Electroacoustics

Electroacoustic devices such as microphones and loudspeakers are used everywhere from cars and mobile phones to homes, places of worship, and sports arenas. They are a key part of the modern communication society, helping to transmit information to our ears. A contemporary introduction to the subject, Electroacoustics explains the scientific and engineering principles behind the design of these sound transducers. It also examines the compromises that are necessary when designing transducers for use in the real world. Learn about Ultrasonic Transducers, Loudspeaker Enclosure Design, and More This accessible textbook book is based on the author’s extensive experience teaching electroacoustics to advanced graduate and graduate students. He uses the concept of electrical circuit analogies to help readers quickly grasp the fundamentals of acoustical and mechanical systems. The book covers both traditional electrodynamic audio and ultrasonic transducers and includes up-to-date material on arrays, planar transducers, loudspeaker enclosure design, and more. To meet the needs of a broad range of readers, the book also includes background material on room acoustics, electrical circuits, and electrical filters. Electroacoustic theory is explained in an easy-to-read style without resorting to matrix theory. Throughout, a wealth of illustrations and exercises make the ideas more concrete. Get a Solid Foundation in Electroacoustic Engineering Principles The book emphasizes multidisciplinary engineering principles, preparing students for the broad range of applications they may encounter in their research as well as later in their careers. The modern treatment of transducers also makes this a valuable reference for transducer designers, acoustical consultants, hobbyists, and anyone involved in electroacoustic design.

The transformation of acoustics into electro-acoustics, a field at the intersection of science and technology, guided by electrical engineering, industry, and the military. At the end of the nineteenth century, acoustics was a science of musical sounds; the musically trained ear was the ultimate reference. Just a few decades into the twentieth century, acoustics had undergone a transformation from a scientific field based on the understanding of classical music to one guided by electrical engineering, with industrial and military applications. In this book, Roland Wittje traces this transition, from the late nineteenth-century work of Hermann Helmholtz to the militarized research of World War I and media technology in the 1930s. Wittje shows that physics in the early twentieth century was not only about relativity and atomic structure but encompassed a range of experimental, applied, and industrial research fields. The emergence of technical acoustics and electroacoustics illustrates a scientific field at the intersection of science and technology. Wittje starts with Helmholtz's and Rayleigh's work and its intersection with telegraphy and early wireless, and continues with the industrialization of acoustics during World War I, when sound measurement was automated and electrical engineering and radio took over the concept of noise. Researchers no longer appealed to the musically trained ear to understand sound but to the thinking and practices of electrical engineering. Finally, Wittje covers the demilitarization of acoustics during the Weimar Republic and its remilitarization at the beginning of the Third Reich. He shows how technical acoustics fit well with the Nazi dismissal of pure science, representing everything that “German Physics” under National Socialism should be: experimental, applied, and relevant to the military.

electroacoustics This branch of acoustic engineering deals with the design of headphones, microphones, loudspeakers, sound systems, sound reproduction, and recording.[15] There has been a rapid increase in the use of portable electronic devices which can reproduce sound and rely on electroacoustic engineering, e.g. mobile phones, portable media players, and tablet computers. This term is also used for a set of electrokinetic effects that occur in heterogeneous liquids under influence of ultrasound. There is International Standard that describes such electroacoustic effects in details

This is the definitive reference for microphones and loudspeakers, your one-stop reference covering in great detail all you could want and need to know about electroacoustics devises (microphones and loudspeakers). Covering both the technology and the practical set up and placement this guide explores and bridges the link between experience and the technology, giving you a better understanding of the tools to use and why, leading to greatly improved results.

A history of acoustics from the 19th century to the present, written by one of the pre-eminent members of the acoustical community. The book is both a review of the major scientific advances in acoustics as well as an account of famous acousticians and their discoveries, taking in the development of the Acoustical Society of America. Acoustics is distinguished by its interdisciplinary nature and the book duly explores the fields development in its relationship to other sciences. In addition to covering the history of acoustics, the book concludes with the future of acoustics. Beautifully illustrated.

Translation of a French textbook published in 1986 (Presses Polytechniques Romandes, Switzerland). Takes a practical approach to describe fundamentals, sound theory, propagation media and systems, analogies of mechanical and acoustical circuits, and modern methods of designing electroacoustic transd