he will encounter a recluse in a ruined castle with a horrible secret, find himself captured and imprisoned by the Turkish army, and encounter one of Gothic literature's most depraved female characters, the monstrous Fatima. And if he survives all these dangers, Ferdinand must return to Renaud Castle to solve the mystery of the ghostly voice and uncover the terrible truth about his wife and his brother! This edition includes the unabridged text of the four volume 1796 edition, with a new introduction and notes by Karen Morton, and reproductions of illustrations from the 1796 and 1824 editions.

The whole affair is certainly very strange: often has the Marquis vowed to apply either to the Count or courts of justice; but the letters we received were never written by her, we could adduce no actual proofs of his guilt, and she continually warned us to take no steps without her permission. Thus, in a most unaccountable manner we are prohibited from doing her justice, whilst all the world believes her dead: he lives chiefly at Vienna, a dissipated life; though from my friend I hear he is at times gloomy, and apparently unhappy: this gentleman however believes my sister and her child dead, nor dare I undeceive him.

Camilla, subtitled A Picture of Youth, is a novel by Frances Burney, first published in 1796. Camilla deals with the matrimonial concerns of a group of young people: Camilla Tyrold and her sisters, the sweet-tempered Lavinia and the smallpox-scarred Eugenia, and their cousin, the beautiful Indiana Lynmere—and in particular, with the love affair between Camilla herself and her eligible suitor, Edgar Mandlebert. They have many hardships, however, caused by misunderstandings and mistakes, in the path of true love.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today.

First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

'The Romance of the Forest' evokes a world drenched in both horror and natural splendor, beset with abductions and imprisonments, and centered upon the frequently terrified but still resourceful and determined heroine Adeline.