Edgar Allan Poe And The Masses

Edgar Allan Poe has long been viewed as an artist who was hopelessly out of step with his time. But as Terence Whalen shows, America's most celebrated romantic outcast was in many ways the nation's most representative commercial writer. Whalen explores the antebellum literary environment in which Poe worked, an environment marked by economic conflict, political strife, and widespread foreboding over the rise of a mass audience. The book shows that the publishing industry, far from being a passive backdrop to writing, threatened to dominate all aspects of literary creation. Faced with financial hardship, Poe desperately sought to escape what he called "the magazine prison-house" and "the horrid laws of political economy." By placing Poe firmly in economic context, Whalen unfolds a new account of the relationship between literature and capitalism in an age of momentous social change. The book combines pathbreaking historical research with innovative literary theory. It includes the first fully-documented account of Poe's response to American slavery and the first exposé of his plot to falsify circulation figures. Whalen also provides a new explanation of Poe's ambivalence toward nationalism and exploration, a detailed inquiry into the conflict between cryptography and common knowledge, and a general theory of Poe's experiments with new literary forms such as the detective story. Finally, Whalen shows how these experiments are directly linked to the dawn of the information age. This book redefines Poe's place in American literature and casts new light on the emergence of a national culture before the Civil War.

A new selection for the NEA’s Big Read program A compact selection of Poe’s greatest stories and poems, chosen by the National Endowment for the Arts for their Big Read program. This selection of eleven stories and seven poems contains such famously chilling masterpieces of the storyteller’s art as “The Tell-tale Heart,” “The Fall of the House of Usher,” “The Cask of Amontillado,” and “The Pit and the Pendulum,” and such unforgettable poems as “The Raven,” “The Bells,” and “Annabel Lee.” Poe is widely credited with pioneering the detective story, represented here by “The Purloined Letter,” “The Mystery of Marie Roget,” and “The Murders in the Rue Morgue.” Also included is his essay “The Philosophy of Composition,” in which he lays out his theory of how good writers write, describing how he constructed “The Raven” as an example.

"We tend to think of Edgar Allan Poe as a loner, living in a world of his own imagination and detached from his physical environment. Poe might seem like a Nowhere Man, but of course he was always somewhere - just not at the same address for very long. The Man of the Crowd chronicles Poe's rootless life, focusing on the American cities where he lived the longest: Richmond, Baltimore, Philadelphia, and New York. The Poe who emerges in The Man of the Crowd is a man whose outlook and career were shaped by his physical environments - mostly urban and almost entirely American. His career was tied closely to the rise of American magazines, so he lived in the cities that produced them and wrote not just stories and poems but journalism and editorials with an urban magazine-reading public in mind. For years he witnessed urban slavery up close, living and working within a few blocks of slave jails and auction houses in Richmond. In Philadelphia, he saw an orderly, expanding city struggling to contain its own violent propensities. And at a time when suburbs were just beginning to offer an alternative to crowded city dwellings, Poe tried living cheaply on the then-rural Upper West Side of Manhattan and, later, in what is now the Bronx. Though Poe rarely provided "local color" in his fiction, his urban mysteries and claustrophobic tales of troubled minds and abused bodies reflect his experience living among soldiers, slaves, and immigrants"--

Explore the transcendent world of unity and ultimate beauty in Edgar Allan Poe’s verse in this complete poetry collection. Although best known for his short stories, Edgar Allan Poe was by nature and choice a poet. From his exquisite lyric “To Helen,” to his immortal masterpieces, “Annabel Lee,” “The Bells,” and “The Raven,” Poe stands beside the celebrated English romantic poets Shelley, Byron, and Keats, and his haunting, sensuous poetic vision profoundly influenced the Victorian giants Swinburne, Tennyson, and Rossetti. Today his dark side speaks eloquently to contemporary readers in poems such as “The Haunted Palace” and “The Conqueror Worm,” with their powerful images of madness and the macabre. But even at the end of his life, Poe reached out to his art for comfort and courage, giving us in “Eldorado” a talisman to hold during our darkest moments—a timeless gift from a great American writer. Includes an Introduction by Jay Parini and an Afterword by April Bernard

Arguing that Poe is exemplary in his ambivalent relationship to mass culture, the author offers a new theorization of mass culture and ideology.

A sweet little cat drives a man to insanity and murder.... The grim death known as the plague roams a masquerade ball dressed in red.... A dwarf seeks his final revenge on his captors.... A sister calls to her beloved twin from beyond the grave.... Prepare yourself. You are about to enter a world where you will be shocked, terrified, and, though you'll be too scared to admit it at first, secretly thrilled. Here are four tales -- The Black Cat, The Masque of the Red Death, Hop-Frog, and The Fall of the House of Usher -- by the master of the macabre, Edgar Allan Poe. The original tales have been ever so slightly dismembered -- but, of course, Poe understood dismemberment very well. And he would shriek in ghoulish delight at Gris Grimly's gruesomely delectable illustrations that adorn every page. So prepare yourself. And keep the lights on.

"The Man of the Crowd" is a story that deals with the influence of the big city upon the ordinary person. Obsessed with categorization, the protagonist feels baffled by his inability to piece together the situation in front of him. Moving from a state of contemplation and categorization, to a heightened state of mental pressure and desire to prove even further, Poe’s protagonist embarks on a journey through London darkest streets and godforsaken slums. The story is a perfect example of what happens when our rational thoughts are replaced by the delirious and altered perceptions of the world that lies beyond the ordinary one. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).

This annotated and illustrated edition of the entire stories and poems of Edgar Allan Poe brings the author to life as never before. Photographs of Poe's many loves and the literary figures he satired in his stories are included.