Easter In Ramallah

A story about friendship and holiday traditions that have been shared among Palestinian Christian and Muslim families for centuries. A story that reflects the tradition of celebrating Easter holiday that was carried on for years and takes the reader to a fun festive place that is filled with a colorful atmosphere, drums playing, love and laughter from the eye of a child.

A story that reflects the tradition of celebrating Easter holiday that was carried on for years and takes the reader to a fun festive place that is filled with a colorful atmosphere, drums playing, love and laughter from the eye of a child.

This three-part work presents a comprehensive look at a unique woman whose life spanned almost the full 20th Century. Educated well beyond her peers in the 1920s, never satisfied with less than the high standards her upbringing had trained her to value and expect, Eva Marshall Totah struck out across the world to pursue her calling. She sought to pass on her prairie-bred character to those around her, to create beauty and to uplift her surrounding environment. Readers interested in the history of the American Midwest and the history of American Quakers will be drawn to her story, which begins with her birth in the claim shanty of her parents homestead in the new State of South Dakota. Genealogy buffs will enjoy the well-documented family genealogical histories of Evas eight great grandparents. Students of the history of the modern Middle East will be fascinated by her first-person accounts of life in Palestine during the waning years of the British Mandate, before the creation of Israel. Part I The Autobiography of Eva Marshall Totah From the South Dakota prairie, a young Quaker woman was recruited in 1927 to teach for a year in the Holy Land. Well-prepared by her college and graduate studies, as well as two years as a Bible teacher in a Chicago after-school religious education program, she ventures overseas. Not realizing there were Arabs in Palestine, Eva Rae Marshall was expecting to teach Jewish children at the Friends Girls School in Ramallah. Discovering the varied religious landscape in Jerusalems environs was only one of many surprises in store for her! In Evas autobiography, she recounts her childhood in Wessington Springs, South Dakota and the choices she made that took her across the world at a time when most women did not even finish high school. Always supported and guided by her loving parents, Eva describes how she found her lifes purpose at the Quaker school in Palestine among the varied and colorful religious groups that called the country their home, and recounts her travels throughout the surrounding Levantine region during the British Mandate period. Eva found love and purpose in Palestine, eventually marrying a Palestinian Quaker, Dr. Khalil Totah. She spent 17 years in Palestine before she and Dr. Totah moved their family to America, sailing on a Liberty Ship through the mine-strewn Mediterranean waters during World War II. After several years on the East Coast, Eva lived the rest of her years in California. Part II Evas Letters Home from Palestine (1927 - 1944) The second section contains Evas letters to her family in South Dakota from Palestine. The letters are the only ones known to remain from a correspondence that was carried on weekly for 17 years. They span from her arrival in 1927 to the familys departure from Palestine in 1944, and include remarkable observations of the colorful life of the Middle East of that period. Part III Genealogy of Eva Marshall Totah The third portion of the book contains well researched genealogy and family history narratives of eight of Evas ancestral families: Jesse Marshall, Mary Pickering, William Owen Lancaster, Olive Ruddick, Phillip Strahl, Rhoda Ann French, Arthur Ginn and Mary Eliza Barton. Since Eva was of almost completely Quaker stock, the research benefits from the volume of rich sources of information available on members of the Society of Friends. Eva Rae Marshall was also a direct descendant of Mayflower pilgrim Stephen Hopkins.

Despite the urgent need to develop understandings of the Palestinian-Israeli conflict in the light of the current situation in the Middle East, the role of violence and reconciliation in Palestinian and Israeli literature and film has received only brief treatment. This book is intended to fill that void; that is to explore how Israelis and Palestinians view and depict themselves and each other in situations that lead to either violence or reconciliation, and the ways in which both parties define themselves in relation to one another. The book examines selected Palestinian and Israeli literary works and a small number of films and their tacit assumptions about Israeli Jews. It will attempt to look at, among other questions a) is violence perceived as a means of empowerment, b) is there connection between imaginary violence in literature and actual violence, and what is the nature of the association between creative writers and violence? (eg. popular writer Ghassan Kanafani who is also a spokesman for the violent PFLP).

Karavan Kitchen is a beautifully illustrated cookbook packed with mouth-watering recipes for a wide range of vegan dishes throughout the Middle East—whether salads, mezze plates, main courses, the enormous variety of grains, sweet desserts, and beverages. Karavan Kitchen is also an evocative introduction to the many diverse cultures of the region and an eye-opening and compelling examination of the refugee crises caused by the conflicts in Syria, Libya, Yemen, and Somalia. Soraya Beheshti demonstrates how food is often the central connection many refugees have to their native countries and a means of creating community even when forced to live in difficult conditions many miles from home.

Dance in Palestine has a history as complex and contentious as the land itself. Whether dismissed as bacchantic madness by Bible tourists in the 19th Century, revived and glorified by Zionists, Pan-Arabists and Palestinian Nationalists in the 20th Century, or rejected by Islamic Reformists in the 21st Century, dance in Palestine has a rich and elusive story that remains to be told. 'Raising Dust' traces one dancer's journey into Palestine's past and present. Through historical archives, the memories of dancers of yesteryear and into today's vibrant performing arts scene, Nicholas Rowe shows how dance has acted as a barometer of social change, a forum for debate and a means of expressing forbidden ideas. Far from apolitical, this most physical of art forms has often defined the political mood of the day. Sumptuously illustrated, the author provides a unique, rare and compelling cultural history of dance in Palestine.