Edgar Allan Poe And His Illustrators

Although there have been over 700 illustrators of Poe’s work over the past two centuries, this book chooses to examine only the best of them. Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence. The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe’s poems and stories. In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon. A few of the illustrators featured in this book (e.g., Manet, Doré, Redon, Beardsley) are recognized among the most famous artists in the world. Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe’s fiction and poetry. While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators. The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists. They, too, found in Poe’s writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex.

'Nightmares in Decay' features full-page reproductions of all 32 of Clarke's Poe illustrations, as well as vignettes and variations.

Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who “from childhood’s hour . . . [had] not seen / As others saw.” Poe and the Visual Arts is the first comprehensive study of how Poe’s work relates to the visual culture of his time. It reveals his “deep worship of all beauty,” which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe’s sensitivity to visual media gave his writing a distinctive “graphicality” and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus.

The fascinating story behind the nineteenth-century artist who illustrated Poe’s classic poem—and the rediscovery of the drawings decades later. One of the most popular poems in the English language, Edgar Allan Poe’s “The Raven” has thrilled generations of readers. In 1882, the Anglo-American artist James Carling decided to produce the definitive series of illustrations for the poem. Carling’s bizarre images explore the darkest recesses of Poe’s masterpiece, its hidden symbolism, and its strange beauty. Although the series remained unpublished at the time of the artist’s early death in 1887, the drawings reemerged fifty years later, when they entered the collection of the Edgar Allan Poe Museum in Richmond. There they lined the blood-red walls of a Raven Room dedicated to their display. For the first time, Poe historian Christopher P. Semtner reproduces the entire series—and tells the story behind these haunting works.

Dive into the macabre, mysterious world of Edgar Allan Poe's chilling tales with popular coloring book artist Odessa Begay (Little Birds). Inspired by Poe's beloved stories, Begay has created images that reference settings, motifs, and details that fans will recognize.

Winner of the 2015 Edgar Award for Best Critical/Biographical! Follow the footsteps of the father of American horror fiction. Edgar Allan Poe was an oddity: his life, literature, and legacy are all, well, odd. In Poe-Land, J. W. Ocker explores the physical aspects of Poe’s legacy across the East Coast and beyond, touring Poe’s homes, examining artifacts from his life—locks of his hair, pieces of his coffin, original manuscripts, his boyhood bed—and visiting the many memorials dedicated to him. Along the way, Ocker meets people from a range of backgrounds and professions—actors, museum managers, collectors, historians—who have dedicated some part of their lives to Poe and his legacy. Poe-Land is a unique travelogue of the afterlife of the poet who invented detective fiction, advanced the emerging genre of science fiction, and elevated the horror genre with a mastery over the macabre that is arguably still unrivaled today.

A gorgeously illustrated glimpse into the mind of a young Edgar Allan Poe. When young Eddie is falsely accused of destroying the Judge’s chicken coop, he is given one day to find the true culprit. Guided by logic, but entranced by the poetry of the paranormal, Eddie seeks to solve the mystery, along the way meeting Captain Mephisto, a darkly unusual magician who has tricks up his sleeve—and maybe a demon on his back. With help from his Raven and the prodding of a mischievous imp, McCobber, it is no wonder that Eddie grows up to become a master of the macabre. Scott Gustafson crafts a finely wrought portrait that is both humorous and touching. Coupled with his stunning gothic illustrations, Eddie is sure to win fans young and old.